Join me and one of my fellow nerds, as we talk Christine (both book and movie), as well as some of the other happenings in the world of The Master!
Join me and one of my fellow nerds, as we talk Christine (both book and movie), as well as some of the other happenings in the world of The Master!
Lately, the world has been a bit topsy-turvy.
Maybe I am looking at it through a looking glass…
Maybe I traveled into an alternate reality, where Superman is the adopted son of undocumented migrant workers, and has a really, really close relationship with Zod, and Batman is literally backwards, and kind of sucks…
Well, actually no.
Not that I am knocking on any of the above, and wouldn’t be open to a little possible experimentation…
Although I could argue that Barry Allen and his ill-advised time travel has had some kind of effect on my reality…
After all, the Cubs are World Series champions!
Now, if only it had won me the lottery…
Or at least given me cool super powers!
Okay, back on topic…
I have actually traveled to alternate reality, even though that trip to Earth 2 is still on my bucket list.
In other words, I have read a book written by that Bachman fella…
Well, I am really not sure if those guys are one in the same, even if that whole story about death from cancer of the pseudonym is slightly suspicious…
Hey, you never know. If young boys and and middle-aged priests can “die” in one world, and be re-born into another (cooler) world, maybe writers can be stricken with cancer of the pseudonym, and end up being re-born on the Sons of Anarchy level of the Tower, where the writer in question takes a grisly sort of janitorial type of job, collecting macabre souvenirs as a form of payment…
Okay, again back on topic.
So, I read a Stephen King book.
Yeah, water is wet, the sun rises in the east, and Cheetos make terrible leaders of the free world…
So what else is new?
Well, this book is actually new, at least somewhat.
As most of us probably know, early in his career, The King of Horror decided that he would like to write non-horror stories, every now and again.
While King has actually written some fantastic books that can be classified as not horror (The Talisman, 11/22/63, Different Seasons and The Eyes of the Dragon all readily come to mind), early on his career, he was bound by some silly rules about how many books he could publish in a year.
Somebody thought that there was such a thing as too many Stephen King books! And they thought I was the crazy one!
So King did what any sensible King of Horror would do. He created a pseudonym.
As far as I know, this pseudonym did not come to life and murder people, forcing a flock of birds to be called, so they could carry him off, kicking and screaming.
(However, if he is employed by the friendly folks known as SAMCRO, all bets are off, as you gotta do what you gotta do to survive over there in the charming town of Charming, California.)
King named this pseudonym Richard Bachman. And for a while, that Bachman fella did pretty well for himself.
He wasn’t a horror writer, per se. No, Bachman explored the darkness of human nature. Man’s inhumanity to man, in other words.
And Bachman also wrote of our obsession with television, and our need to be constantly entertained, even at the expense of the feelings (and maybe even lives) of our fellow man.
In other words, I am currently reading The Running Man.
Dicky Bachman has come out to play.
So let’s indulge him, as we read and dissect The Running Man.
And, as always:
So, Sunday finally came.
I had been waiting all week.
Finally, it was time to plunk myself in front of the altar, er television.
Well, actually no.
Still a bit early for that particular Sunday service, as much I want to watch my Colts again.
Luckily, I have something else to worship in the meantime.
That’s right, I am talking about the divine new show on Starz network, aka American Gods.
After all, NFL season is only for 6 months of the year, and between February and August, the only offering we get is the draft.
So I need something to tide me over.
Luckily, American Gods allows me to continue worshiping at the altar, even though it is not football season.
And once again, this week’s episode provided plenty of reasons to worship at the altar on a Sunday afternoon.
Almost made me forget about the NFL season being still so far away. Almost.
So join me, as I review and dissect episode 3, titled Head Full of Snow.
And, as always:
The history of America is a complex one.
People came from all over the world.
In fact, violence and bloodshed are a large part of our history, for better or for worse.
This country was also built on the backs of vulnerable people, including women, children and slaves from Africa who were kidnapped and brought over to this country, in the name of making this country wealthy and powerful.
And of course, elements of all of these different cultures are now part of American culture.
We eat pasta. That is Italian.
Some of us listen to jazz music. Jazz music is something that can be traced back to African culture, and was brought over to this country by the non-immigrant folks, aka slaves.
Even if you watch a movie such The Avengers, there are references to Norse mythology, as characters such as Thor, Loki and Odin are based on gods from Norse mythology. In other words, Hulk’s “friend from work” is actually an immortal Norse god. That must make for some interesting office dynamics!
But, back to my point.
This country owes a large debt to immigrants, along with African American slaves.
Chances are, something that catches your fancy can be traced back to an immigrant or possibly an African slave.
In fact, someone wrote an entire book about this phenomenon.
The name of the book is American Gods.
At it’s core, American Gods is a dark fantasy that gives us an interpretation of religion along the lines of “it’s real if you believe.”
American Gods also serves us to remind us how important immigration and slavery are to this country, and the large debt that this country owes to both.
Now, American Gods has been translated to the screen, so these ideas have come to life. And what a glorious trip it has been, even though only two episodes have aired, so far.
So, here is the recap and review of the second episode, titled The Secret of Spoons.
And, as always:
So, last night I had an OMG moment.
And thank god I had that too.
For the love of god, it was good!
And I can’t wait to experience it again, godspeed!
Ok, enough with the un-godly horrible jokes…
Well, in case you haven’t figured it out yet, I am referring to the series premiere of American Gods, Starz network’s latest offering that is based on a book of the same name, written by the illustrious Neil Gaiman.
Under the premise of the show (and book), gods are real. They are real because we worship them, although their powers are declining because we have moved away from religion, and towards our modern “gods,” aka media, technology and the stock market.
The old gods are gearing up for a battle with th newe gods, so that the old gods may show the young whippersnappers who is really in charge.
And woe to any innocent bystander who gets caught up in this battle…
Especially if said bystander goes by the name Shadow Moon…
At its core, American Gods is a fantasy, somewhat similar to The Lord of the Rings, but set in modern times and familiar places, with a main character who symbolizes the melting pot that is America.
American Gods can also be seen as a sort of allegory for how immigration has shaped this country, as the immigrants not only brought their foods and languages to this country, but also their religion and beliefs.
In other words, their gods.
So, without further ado, here is the recap and review of the first episode of the first season of American Gods, titled The Bone Orchard.
Oh, as always:
When one thinks of horror, often one thinks of horror movies.
These movies are fantastical in some ways. We all know that someone cannot possibly be shot 23,889,209 times and still get up to chase sexually precocious teenagers and kill them in inventive ways (although that is a good way to burn that free 100 or so minutes you may have that day. More if you watch the cut scenes on the “extras” menu.)
But often, real life can contain plenty of horror…
But seriously, just turn on the news any given night, and tell me that man’s inhumanity to man is not the most horrific thing out there?
And there is one guy who understands this very well, and who has written some compelling literature on the subject, as a matter of fact…
You guessed it, we are talking about Stephen King!
*insert shocked look right about here*
King has been called The Master of Modern Horror (but you can call him The Master for short), and for good reason.
A rabid St. Bernard that makes you want to avoid car trouble at all costs?
Check and mate!
While most of the above horrors are not actually “real horrors,” one of King’s greatest strengths as a writer is his ability to include elements of realism in his writing.
So we associate The Shining the famous phrase “Redrum” (spell it backwards, for the uninitiated), along with a haunted hotel and a scary lady who is a permanent residence of a room with a famous number
There is also the matter of the guy in the dog costume…
Well, back to my point.
Which is that King can insert reality into his works. The Shining is a great example of this, because it deals with alcoholism, unemployment, child abuse and the list goes on.
In other words, we can relate the above list, since we have all experienced at least one of those things in our lifetime.
And that is what makes the story so terrifying: since we can relate to those topics, it is not that far out of left field that there may be a haunted hotel somewhere out there, where we avoid room 217 (or 237), along with the hedge animals and fire extinguishers, because if it can happen to the seemingly normal Torrance family, it sure can happen to us.
King writes about people. These people may be placed into extraordinary situations, but they are still people, who could, at least theoretically, be any one of us.
And these people do not always fight supernatural monsters, Often, humans are the monsters, and what a human can do to a fellow human is far worse than what a haunted hotel or even a rabid St. Bernard can do to us.
One of King’s books that deals with man’s inhumanity to man (or, more appropriately, woman) is Gerald’s Game.
Gerald’s Game contains hardly any elements of the supernatural, but it is still a frightening read. The monsters in this book are human, so the scenario is one that is plausible for anyone.
So strap in (but don’t handcuff yourself), and get ready for the ride that is Gerald’s Game.
If you wish to hear your favorite nerd live and in the flesh, breaking down the novel Insomnia (written by The Master, natch) and geeking out over more than a few things, click the link below, as she was a guest on The Dark Tower Radio Podcast, and got to participate in a great meeting of the minds! Long days and pleasant nights, and enjoy!
Many people remember their teen years with some sort of fondness.
And that is understandable, to a point.
After all, many milestones are reached during adolescence…
First vehicles that you fall in love with, and said vehicle demands exclusivity almost immediately, and luuvvvs you soooo much that she (since cars always a she, after all) will not allow you to date anyone else, see your friends or hang out with your family…
Well, adolescence in the Stephen King universe is not normal adolescence, after all.
Last month, it was the prom that we reminisced about so fondly.
And this month, we are going to talk about the first love, along with the first vehicle.
In other words, we will be reading and dissecting King’s novel, Christine.
(Yeah, this is the part where I should tell you we are talking about a Stephen King book. Quit acting surprised, you knew it was coming!)
As always, King is one of the few writers who can capture childhood, along with adolescence.
And Christine is a book that has a lot to say on this subject.
So fasten your seat belts, and let’s hop into a certain bright red homicidal 1958 Plymouth Fury…you know you will be in one Hell (literally) of a ride!
And, as always:
The book begins by introducing us to a young man named Dennis Guilder. Dennis has just turned 17 and will be starting his senior year in high school. Dennis’ best friend is another young man named Arnold “Arnie” Cunningham, who has also just turned 17 and attends the same high school as Dennis.
Dennis is athletic and popular, and well liked by his peers. Arnie, however, is a loner and is constantly bullied. Despite the fact that they are polar opposites in so many ways, Dennis and Arnie remain best friends, even throughout junior high and high school.
One day, as Arnie and Dennis are returning home from their summer job, Arnie notices an old car for sale. The car is a 1958 Plymouth Fury and does appear to be in good condition.
Arnie speaks to the owner of the car, an old man named Roland LeBay. Almost immediately, Dennis dislikes the old man. Arnie, however, is determined to purchase the vehicle, and bargains with LeBay. Since it is not pay day, Arnie puts down $25 on the car, which LeBay sells to him for $250, with the expectation that Arnie will purchase the vehicle the next day. Dennis is upset and tries to talk Arnie out of the deal, but Arnie will not budge, and appears to be besotted with the vehicle, which LeBay refers to as “Christine.”
When Arnie returns home that night, he informs his strict parents that he purchased a car. They are upset, especially his mother, Regina, but Arnie still refuses to back down.
The next day, Arnie purchases Christine, and attempts to drive her home. Initially, Christine will not start, but Arnie somehow coaxes the vehicle into starting. Dennis sits in the car for a moment, and gets a very bad feeling about it. On the way home, the car gets a flat tire, and Arnie is forced to change the tire on a resident’s lawn, which very nearly results in a fight between Arnie and the resident.
Arnie makes the decision to temporarily house Christine at Darnell’s Garage. Darnell’s Garage is owned by Will Darnell, a common crook rumored to have dealings with organized crime, but really Arnie’s only choice if he wants to keep Christine. Arnie believes that he can fix up Christine and turn her into something special, although Dennis is skeptical, and even begins to have nightmares about Arnie’s vehicle.
Arnie begins to spend more and more time making repairs to Christine, and less time with Dennis and the rest of his family.
One night, Dennis and Arnie stop for pizza on the way home from work. Arnie has a black eye, and Dennis asks about it. Arnie tells Dennis that he got into a fight with Buddy Reperton, a local thug, at Darnell’s Garage. Reperton smashed a headlight on Christine, and this made Arnie furious. Arnie was also able to injure Reperton before Darnell stepped in. Dennis becomes worried, and does not want Arnie to continue to use Darnell’s Garage as a home for Christine.
One evening, Dennis gets the idea that Arnie can park Christine at LeBay’s house, possible in exchange for some minor chores and a little money. However, Dennis discovers that LeBay has died, so this may not be an option for Arnie.
Arnie is in shock over the death of LeBay, and insists on attending his funeral. Dennis accompanies Arnie, and meets George, LeBay’s brother. Dennis tries to talk George into letting Arnie park Christine at his deceased brother’s house, but George refuses, telling Dennis that Arnie should get rid of the car, as it is bad news. Dennis is curious, and agrees to meet with George later that evening so that he can obtain some more information on Christine’s history.
Later that evening, Dennis meets with George. George gives Dennis a background on Roland and his vehicle. Roland was always angry and bitter, even as a child. Roland joined the army as a young man and became a mechanic, and a brilliant one at that. However, Roland could not let go of his anger, as evidenced by the letters he sent to his family.
Eventually, Roland got married and became a father. He also finally purchased a vehicle of his own, a 1958 Plymouth Fury who named Christine. Roland became obsessed with the vehicle, devoting much of his time and money to it.
One day, Roland’s young daughter choked on a piece of hamburger while riding with her parents in the vehicle. Roland and his wife are unable to save their daughter, and she dies. Roland’s family begs him to give up the vehicle, but he refuses.
The vehicle also claimed another victim: Roland’s wife, who committed suicide in the vehicle, via the fumes from the exhaust hose. Roland still refuses to give up the vehicle, and spends the rest of days alone, only selling the vehicle to Arnie when it becomes evident that he will die soon.
The story makes Dennis uneasy, even when he returns home. Dennis also has an unsettling conversation with his father in regards to Will Darnell and his dealings, which confirms some of Dennis’ suspicions that Darnell may be more than a small time crook.
School begins, and Dennis becomes busy with the start of his senior year. Arnie is also busy, attempting to restore Christine to her former glory. Dennis notices that Arnie’s complexion begins to improve (he had previously had a terrible case of acne) and that Arnie also becomes more confident in himself.
One day, as Dennis and Arnie are eating lunch, they are confronted by Buddy Reperton and his band of friends. A fight breaks out, and a teacher is called in to stop the fight. The fight results in Buddy Reperton’s expulsion from the school, and the suspension of some of his friends. Dennis is shaken, but is again surprised to see Arnie fight back against the bully.
Arnie’s confidence continues to grow. He asks Leigh Cabot, a beautiful transfer student, out on a date, and she agrees to go out with him. Arnie and Leigh attend a football game together, and Leigh meets Dennis. Dennis is a little jealous of Arnie, as he also has a crush on Leigh, but is happy for his friend.
That afternoon, Dennis plays football, like normal. However, he is injured in the game. The injuries are severe, and Dennis spends several weeks in the hospital recovering. Thoughts of Arnie and Christine, along with Leigh, are never far from his mind.
The book then changes to the perspective of Arnie, Leigh and the other characters. Nearly everyone is concerned for Arnie, and they sense that his obsession with the car may be unhealthy. The relationship with Arnie and his mother becomes strained, and they fight constantly over the vehicle. Leigh also dislikes Arnie’s car intensely, and feels uncomfortable when she rides in it.
One night, Arnie’s father, Michael, takes a ride with Arnie in Christine, and has a serious conversation with his son. He suggests that Arnie park his vehicle at the airport, as opposed to Darnell’s Garage. At first, Arnie is not happy with this suggestion, but agrees to it, as sort of a truce between himself and his family.
In the meantime, Buddy Reperton and his friends seek revenge on Arnie, as they blame Arnie for Buddy’s expulsion from school. So one night, Buddy and his friends are able to sneak into the airport garage. Once in the garage, they find Christine and vandalize the vehicle.
One day after school, Arnie heads to the airport garage with Leigh, to show off his progress with his work on Christine. Arnie then discovers the vandalism to Christine, and becomes very upset.
Arnie argues with his parents over Christine and the vandalism. He is reluctant to report the incident, but his father insists on doing so. Arnie’s parents offer to replace Christine with a newer vehicle, but Arnie refuses, and states that he will restore Christine himself.
Christine seeks revenge on those who vandalized her. She begins with with Moochie Welch, who was involved in the prank. Christine chases down Moochie one night, running him over multiple times.
Arnie learns about Moochie’s death, and appears to be shocked. He denies any involvement to local police, and his parents also confirm his alibi. Arnie is also questioned by a state police officer. The officer does not believe Arnie’s story, but cannot take any action, as he has no concrete evidence that Arnie was involved in Moochie’s death. The officer also notices that Christine is nearly restored back to her prior condition, despite the fact that prior reports stated that she was damaged beyond repair.
One evening, Buddy and his friends are driving around town. Buddy is still angry over being expelled from school, and has no remorse over vandalizing Christine. Buddy and his friends then notice another vehicle which appears to following them. It does not take long for Buddy to realize that the vehicle is Christine, and she appears to be driving herself.
Chrstine chases Buddy down, and runs him over, killing him. Before he dies, Buddy sees the ghost of an old man, which can only be Roland LeBay.
Arnie feels badly that he has been neglecting Leigh, and he takes her shopping and out for dinner one weekend. On the way home, Arnie and Leigh pick up a hitchhiker and drive him into town on their way home.
On the drive home, Leigh is eating a hamburger. She then begins to choke on the hamburger, but she is saved by the hitchhiker, who uses the Heimlich maneuver on her, over Arnie’s protests. Leigh is badly shaken by the incident, and realizes that she would have died if it had not been for the hitchhiker. When she is choking, Leigh believes that Christine’s dashboard lights turn into eyes, and that the car tried to kill her.
When Arnie drops Leigh off at home, Leigh demands that Arnie get rid of Christine, as she believes that the vehicle is evil. Arnie refuses, and the two argue. Arnie then storms off, leaving Leigh in tears.
Arnie is again questioned by Junkins, the state cop who questioned him in regards to Moochie’s death. Arnie provides an alibi for the night of Buddy Reperton’s death, and tells the state cop that there is no evidence that he was involved in Buddy’s death. Junkins does not believe Arnie, and vows that Arnie will one day face justice.
Arnie’s personality begins to change, and everyone notices, including Arnie. Arnie’s speech and mannerisms become similar to those of Roland LeBay, and Arnie even believes that he sees LeBay sitting in his vehicle.
One day, Arnie runs another errand for Will Darnell, his boss. The state cops, however, have closed in on Darnell, who is arrested. Arnie is also arrested, as the vehicle he was driving contains untaxed cigarettes. Arnie’s parents are shocked by the arrest, but Arnie is eventually released from jail, and will likely not have a mark on his permanent record, due to his age.
Christine then seeks revenge on Darnell when Arnie is out of town for the Christmas holidays. She traps Darnell inside of his house, and runs him over. Darnell’s death is news, due to his pending criminal charges, and most people assume that his death was related to his criminal dealings.
Leigh, however, makes the connection between Darnell’s death and a few others. She believes that Christine is the cause of those deaths, as does Dennis. Dennis and Leigh team together, and research Christine’s history. Dennis then begins to develop feelings for Leigh, but is hesitant, due to his friendship with Arnie.
Dennis spends New Year’s Eve with Arnie. He is struck by the changes in Arnie’s personality, which he realizes is actually LeBay’s personality. Dennis is unsettled, and becomes even more frightened for Arnie.
On the way home that night, Dennis witnesses Arnie transform into Roland LeBay. When he glances through Christine’s mirror, he also sees the ghosts of Christine’s victims. His town is also transformed into what it looked like in the 1950’s, when LeBay was still alive.
Christine then claims another victim: Junkins, the state cop who investigated Darnell, and who also set his sights on Arnie, hoping to charge him with the murders of Buddy Reperton and Christine’s other victims. Dennis and Leigh realize that they must destroy Christine.
Dennis speaks to LeBay’s brother, George. George reveals more of LeBay’s early life, and the picture painted is disturbing, as people who harmed LeBay were likely to become injured or even dead. George also states that the deaths of LeBay’s wife and child may not have been accidental. Dennis then informs LeBay that he intends to destroy Christine. After his conversation with LeBay, Dennis begins to make some phone calls.
One day, Dennis and Leigh are talking in Dennis’ car in the parking lot of a local restaurant. Arnie appears, and realizes that Dennis is in love with Leigh. This infuriates Arnie, who has fixated on Leigh, determined to make her love him again. Dennis is frightened for Leigh, as he realizes that it is actually the ghost of LeBay who has fixated on Leigh, and that LeBay will stop at nothing to get what he wants.
Dennis confronts Arnie one morning in the school parking lot. He tells Arnie that LeBay has possessed, but that he can fight him. Arnie tries to fight, but LeBay is stronger. Arnie and Dennis then get into a physical fight. Dennis challenges LeBay, telling him to meet him that night at Darnell’s garage, and to bring Christine.
Leigh and Dennis wait for Christine at Darnell’s garage. Christine soon appears, along with the body of Michael Cunningham, Arnie’s father. Dennis and Leigh battle Christine with a wrecking truck that Dennis had obtained earlier that day. They are able to destroy the car, but are injured in the process.
Dennis awakens in the hospital the next day and inquires about Arnie. A FBI agent named Mercer tells him that Arnie and his mother were killed in a car accident on the highway right after Christine was destroyed. Witnesses saw a third person in the vehicle, which could only be the ghost of Roland LeBay, who attempted to possess Arnie after Christine was destroyed. Dennis tells his story to the FBI agent, and Leigh corroborates it.
Dennis and Leigh graduate from high school and date for about two years. Eventually, they drift apart and Leigh moves to New Mexico. She marries and becomes the mother of twin girls.
Dennis becomes a junior high school history teacher. He recovers from his injuries, even though his leg still pains him at times. He sometimes experiences nightmares in regards to Christine, but they become less frequent.
One day, Dennis receives the news that a young man named Sandy was killed after being hit by a vehicle. Dennis begins to wonder if Christine has somehow regenerated, and if she will find him and seek revenge.
Well, that was quite a ride…
Okay, okay…I will brake from the bad car jokes…
But seriously, wow, this book was really quite the ride.
Now, Stephen King writes scary stuff. Duh, he is the King of Horror, and we all know this. And Christine has plenty of scary moments (more on that later.)
But really, King’s major strength as a writer is his ability to write about reality, as strange as that may seem to some.
In other words, King does not just write about monsters, like possessed cars, haunted hotels and evil clowns.
He writes about people.
And that’s why we love him. Once again, he is our literary Everyman.
And there are plenty of Everyman moments in Christine. When Christine is mentioned, most people think “Car bad. Very very bad. Arnie go crazy. I hate rock and roll.”
(Well, something like that. And yes, it may owe a little bit to the movie of the same name, thanks to John Carpenter, God love him.)
One of my favorite parts in this book was the description of the friendship between Arnie and Dennis.
There are some people, in the Hell otherwise known as high school, who are actually popular because they are…wait for it…genuinely nice people…gasp…
Dennis Guilder is proof of the above. His friendship with Arnie is an exception rather than a rule in the Hell known as high school (yes, I keep using that word. Hell. And yes, I do know what it means, aka the DMV and high school. Hell has less screaming, though, than either of those.)
But it is proof that there are some out there with actual character, who can see beyond the surface, and who is willing to dig for gold.
I loved the fact that Dennis and Arnie built ant farms as children. There is just something endearing in that. Maybe it’s because that is a project that requires investment and patience, much like being Arnie’s friend.
But, as I stated before, Christine is scary. And actually, it is a lot scarier than what I had previously given it credit for.
First of all, we have Christine herself. Notice how I say “herself,” and not “itself.”
In other words, Christine may technically be an “object”, but she (again, with the pronouns) is definitely a character in her own right.
And that is the genius of King: he writes wonderful characters who are people (and even animals.) However, he can turn anything into a character. In fact, I am sure a novel will be out one day that features a plastic Wal-Mart bag who we either end up rooting for, in its quest to not be replaced by paper bags, or perhaps we learn to fear Wal-Mart plastic bags because this one tries to take over a store in its anger over being replaced by the paper bags and ends up killing the customers in a totally gruesome manner…
(And yes, that book will be a “take my money now situation,” natch.)
Well, humor aside, Christine may be a vehicle, but she is a character in her own right. And a villain, to boot (King has written more than a few of those, both human and inhuman.)
And one scary character as well.
The scenes when Christine in on the rampage are some of the most frightening scenes that I have ever read in any book, let alone a King book.
In particular, the scene when Christine hunts down Buddy Reperton particularly stands out in my mind. Now, Buddy really did have that coming to him. He was an asshole, there is no other way around it. But still, being hunted by Christine and being toyed with in much the same manner as a cat toys with a mouse that it is about to kill…yikes is all I can say!
And the little touch at the end, when Buddy sees the ghost of Roland LeBay is just what the doctor (or is it writer?) ordered to scare us Constant Constant Readers into a change of pants!
Speaking of which, Roland LeBay…
Let’s talk about him for a bit.
Somehow, I don’t think that’s a coincidence.
Or, as a certain well-known and beloved character in the Dark Tower series may have stated: Coincidence has been cancelled!
The two share a name, but they could not be more different, right?
Well, they are pretty different. But there does seem to be an underlying theme.
And that theme would be obsession.
Think about that for a moment.
Roland Deschain is obsessed with his Tower.
In fact, he is so obsessed that he is willing to sacrifice his spiritual son so that he can progress in his quest.
Roland LeBay is obsessed with his vehicle.
In fact, he is so obsessed that he is willing to let his daughter choke to death, and refuses to get rid of the vehicle even after her death.
So yeah, sounds pretty familiar, huh?
However, I think #teamLeBay wins the obsession contest over #teamDeschain.
#teamDeschain is at least capable of showing some humanity at certain points, and does try to redeem himself. So he loses this contest, although this is contest one probably does not want to win.
In fact, #teamLeBay is so obsessed with this vehicle, that it carries over to his death. The ghost of Roland LeBay is the other major player in this story, even though it gets overshadowed by the crazy vehicle.
But I need to give the ghost of LeBay its due.
After all, it is seen several times in the story.
The scene where Arnie is eating pizza in Christine, and sees LeBay sitting next to him, is tres creepy. I didn’t know whether to laugh at the piece of pizza that went MIA, or shudder even more.
What was even scarier was the fact that Arnie also saw himself in LeBay’s ghost (more on that later, though.)
I think the scariest scene in the book is the scene when Arnie drives Dennis home via Christine on New Year’s Eve.
Dennis sees the ghost of LeBay in the rear view mirror. Somehow, that’s gruesome right there. Just looking in the rear view mirror…
What do you see?
Oh, nothing, ghosts of dead, decaying, rotting bodies of evil guys and stuff…
And the fact that Christine was able to momentarily travel back in time, taking Arnie and Dennis back to the 1950’s…wow!
Suddenly the streets are not familiar, and Dennis can’t find his house, because it hasn’t been built yet.
Wow, wow and wow again.
There was a wonderful, dreamlike surreal quality to that scene that I just loved. You are pretty sure that Dennis is not hallucinating any of it, but you aren’t 100% sure. And that makes it even more frightening.
Another thing to love about this novel is the fact that it addresses a taboo topic: bullying.
Now, Christine is a scary book. It has ghosts and a possessed car. And those also make for a great story.
But at its heart, Christine is a novel about bullying, and how it affects people.
Too often, people tend to dismiss bullying. They will say it’s kid stuff. They will tell the victim to ignore it, and it will go away.
In other words, kids have no rights. I was bullied constantly as a child. But I was a child, and I had no rights. If I was an adult, I could file a police report for either harassment or assault, and start a paper trail.
But children don’t have that option. Children are forced to see the bullying as some twisted “rite of passage.”
And people wonder how we get a Carrie White, or Arnie Cunningham.
Again, it goes back to Laverne Cox: Hurt people hurt people.
And like Carrie White, Arnie was a hurt human being.
In the book, various characters, such as Dennis, talk about how Arnie has “changed.”
My question is: did Arnie really change?
My answer: no, he didn’t.
Sure, he may have hid his pain for a long time, and managed to convince everyone (his parents, Dennis, etc) that he was okay.
However, Arnie was actually pretty similar to the deceased Roland LeBay in a lot of ways.
LeBay was obviously an angry person throughout his life. He was a man who never really loved anyone or anything, other than Christine, his vehicle. They were a match made in hell.
Arnie Cunningham was also angry man. He may not have shown his anger in the way that LeBay did, but it was obvious that he was angry.
An ex of mine once told me that “depression is anger turned inwards.” I think this is actually a good description of Arnie Cunningham.
Arnie spent his life being marginalized.
He was bullied at school. Most of the other kids would not accept him. In the world of high school, Dennis Guilder is an exception, not a rule.
Even at home, he was marginalized by his parents. Arnie had talent as a mechanic, but his parents would not accept that, and put pressure on him to attend college, rather than pursuing his talent for working with cars.
So, is it any wonder that Christine and the ghost of Roland LeBay were able to exert their influence on Arnie? After all, kindred spirits.
The fact that when Arnie saw the ghost of LeBay in Christine, and then saw an older version of himself is telling. After all, the two really are cut from the same cloth: angry, never experienced any type of true love.
And that is the only antidote for an Arnie Cunningham or Carrie White: we must have a world where everyone, even the “ugly pizza faces,” can find love or acceptance.
There may not be possessed vehicles in our world which are capable of exacting revenge on bullies, but there are worse things, such as bombs and guns. Until we realize this, our Arnie Cunningham’s will remind us that bullying has unpleasant consequences.
Lately, confusion seems to be rampant in our world.
As in, we are confused as to what the difference is between between the beast that we call a fact, and the lesser known distant cousin of the fact, otherwise known as an “alternative fact.”
Since I myself am a survivor of the Bowling Green Massacre, let me educate you on the difference between facts and alternative facts.
The following information is brought to you by BARF (Bureau of Alternative Real Facts.)
Fact: Killer Klowns from Outer Space is a classic movie, and should be required viewing for all school age children.
Alternative fact: Jupiter Ascending is classified as a film. And one that people are allowed to watch, to boot.
And now, for the factiest fact that you ever facting heard, motherfacters!
Joe Hill is a bad ass. A motherfacting bad ass, in fact.
And if you don’t agree with me, well then fact off, you facter!
And I assure, I survived my trip to Christmasland, although, between you and me, the inhabitants of that place are kind of hostile. In fact, they will suck the life right out of you…
So, gear up your Rolls Royce Wraith, strap in and get ready for the recap and review of NOS4A2.
And, as always:
The story begins by introducing the reader to a nurse named Ellen Thornton. Ellen works in a prison infirmary, where most of the patients are comatose and unresponsive to any form of human contact.
One of these patients is a man named Charlie Manx. Manx is extremely elderly, and was also convicted of terrible crimes: he was convicted of kidnapping and murdering young children.
One night, as Ellen is making her rounds, something unexpected happens: Manx appears to awake from him comatose state, and speaks to Ellen. He specifically refers to Ellen’s son by his full name, and makes references to some place he calls “Christmasland” and someone named the “Gas Mask Man.”
Ellen calls for the doctors, as she is badly frightened. However, Manx exhibits no sign of consciousness once the doctors arrive, and Ellen is not believed, despite the fact that Manx grabbed her hard enough to leave bruises, and the fact that Manx referred to her son by his full name.
The story then switches to the perspective of a young girl named Victoria McQueen, also known as Vic. Vic’s father Chris also calls Vic The Brat.
At first, Vic seems to be an ordinary young girl. However, we find out that Vic is anything but ordinary. Vic possesses the ability to teleport herself between faraway places. Vic does this by riding her bike, and envisioning a bridge she calls The Shorter Way Bridge, which seems to magically appear when Vic wants to find a lost object. The bridge takes Vic to the place where the object was lost, and then takes her back to her original location. However, Vic’s talent also comes at a cost: she experiences headaches and becomes extremely ill when she uses this ability.
We are then introduced to a troubled man named Bing Partridge. One day, as Bing is leafing through some old magazines, he comes across an ad promising employment in a place called “Christmasland.” The ad is not specific in regards to the job details, but Bing is enchanted, as he loves celebrating Christmas, which brings back happy memories for him. Bing sends away his application for employment in Christmasland, desperately hoping that he gets a response soon. We also learn that Bing killed both of his parents as a child, and spent time in a mental institution before he was released. Bing is employed as a janitor, and has access to certain kinds of gases that can turn a person into a zombie, along with his own gas mask.
Almost immediately, Bing begins to have visions of past Christmases with his parents, and begins to dream of Christmasland. However, days go by, and he does not get a response to his application.
Bing also begins to see a mysterious vehicle circling his work place. The vehicle is an old Rolls Royce Wraith, and is black. However, the driver of the vehicle continues to remain a mystery.
One day, Bing finally meets the driver of vehicle, who introduces himself as Charles Talent Manx. Manx convinces Bing to go for a ride in the vehicle, so he can describe the opportunity that awaits Bing in Christmasland, if Bing chooses to accept. Once he is in the vehicle, Bing begins to feel sleepy. Manx tells him that is okay, as Bing will be entering another reality of sorts.
Manx tells Bing that he saves children from a life of pain and abuse by taking them to an alternate reality he calls “Christmasland.” In Christmasland, the children never have to grow up, and it is always Christmas, every day, all year. Manx says that the children are his, but that Bing can do what he wishes to any parents or any other parties that may need to be subdued, as most will not want Manx to take their children away. Bing eagerly accepts the employment opportunity, and he and Manx get to work.
Over the years, several children vanish under mysterious circumstances. In many of these disappearances, a mysterious Rolls Royce Wraith is spotted. However, none of the disappearances are ever connected.
Vic is now a teenager. She has used her bike many times to create the Shorter Way Bridge, so that she can locate lost objects. Vic is also a budding artist who has received recognition for her work.
One day, Vic uses her talent to locate a missing photograph. In doing so, she badly startles the school janitor, who relapses back into alcoholism. Vic feels extremely guilty and begins to question her use of this ability. The Shorter Way Bridge makes another appearance, and Vic rides her bike through it.
The Shorter Way Bridge deposits Vic in a library somewhere in Iowa. There, she meets a young woman named Maggie, who seems to have been expecting Vic to make an appearance. Maggie dresses in a colorful manner. Maggie is also afflicted with a bad stammer, which makes her speech difficult to understand.
Vic is bewildered, but Maggie attempts to reassure her. Maggie tells Vic that while her abilities may be a bit unusual, she is not alone in being gifted with these abilities. According to Maggie, many highly creative people (Vic is an accomplished artist and Maggie is gifted in the use of language and also an accomplished Scrabble player) possess the ability to alter reality. Maggie compares this to someone who uses a knife to make cuts in various objects, and refers to these altered realities as “inscapes.”
We also learn that Maggie has the ability to create her own “inscapes” and alter reality. Sometimes, Maggie’s Scrabble tiles will spell out sentences on her own. This is how Maggie knew to expect Vic: her Scrabble tiles told her of “The Brat” (but not Vic’s name, as no proper nouns are allowed in Scrabble.)
Maggie also states that her Scrabble tiles have indicated that Vic can find someone or something known as “The Wraith.” Vic demands to know who or who “The Wraith” is, but Maggie tries to change the subject, telling Vic that The Wraith is bad news and dangerous to Vic.
At Vic’s insistence, Maggie breaks down and gives her what information she has on The Wraith. According to Maggie, The Wraith is another person who possesses abilities similar to hers and Vic’s. However, The Wraith uses his abilities for evil, as he kidnaps children to steal their souls so that he may achieve immortality, trapping the children in an “inscape” of his own creation. Maggie then sends Vic back home, warning her once again to stay away from “The Wraith” as he is dangerous.
When Vic returns home, she becomes extremely ill as a result of her latest journey. Her parents become extremely worried, and confiscate her bicycle, as they believe she has an unhealthy fixation. Vic eventually recovers, and resumes her normal, every day life.
In the meantime, more children disappear. Once again, a Rolls Royce Wraith is spotted when some of these disappearances take place, but the cases are never connected.
Vic grows into a troubled teenager, When she is fourteen years old, her parents divorce, and her father abandons Vic and her mother. Vic acts out, turning to alcohol and drugs. Her grades in school are mediocre, although her art teacher notes that Vic has a talent for art, although Vic does apply herself.
One day, after an argument with both of her parents, Vic sneaks back into her house and falls asleep. When she awakens, she searches for some of her belongings that were confiscated by her mother, and finds her old bicycle.
Vic begins to ride her bicycle, and remember happier times during her childhood. However, it is not long before the bicycle leads her to trouble, which happens to be the lair of Charles Manx, or The Wraith.
Almost right away, Vic realizes that something is not right. She encounters what she thinks is a young child, but the creature only resembles a child in name only, as it has sharp teeth and appears to be breathing some sort of vapor or smoke when it speaks.
Vic also encounters Charles Manx, who attempts to entice her. When Vic refuses, her Shorter Way Bridge vanishes, leaving her stranded. Manx also sets fire to the house, intending to trap Vic in the house so that she will perish from the fire.
However, Vic escapes the house. She is assisted by man named Lou Carmody, who happens to be in the area, riding his motorcycle. Lou takes Vic to a nearby gas station, so that she can attempt to get help. Vic realizes that she is actually in Colorado, instead of her home of Massachusetts, and that she has been missing for two days. Vic indicates that she has been kidnapped, as she knows that no one will believe her story about the Shorter Way Bridge.
As Vic is telling her story, Charles Manx and his vehicle make an appearance at the gas station. The men at the gas station attempt to apprehend Manx, and a fight ensues. However, Manx is apprehended in the end, and arrested for his crimes. The official story is that Vic was kidnapped, and there is no mention of any of the stranger elements to her story.
Some years later, Vic moves back to Colorado, under the pretense of attending art school. She pursues a relationship with Lou Carmody, and the two have a child together named Bruce Wayne Carmody, who they call Wayne. Vic loves Lou and Wayne, but is afraid to admit, as she feels that she is not good enough for either of them. Vic also receives troubling phone calls from children who state that they are residents of Christmasland. These phone calls frighten her, but she does not tell anyone about them.
Bing Partridge is never apprehended by the authorities for his role in Manx’s crimes. and anxiously awaits the return of Manx, as he believes that he will receive his eternal reward in Christmasland.
Vic notices that when she engages in some kind of creative active, such as painting, that phone calls from Christmasland stop. She keeps herself busy by painting motorcycles and also by writing and illustrating children’s books. However, the mysterious calls start again, and Vic’s behavior becomes increasingly erratic. Lou moves out of their house, taking their son with him, but he is worried about Vic. Vic then burns down her house in an attempt to silence the calls from Christmasland.
In the meantime, Manx’s vehicle has been purchased at an auction by a man and his daughter. One day, the vehicle comes to life, killing its new owner, as Bing has found it, so that he may reunite with Manx.
Charles Manx is thought to be deceased, but his body goes missing from the mortuary.
Vic is institutionalized for her erratic behavior, and comes to believe that her experiences with the Shorter Way Bridge and mysterious telephone calls are simply vivid hallucinations caused by her abuse of alcohol and other drugs. When she is released from the mental hospital, she temporarily moves back to Massachusetts to spend some time with her mother Linda, who is dying of cancer. Vic also makes plans to spend the summer with her son Wayne, as she feels that she has failed him as a mother.
Tragically, Linda passes away just as Vic is able to secure a cottage for the summer. However, Vic still makes plans to spend time with her son Wayne, and Lou sends him to his mother for the summer.
In the meantime, we find out that Bing has managed to steal the body of Charles Manx, who is actually still alive, although barely. Bing sets up camp in the house across the street from Vic’s childhood home, killing the home’s owners, and placing Charles Manx in the bedroom. Bing waits for Vic, as he intends to murder Vic, and hand Wayne over to Manx.
Vic returns to her childhood home sometime in July, as Lou has arrived in town to spend Fourth of July with his son. Vic is greeted by a face from her past: Maggie, the woman from Iowa whom she met as a child.
While Vic recognizes Maggie, she is not happy to see her, as she still believes Maggie to be a delusion from her past. Maggie begs Vic to help her stop Charles Manx, who she insists is alive and on the hunt for Vic and Wayne. Maggie hands Vic a file containing some paperwork on Manx, but Vic chases Maggie away from her house, and threatens to call the police.
Later, Wayne finds the folder on Manx and peeks at it, as he is curious. Bing spots Wayne from the house he is commandeering, but is unable to do anything, as Lou arrives, and Bing does not want to be seen. Bing realizes that Vic is in the neighborhood, and makes preparations to capture Vic and Wayne.
That evening, Vic speaks to Lou, and finds out that Wayne has mentioned Manx to his father. Vic tells Lou about her childhood experiences with the Shorter Way Bridge, and the real story of how she encountered Charles Manx. Vic recognizes that she may be delusion, and indicates this to Lou. Vic also tells Lou that she thinks Maggie was a patient at the mental hospital, who is sharing in Vic’s delusions. Vic makes plans to move back to Colorado that fall, so that she can be closer to Wayne.
Wayne believes that Charles Manx is nearby, and becomes frightened, even though he thinks that he is imagining things.
Vic and Wayne work on a motorcycle that was left at the summer cottage, fixing it up and giving it a new paint job. Vic decides to take the bike for a spin, and tells Wayne that she will return shortly.
Vic rides the bike, and is able to conjure the Shorter Way Bridge, just as she had been able to do as a child. However, Vic continues to believe that she is delusional.
Wayne waits at the house for his mother. He hears a knock on the door, and encounters Bing and Manx, who tell him they need to use the phone, as they have run Wayne’s dog Hooper over with their car.
Bing and Manx then proceed to kidnap Wayne. Wayne shouts for his mother, who is just now returning from her trip and does not realize what has happened.
However, Vic soon does realize what has happened, and runs to the car in an attempt to rescue Wayne. She fights Manx, who attacks her with a hammer. Bing shoots at Vic, but misses Vic and hits Manx in the ear instead. The men then escape, with Wayne trapped in the car.
Lou is at the airport, awaiting his flight. Lou receives a panicked call from Wayne. Wayne tells his father that he has been kidnapped, and then hangs up the phone. Lou then collapses, due to a sudden heart attack.
Wayne tries to escape, but Bing douses him with gas so that he cannot think and becomes very sleepy. Manx tells him that he is going to Christmasland, and that he will never see his parents again.
Vic meets with the authorities at her mother’s house. The FBI has been brought in, as the authorities believe that Wayne’s kidnapper may cross state lines. Lou also meets with Vic and the authorities. Vic’s mental illness is brought up by a FBI agent, Tabitha Hutter, who does not agree with Vic in regards to Manx returning and seeking vengeance. Vic also describes her earlier experience with the Shorter Way Bridge. Lou tells Vic that he believes her, and Vic tells Lou that she will do whatever she can to rescue their son.
Manx drives his vehicle through his inscape, giving Wayne a glimpse into Christmasland. Wayne falls into a trance, and becomes excited about living in Christmasland. However, the ghost of Wayne’s grandmother soon appears in the vehicle. She appears to be speaking in reverse, and gives Wayne a cryptic message before she vanishes: he must speak in reverse.
Manx then stops at Bing’s house so that he can rest and recover from his wounds. Wayne then notices that the vehicle has peculiar properties: objects seem to vanish and then reappear. Wayne also finds some Christmas ornaments. He becomes fixated on one that resembles a moon, but has a face.
Wayne is then questioned by Manx, who promises him a phone call to his mother. Manx tricks Wayne into giving him some information about Maggie, along with Vic’s new motorcycle, and does not allow Wayne a call to his mother.
At her home, Vic is growing more and more worried about her son. Lou is attempting to fix her motorcycle for her, so that she can conjure the Shorter Way Bridge and rescue Wayne. Vic receives a phone call. The caller is Maggie. Maggie tells Vic that her son is still alive, and that she will help however she can.
After Vic hangs up the phone, she is confronted by Agent Hutter, who has heard the entire conversation. Hutter attempts to arrest Vic, but Vic escapes from the house, and uses her motorcycle to drive away. Eventually, she is able to conjure the Shorter Way Bridge, and is able to arrive at the house where Wayne was being kept.
In the meantime, Manx leaves with Wayne in his vehicle, promising that he will take Wayne to Christmasland. Manx does not allow Bing to come with them, as he says that Bing has failed in his duties. Wayne’s personality is beginning to change, as he is horrified to remember that he pulled the wings off of a butterfly. Wayne is also fixated on his Christmas ornament, constantly touching it.
Vic realizes that Wayne and Manx have left, and becomes upset. A man allows her to use his phone. Vic does not realize that this man is actually Bing, until he attacks her.
Wayne continues to travel with Manx. He sees visions of Christmasland and is anxious to arrive. However, he receives a visit from the ghost of his dead grandmother, who again tries to warn him that he must think in reverse. However, Wayne dismisses the old woman’s ghost, as his personality has begun to change. Wayne has also begun to loose some of his teeth, and appears to be growing small fangs in their place.
Vic fights Bing. She manages to escape, but sets the house on fire. Before she escapes, she receives a call from Manx. Vic pleads with Manx to release Wayne but Manx refuses. Manx allows Vic to speak to Wayne. Vic senses that Wayne’s personality is changing due to his exposure to Manx, and tells Wayne that he must fight Manx, and that she will do whatever it takes to rescue him.
After she speaks to Wayne, Vic then speaks to Lou and Agent Hutter over the telephone. She tells Lou that she has a plan to stop Manx and rescue Wayne, but that she will need a large amount of explosive material to accomplish this. After Vic hangs the phone, Lou suffers from a heart attack and is rushed to the hospital.
Vic uses the Shorter Wayne Bridge to locate Maggie. She arrives at Maggie’s library in Iowa, which was destroyed by a flood a few years back. However, Maggie is there, and Vic recounts the events of the past few days.
Maggie tells Vic that Manx does possess the same abilities that they possess, but that he uses his abilities for evil. She tells Vic that Manx’s car must be destroyed in order to destroy Manx. Maggie also tells Vic that the use of their abilities comes at a cost: Maggie’s stammer has worsened, Vic’s brain has been damaged and Manx has lost all of his empathy, and now revels in the suffering of his others. The children Manx has kidnapped have also been stripped of their humanity, as they exist for pleasure only, and do not comprehend the suffering of others.
While Vic falls asleep asleep due to exhaustion, Maggie consults her Scrabble tiles for information in regards to Manx. As she does this, a young boy enters the ruins of her library with firecrackers. At first, Maggie thinks that it is a local child playing a prank, but realizes that the boy is Wayne, who is acting under the influence of Manx. Wayne utters some incomprehensible words (his human side knows that what he is doing is wrong) and lures Maggie out to Manx and his car.
Manx immediately attacks Maggie with his vehicle. Maggie puts up a fight and refuses to give any information about Vic, who is still asleep inside. Maggie is killed by the impact, and Manx exits the scene.
Lou has been hospitalized due to his heart attack. However, he escapes in search of his son. Agent Hutter and her partner are aware of the escape, and plan to use Lou to track down Vic, who they still believe to be responsible for her son’s kidnapping.
Vic arrives at her father’s house. Lou and her father are waiting for her, with the explosives that she has requested. However, the FBI agents have tracked down Vic, who refuses to surrender. Agent Hutter realizes that there may be something to Vic’s story, but her colleagues do not, and open fire on Vic and her family. Vic’s father is shot, but Vic escapes with Lou on her motorcycle.
Once again, Vic conjures the Shorter Way Bridge. She leaves Lou in handcuffs, as she feels that this a job for her only. Vic then makes her way into Christmasland, via her motorcycle and the Shorter Way Bridge, to confront Manx and rescue her son.
Manx sends his children after Vic, and they attack. Vic fights back and is stabbed by one of the children. The explosives go off, causing mass destruction. Wayne realizes that his mother has come to rescue him, and escapes from Manx, hopping on the motorcycle with his mother.
Vic escapes Christmasland with Wayne. Manx follows her, but his vehicle (and there Manx himself) is destroyed by a flock of bats that emerge from the Shorter Way Bridge.
Finally, Vic emerges with Wayne back into their world. Her job done, Vic perishes from her wounds and the effects of creating the bridge and traveling to Christmasland.
Several months later, Wayne is living with his father. Lou has lost weight after angioplasty procedure, and is in a relationship with Tabitha Hutter. However, Wayne knows that something wrong with him, as he is aroused by anything violent and even thinks that he can feel an extra set of teeth in his mouth.
One day, Lou and Tabitha take Wayne for a ride. They arrive at the house Manx had used to keep his children captive. Lou realizes that Wayne’s soul is trapped in one of Manx’s Christmas ornaments. Lou, Tabitha and Wayne begin smashing the ornaments. Several children that Manx had kidnapped emerge, restored to their human selves.
Eventually, the ornament containing Wayne’s soul is destroyed. Wayne sobs with relief, happy that his humanity has returned.
Okay, let’s talk to Captain Obvious for a moment. So, just bear with me.
Joe Hill is Stephen King’s son, in case your head has been buried under a rock for…oh…the past 10 years or so.
(And hey, no judgement, being buried under a rock can be pretty comfy sometimes!)
And while I like to evaluate Joe Hill on his own merits, let’s be realistic.
Let’s get it out of our system, and talk about how he is the son of Stephen King.
Well, writing-wise that is.
We can leave the family drama for those better equipped to handle it, and not put TMZ out of a job.
Other than the fact that NOS4A2 reads a bit like an older King novel, in that it has build and will scare you into a change of pants, it is the novel that most screams: I am the son of the master of modern horror, and if you dare to forget it, well, let’s not even go there!
NOS4A2, in other words, has tons of Stephen King Easter eggs. In fact, this book may have even more King Easter eggs than some King books.
First of all, the obvious connection.
I can tell you that I definitely sleep better knowing that Charles Manx and The True Knot have some silent truce between themselves, that they both can go on (literally) sucking the life out of children and if one gets found out, we know that the other did not rat on them. Definitely useful information to have.
And, oohhh, direct reference to Derry, along with Pennywise’s Traveling Circus! Again, whenever I have trouble sleeping at night, I can rest in comfort knowing that Manx and Mr. Bob Gray were likely on a first name basis at some point!
Vic yelling “Hi-yo Silver!” as she jumps on her bike was added bonus. Not that I am complaining, although a few tears did spring to my eyes as I recalled some fond childhood memories of murderous clowns…
Then there is the similarity between The Sleigh House (geez, these jokes kill me sometimes) and Black House, another house in a King novel of the same name.
The way the children start coming out of the house at the end of both books is so similar, not to mention the fact that Charles Manx is pretty similar to Charles Burnside, another villain who gets his rocks off on kidnapping and hurting kids.
Is Jake Chambers one of Maggie’s creatives? An interesting question, but one for another day.
Oh, and apparently Bill Hodges and company had to hunt down a certain missing vehicle that just happened to be a Rolls Roy Wraith…funny how that works out!
Well, now that it is out of our system (feel better?), let’s talk about Joe Hill and NOS4A2 on their own merits.
So sorry, Uncle Stevie, you have been relegated to another blog entry!
One thing about NOS4A2…it is one scary book!
Well duh, it is written by Prince of Modern Horror, who is the son of the King of Modern Horror. So we shouldn’t be surprised by scary, right?
Yes and no. Am I entirely surprised that it’s scary?
No, I am not.
What is shocking is the fact that NOS4A2 is essentially a vampire story, but modernized.
After all, who isn’t familiar with Dracula?
Well, now we can add Charles Manx to that list of fictional vampires.
Now, Manx is not like Barlow or Dracula, at least on the surface.
He’s old, but not centuries old.
His victims are usually kids.
He drives a bad ass vehicle.
Somehow, I don’t think a rosary or garlic would phase him very much.
(Did anyone else think of this guy when Manx was introduced, by the way? Or is it just me?)
But, back to Manx.
He may not drink blood, like Barlow and Dracula.
But he is still a vampire, nonetheless.
His preferred food is not blood, but the souls of children. Since he is all modern-like.
As a bonus, like Barlow and Dracula, he has a human familiar in Bing, who may be even more demented than either Straker or Renfield, if that’s possible. At the very least, he holds his own.
And Manx does not need to be able to fly or even move quickly, as he has a vehicle that allows him to travel to back and forth between realities.
Who said that newer necessarily means inferior?
Manx can hold his own!
Speaking of holding one’s own, let’s talk about Vic for a moment.
Now, there is is someone who can hold her own and then some.
One thing I have noticed about Joe Hill is that he writes female characters extremely well.
Harper (The Fireman) was a great example of this.
Even Georgia and Merrin (Heart Shaped Box and Horns, respectively) were well written characters, despite the fact that that Georgia is the girlfriend of the main character in Heart Shaped Box, and Merrin is the dead girlfriend of Ig in Horns. Even though we mainly see them from the eyes of a male, both are fascinating and sympathetic.
But, Mr. Hill decided that having a woman as the interesting girlfriend of a main character just wasn’t good enough. And then Vic was born.
To put it simply, Vic kicks ass. There is no way around that statement.
While Vic may not always be easy to like, it is understandable as to why she may be unlikable at times, due to her upbringing (watching your dad wash his hands because they were bloodied due to beating your mom may cause a girl to have some issues.)
Vic’s character has a great arc.
She starts off as a spunky girl, morphs into a rebellious teenager, turns into a still troubled adult and then transforms into a mother who will stop at nothing to save her child from a vicious predator. And I loved every minute of it.
One of my favorite parts of the book is when Vic handcuffs Lou, leaving him behind so she can venture forth into Christmasland to save Wayne.
Vic was no damsel in distress. She knew that she had to be one the one to save (and ultimately sacrifice herself) in order to save her son.
Now, NOS4A2 may be a scary book.
But, like the books of dear old dad, it is so much more than that.
I love what this book has to say on art, artists and the creative process in genera.
I may be a bit biased, as someone who spends so much time creating her own “inscapes” but bear with me.
In fact, I love the idea of an “inscape” itself.
Because that is exactly what happens when someone creates something: it is actually an escape from the “real” world into an entirely new one, whether that is a painting, a book, a song, etc.
And let’s not kid ourselves. Those made up worlds become “real,” especially if the creator uses enough love and care in the creation of these worlds.
And when something happens to the people who populate these worlds, is the effect not felt in ours? When Harry Potter realizes that Voldemort has been resurrected, for example, did the reader not fear for him, and join him in his grief for a lost friend and classmate?
So it stands to reason that there are “creatives” out there, whose gift is especially powerful (like Joe Hill, his father, JK Rowling, Tolkien and countless others) who can use their knives to cut reality (in Maggie’s words) and create new realities.
And the knife is just the tool, like Maggie so eloquently stated.
Sometimes, the knife is not harmful, and results in children’s books, paintings, etc.
But sometimes, some sick individual (like Charles Manx, who is actually all too plausible) will create a new reality.
But this new reality is terrible, and only brings hurt to others.
And this is not uncommon, as so many predators who are similar to Charles Manx exist in our world. They believe that what they are doing is actually a good thing.
It is then up to someone (a Vic McQueen, if you will) to try to put a stop to it.
Sometimes, that is successful.
Sometimes, it is not. And that knife continues to cut, leaving blood behind.
Well, I am still a bit confused on what is a fact, and what is an alternative fact.
But I do not need an agency such as BARF to tell me that Joe is a fantastic writer, and that he will (hopefully) continue to churn them out, for many years to come.
So that’s it for NOS4A2. Join me later this month as we delve back into the world of dear old Dad, as we read and dissect an oldie but goodie, aka Christine!
Come and check out your favorite nerd, live on the podcast known as Dark Tower Radio, where I palaver with a fellow nerd on King, horror, book, Dark Tower and all kinds of good stuff!
And yeah, I may sound even more nerdy live than on here…who knew???