Year of The King: 2017 Stephen King Recap and Review

Well, it looks like 2017 has come and gone.

Actually, am I a little late?  Since it seems like we are actually well into 2018…

Oh, and…

HI GUYS!  YOUR NERD IS BACK!  MISS ME MUCH???

Yeah, the hiatus has been long.  Life has been getting the way…

And you don’t even want to know how much time I had to spend fighting the Todash monsters!

So yeah, 2017 was Stephen King 2.0.  And if you are gonna have a 2.0 of anything, make sure it is a continuation of the story, not just a rehash…

(We all know my feelings on sequels.)

In other words, be a Phantasm 2, not a Children of the Corn Part 2,887, 221.

King was back, and this round of King was at least as good as the 80’s hey day, and may even have been better.  And I don’t often say that about sequels and reboots!

2017 showed King in all of his forms:

We had the King of horror, in the movie It.

We had the King of fantasy, in the Dark Tower movie.

We had the King of stories about women, in the Netflix adaptation of Gerald’s Game, and the publication of the novel Sleeping Beauties, co-authored by the prince, aka Owen King.  2017, coincidentally, was the year of #metoo.  Or maybe not so coincidentally, as a famous character reminds us:  coincidence has been cancelled, sugar.

We had the King of just the weird and creepy, with the Netflix adaptation of 1922.

I could go on and on, actually…

We even have some things that don’t officially have King’s name on them, but still feel like they are part of the sequel that was 2017.

Strange, huh?

All things serve The Beam, after all..

But, let’s get back on topic.

I may not have spent copious amounts of time on this little old blog talking about the year of The King, but that does not mean that 2017 went unnoticed.

On the contrary, in fact.

Actually, I reveled in it.

There is just something about being an adult with the maturity to really enjoy the nuances of a Stephen King story.

Of course, a Netflix subscription doesn’t hurt either!

So, I am making this entry to recap and talk a little about some of the year of The King.

Obviously, I can’t get through it all in one entry, but I can at least talk about the highlights.

After all, it doesn’t cost anything to just talk about the highlights, right?

(Totally written in my Leland Gaunt voice, by the way.)

So buckle in (hopefully you are not strapping yourself into a 1958 Plymouth Fury.)

And get ready to talk about our favorite boogeyman (and some of his boogeyman friends), Stephen King!

And, as always:

 

 

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