Sometimes, I think the Chinese New Year needs an update.
Sure, the animals are cute and all, but why limit yourself to animals?
There are plenty of other interesting things we can use and rotate out for each year.
I mean, horror movie stuff and horror movie icons would work, right?
Like 1979 could be the year of The Creature from the Black Lagoon, in honor of my ex husband!
So, what would 2017 be?
I know, I know…
The year of…
Yeah, I know…
*insert quizzical look of surprise right about here*
2017 has been the year of the Stephen King revival, although to Constant Constant Readers like me, he has always been appreciated, even (or especially) when we wake up in the middle of the night, with the sheets covered in sweat, the dogs expressing their terror for you (of you…)
Well, maybe that last part is just me.
But one thing is for certain: Stephen King has never really gone away. The obsession, along with the books being published, may ebb and flow. But King is, and will continue to be, a huge part of our culture.
He may write “scary” stories, but he is also our literary Everyman, and someone who actually makes America great. Actually, he has been making America great for the past 40 years or so, minus the tacky red baseball cap.
But 2017 has seen a great resurgence. And who am I to complain? Like potato chips and bad 80’s horror movies, there is no such thing as too much Stephen King!
The Dark Tower movie made its long awaited debut.
Gwendy’s Button Box, a beautiful collaboration with Richard Chizmar, was published this spring.
Sleeping Beauties, another collaboration with Owen King (kid needs to earn his Master chops), will be published this fall.
Next month, Pennywise the Clown will terrorize those meddling kids on the big screen.
The small screen has also gotten its share of The Master.
Mr. Mercedes is another creation of King that has made its debut in 2017.
Mr. Mercedes is unique in that it may be a detective crime drama, something that one would NEVER associate with King, the creator of homicidal clowns, rabid St. Bernards and possessed 1958 Plymouth Fury vehicles.
However, despite the different format, Mercedes still has King’s finger prints all over it, from the Easter eggs (within the first 15 minutes or so of the pilot we find one of those) to the themes, aka human monsters who are far more capable of horrific acts than any homicidal clown or rabbit St. Bernard.
I watched the pilot this week, and my skin crawled. That is a good thing, in case you can’t tell.
So, without any further ado, here is my recap and review of the pilot episode of Mr. Mercedes.
And, as always: