Well, things are starting to heat up now.
Which is kinda ironic, since we are retreating deeper into the winter fun part otherwise known as Christmasland.
In other words, I am talking about this week’s episode of the summer’s new TV series, N0S4A2.
We are on episode 3 of a 10 episode first season.
Time’s a wasting, right?
We are 30% of the way through the season, so this is the episode where we would expect that the pace be picked up a bit.
No more exposition, in other words.
And that is exactly what has happened.
But seriously, episode 3 of N0S4A2, titled The Gas Mask Man, is the strongest episode so far this season.
And again, it is only the third episode. I can’t wait for more!
Bring it, Christmasland!
So, without further ado, here is my recap and review of episode 3 of N0S4A2, titled The Gas Mask Man.
And, as always:
Hello, I see you are back for more shenanigans from your favorite Not Floridian!
Not much has changed here is Not Florida…
In other words, still hotter than H-E-Double Hockey Stick!
Luckily, I now have a way to cool down…
In other words, a visit to Christmasland is just what the soul sucking vampire (who is not actually my ex) ordered!
So, yeah, I am watching N0S4A2.
Again, we are only two episodes in.
But (unlike my ex) it has not disappointed.
In fact, I am warming to it (hashtag irony, yanno?)
As a self proclaimed book douche, I can be pretty picky about adaptations.
There is a right way to do them, and then there are the torture porn films that we know as Joel Schumacher Batman movies.
And so far, N0S4A2 is not a Joel Schumacher Batman movie.
I am not quite sure if it is the Marvel movie equivalent, but it may be gaining that status.
I am starting to get this feeling that this is the hot (hashtag irony again, amirite?) new series of the summer.
So, buckle up in your Rolls Royce Wraith, and let’s take a ride into Christmasland, shall we, and dissect and review episode 2, titled The Graveyard of What Might Be.
And, as always:
My breakdown of the 1990 It miniseries, on my YouTube channel. Again, subscribe, pretty please?
Have you ever…
Lived with a person who the human version of a volcano, and you didn’t know if this person was the dormant kind of volcano, or the other kind?
Loved this person beyond all reason, but spent much of your time in fear of them, eventually fearing for your life?
Been isolated, through no fault of your own, with nowhere to turn?
Felt conflicted, not knowing whether to protect yourself, or devote yet more energy and resources to protect your loved one, from his or herself, in the hopes that this person would not self destruct, so that you guys could attempt to build a life together?
Spent untold hours blaming yourself for the awful situation, even though you were actually the reason for anything good in that situation, although you could not see it, because you were too mired in guilt, defending yourself from the attacks that you were sure that you caused?
Still felt sad, and even guilty, even after you escaped your situation? Not knowing how you would go on without this person who you loved so much, but somehow finding a way?
So, why are we talking about a domestic abuse situation?
After all, that’s what I just described right?
Someone who was in an abusive relationship, but somehow managed to escape, but still have survivor’s guilt?
Well, you would be correct. But as always, there is more to meet the eye…
And it is one of his most famous, maybe even his most famous, with a movie that is perhaps even more notorious?
Yes, in case you haven’t guessed, I am referring to The Shining.
And let’s take a moment to acknowledge the red-headed stepchild of the family, otherwise known as The Shinning. As we all know, all work and no play makes Homer something, something…
But yes, that The Shining. The same one that is such a huge part of our culture now.
The same one that is the subject of some pretty entertaining memes.
Admit, you have muttered “redrum” in *that voice.*
Or been petrified by blood coming out of the walls.
Or freaked out by people in animal costumes.
I could go on and on. The Shining is a frightening book and movie.
But The Shining is so much more than just being scary.
The Shining is about family, and just what we will do to protect the ones we love the most.
The Shining is also about addiction and abuse, and how those can destroy a family from the inside out, even without the help of a haunted hotel.
In other words, for most of us, family is central. And losing family is devastating, no matter the circumstances. Over and over, King drives this theme home in The Shining.
So, welcome to this month’s read and review, and as always:
The book begins with an introduction to the Torrance family, which consists of Jack, his wife Wendy and their five year old son Danny. It is revealed that Jack has recently become unemployed from his job as a schoolteacher, and is interviewing for a position as the caretaker at a hotel called The Overlook Hotel, in Sidewinder, Colorado.
It turns out that the interview is just a formality, and Jack is hired for the position, although the hotel’s manager, Stuart Ullman, is reluctant to hire Jack, as Jack has had past problems with alcoholism and controlling his temper. Jack assures Ullman that the alcoholism is no longer an issues, and that he and his family can handle the isolation that will come with the job, which will require Jack and his family to live at the hotel during the winter and be cut off from all civilization.
During a tour of the hotel, the maintenance man, Watson, shows Jack how to adjust the pressure of the boiler so that the hotel does not catch fire. Jack also learns that the previous caretaker, Delbert Grady, murdered his family during his stint as a caretaker. Watson also tells Jack that the hotel has had a few deaths, and one of those occurred during the previous summer. An older woman, Mrs. Massey, stayed at the hotel with her much younger suitor. When her suitor abandoned her, Mrs. Massey committed suicide in room 217, in the bathtub.
In the meantime, Danny and Wendy await Jack’s return. The Torrance family has relocated from Vermont to Colorado, due to Jack’s job loss, and Wendy has some concern that the move has not been easy for Danny. We also learn that Danny has been a victim of Jack’s temper, as Jack accidentally broke Danny’s arm a few years prior, due to Danny spilling beer on his school papers.
We also learn that Danny is gifted with some unusual abilities: he sometimes has knowledge of future events, or events in the present that he would otherwise have no knowledge. Danny sees these visions through his friend Tony, another boy only visible to Danny, and referred to as his “imaginary friend” by Jack and Wendy. We learn through Danny that Jack and Wendy’s marriage has been troubled, due to Jack’s alcoholism, and that Danny has feared that his parents will divorce.
Danny has another frightening vision brought to him by Tony as he is outside waiting for his father to get home: he sees himself in an unfamiliar place being chased by someone, and also sees the phrase “REDRUM.” Danny becomes frightened and has no idea what this vision could mean.
Finally, Jack arrives home. Danny is overjoyed to see his father and glad that his father got the job at The Overlook Hotel. However, Danny thinks that he sees a bloody mallet in the front seat of his father’s car. When he looks at the front seat again, Danny realizes that is just a bag of groceries.
Jack makes a trip with Danny to a pay phone, so that he call his friend Al Shockley, who helped him get the job at the Overlook Hotel. Jack recalls how, during one drunken night, Al hit a bicycle that was left in the middle of the road while driving himself and Jack home. It is this incident that prompted Wendy to ask for a divorce, but Jack is able to stop drinking, and Wendy decides to stay, as she loves her husband and son.
That night, Danny has yet another, and Tony warns him not to go to the Overlook for the winter. Danny is frightened, but does not say anything to his parents, as he knows how important this opportunity is for his family.
The Torrance family then arrives at The Overlook Hotel. Danny is still feeling uneasy, but does not tell his parents, as he is still aware how important this opportunity is for his family.
After his family arrives at The Overlook, Danny is introduced to the hotel’s chef, Dick Halloran. Danny and Halloran take a liking to each other immediately.
Halloran is able to ascertain that Danny possesses psychic abilities, to which he refers to as “the shining.” Halloran tells Danny that he is not alone in possessing this gift, as Halloran also possesses it, although his ability is not as strong as Danny’s. Before Halloran bids Danny goodbye for the winter, he warns Danny that he may see things in the hotel, as the Overlook is an old hotel and several unpleasant events have occurred there. Halloran tells Danny that what he sees are akin to pictures in a book, and that nothing should be able to harm him. Halloran warns Danny to stay out of room 217, as he may experience something unpleasant in that room.
Ullman gives the Torrance family a tour of the hotel shortly after Halloran and the other employees leave for the winter. True to Halloran’s statement, Danny sees what appears to be blood and brains on a wall. However, Danny looks away, and the vision soon vanishes.
Several weeks pass uneventfully for the Torrance family. Jack is finally able to work on his writing, and thinks that he may be able to finish the play he is working on. Jack and Wendy notice that Danny is a little withdrawn, but think nothing of it. Danny continues to push himself to learn how to read, so that he may be able to communicate with his friend Tony, who has shown him signs with written words in the past.
One day, Jack finds a wasp nest on the roof of the hotel. He kills the wasps with a bug bomb, and gives the nest to Danny as sort of a souvenir. Danny is thrilled with the nest, and puts it in his bedroom.
That night, Danny is getting ready for bed in the bathroom. When he does not come out of the bathroom, Jack and Wendy become anxious, and Jack breaks down the door. They find Danny in a trance, but are able to rouse him. Danny does not remember what happened, so Jack and Wendy put him to bed.
Later on, in the middle of the night, Jack and Wendy are awakened by Danny. Danny is being attacked by the wasps from the nest given to him by Jack earlier. Jack is able to kill the wasps, but cannot understand why the poison he used earlier did not work.
The next day, Wendy and Jack take Danny to see a doctor in town. The doctor examines Danny and is able to find nothing physically wrong with Danny.
The doctor asks Danny to try and summon Tony. Danny falls into a trance again, but is unable remember anything when he comes to. However, Danny tells the doctor that his mother had a sister who passed away as a child, which is information he did not previously have. Danny also tells the doctor that his parents had previously contemplated a divorce, but have since changed their minds. The doctor refuses to believe that there is anything unusual about Danny. and reassures Jack and Wendy that Danny is simply an imaginative child, and that he will eventually grow out of his unusual behavior.
While he is setting rat traps in the basement, Jack finds a scrapbook of sorts. When he opens up the scrapbook, Jack finds much information in regards to the history of the Overlook. It turns out that the Overlook has seen many changes in ownership and has also been the scene of some violent crimes. Jack becomes absorbed in this history, and also begins to exhibit behaviors that he exhibited when he was drinking, such as wiping his lips and dry swallowing Excedrin.
Danny also begins exploring the hotel, without the knowledge of his parents. He is again tempted by Room 217, despite Halloran’s warnings. Danny is able to resist the temptation, but thinks that he sees a fire extinguisher come to life, turning into a snake. However, once again, he does not tell his parents about this incident, as he understands how important the job at the hotel is for his family.
Jack makes a trip to the library to do more research on The Overlook Hotel. He places a phone call to Stuart Ullman, goading Ullman in regards to the history of the hotel, stating that he will one day write a book about the hotel. This angers Ullman, and Jack regrets his actions as well.
After speaking with Ullman, Jack receives a call from his friend Al Shockley. It turns out that Al owns part of the hotel, and is angry at Jack for making that phone call. Al forces Jack to promise not to call Ullman again, and to not write any books about the hotel. Jack is angered, but agrees, in order to keep his job.
Both Wendy and Danny become worried about Jack. They sense that Jack is having trouble coping with his alcoholism, but are unsure of how to help him. Wendy asks Danny if he would like to leave The Overlook, and Danny agrees that he would. However, Danny is not happy with the alternative option: staying with Wendy’s mother, as Wendy and her mother do not get along. Wendy agrees to stay at the hotel with Jack for the winter, and hopes that things will get better.
One day, as Jack is trimming the hedge animals in front of the hotel, he is badly frightened. He thinks that the hedge animals have moved. He tells himself that this is impossible, and likely a hallucination caused by his struggles to remain sober.
The weather worsens in Sidewinder, and the Torrance family begins to feel the hotel closing in on them. The only means of communication is a CB radio. They are otherwise cut off from the world, unable to leave the hotel.
One day, Danny finally gives in to temptation and visits room 217. When he opens the bathroom door, he encounters the ghost of Mrs. Massey. The ghost then attempts to strangle Danny.
While Danny is being attacked in Room 217, Jack and Wendy have dozed off in their quarters. However, Jack awakens to the voice of his dead father on the CB radio, warning him that Danny has broken the rules and visited room 217.
Once Wendy and Jack come to their senses, Danny appears at the top of the stairs. Danny is bruised and bleeding from his encounter with the ghost in room 217.
Almost immediately, Wendy blames Jack for Danny’s injuries, convinced that Jack tried to hurt Danny in his sleep. She chases Jack off and locks herself and Danny in the bedroom.
Jack is angered by Wendy’s treatment of him, and retreats to the empty bar at the hotel. Jack then begins to fantasize about drinking again.
The fantasies about drinking seem to become real as Jack strikes up a conversation with the bartender he believes would have been serving the hotel back in its prime. Jack refers to this man as Lloyd, and requests that Lloyd serve him 20 martinis. Lloyd also appears to commiserate with Jack over his troubles.
Finally, Jack realizes what he is doing and snaps out of his trance. Wendy appears with Danny at the bar, and Danny begins to have convulsions. Jack is able to bring Danny out of his catatonic state, and tries to find out what happened to Danny.
Danny tells his parents about what happened in room 2017, along with the other incidents that he has experienced during the family’s stay at the hotel. Wendy also tells Jack how worried she and Danny have been about him, as he appears to be struggling with his alcoholism. Jack heads to Room 217, to see if he can find anyone or anything there.
When Jack arrives at Room 217, he investigates it and does not find anything. However, when he leaves the room, he notices that someone or something is watching him. However, he tells his family that he did not find anything in the room.
Later that night, Jack and Wendy begin to argue over their situation. Jack reminds Wendy that they are snowed in, and that an escape attempt may kill them. However, Wendy remembers that the hotel has snow mobiles, and Jack reluctantly promises to test them out the next day, so that they may possibly escape the hotel.
That night, Jack struggles with his anger at his family, as he feels that he will have no other options if they leave the hotel. He dreams that he sees a ghost of one his students in Room 217, and that he attacks that ghost. However, the ghost then turns into his son. Jack awakens to find himself standing over Danny’s bed, and shocked by his behavior.
In the morning, Jack takes a look at the snow mobile and finds it in working order. However, he is unable to bear the idea of leaving the hotel for a fate unknown, and deliberately sabotages the snow mobile, so that his family will remain stranded at The Overlook.
The weeks pass without incident. Danny tells his mother that he still afraid of the hotel, but that he understands that his family has no other options.
One day, Danny is outside playing on the hotel’s playground. He is playing in the miniature version of the hotel when he begins to feel trapped inside, and very frightened. Danny makes his way out of the playhouse, and heads back to the hotel.
Danny also has a bad scare when he heads back to the hotel: he sees the hedge animals move, and they begin to chase him. However, Danny is able to make it back to the hotel, where he collapses on the porch from fright and exhaustion.
Danny tells his parents what happened. However, Jack does not believe him and tries to convince his son that the movement of the hedge animals was a figment of his imagination. Danny realizes that Jack is lying and that Jack has also seen the animals move. When he tries to tell his father this, Jack slaps him across the face, angering Wendy.
Jack and his family are awakened later that night by the sound of the elevator running. The elevator had not previously been in use. Jack gets up to investigate the noise, with Wendy and Danny in tow.
When he investigates the elevator, Jack does not find anyone or anything there. However, the Torrance family finds evidence of a party, which includes streamers and balloons. Wendy and Danny also hear noises associated with a party, such as people talking and music. Jack denies that anything unusual is happening, and chalks up the issues with the elevator to a short circuit.
A few days later, Danny comes across an old clock that no longer appears to be working. However, the clock comes to life, and the figures in it commit lewd acts. The clock then stops, and Danny has another vision. He sees the word REDRUM again, and realizes that it is murder spelled backwards. Danny is terrified, and sends a telepathic plea to Dick Halloran for help.
Hallorann is in Florida, working at his winter job. He receives Danny’s message, and realizes that the situation at The Overlook Hotel is serious, and that he must return to Colorado as soon as he can.
As Hallorann is looking for a flight to take him to Colorado, Wendy and Danny sense that the hotel is closing in on them.. The hotel is working through Jack, in order to get to Danny. When Danny tries to leave his quarters, he is accosted by a man in a dog costume, who tries to attack him. Danny continues to call to Hallorann for help, but the hotel senses what Danny is doing and puts a stop to it.
Finally, Hallorann is able to find a flight to Colorado, and heads to the hotel, hoping that he will not be too late.
Jack becomes convinced that the hotel wants him, and not Wendy or Danny. Jack encounters the ghosts of the hotel’s previous employees and guests, and is able to get drunk. One of the ghosts, the ghost of Delbert Grady (the previous caretaker of the hotel), alerts Jack to the fact that Danny is trying to escape from The Overlook, and tells Jack that he must do whatever he needs to do to correct Danny. Jack is also shown a vision in the clock: a man beating a little boy with a roque mallet. The clock then fills with blood, much to Jack’s disbelief.
Finally, Hallorann is able to find a flight to Colorado, and begins the trek to Sidewinder.
Wendy and Danny stay sequestered in their quarters, and are able to hear Jack in his drunken rage. Wendy ventures out of their quarters to find food for her and Danny, and finds Jack passed out at the bar. She realizes that Jack is somehow drunk, even though there is no alcohol anywhere in the hotel.
Jack regains consciousness, and begins to attack Wendy. Wendy realizes that he intends to kill her and Danny. Danny comes to the defense of his mother, and Jack also attacks Danny. Wendy is able to finally subdue Jack by hitting him on the head with a glass.
Wendy and Danny drag Jack to the pantry, intending to lock him in there, for his safety and theirs. Jack regains consciousness and fights them, but they are able to shut the door on him in the nick of time.
Even though they retreat to the their quarters, Wendy and Danny are still able to hear Jack’s protests, along with the elevator and other sounds that indicate that the hotel is coming to life.
The ghost of Delbert Grady finds Jack in the pantry. Jack promises to kill Wendy and Danny, in exchange for his freedom. The door is somehow unlocked, and Jack picks up a roque mallet, and looks to find his wife and son.
In the meantime, Hallorann continues to make his trek to The Overlook. The hotel realizes what he is doing, and sends him a message, in an attempt to scare him off. Hallorann fights it, and is determined to make his way to The Overlook.
Wendy begins to suspect that Jack has somehow escaped the pantry. She heads downstairs, but this proves to be a mistake, as Jack is waiting for her. Jack attacks her with the mallet, but Wendy defends herself with a knife. She heads back upstairs, but an angry, inhuman Jack follows her, determined to kill her.
Finally, Hallorann arrives at the hotel, but is attacked by one of the hedge animals.
Wendy is able to flee from Jack, and hides in the bathroom. She defends herself with a razor blade she finds in the medicine cabinet, all the while wondering where Danny is hiding, as she has been unable to find him. She also realizes that the hotel has completely possessed her husband, and that Jack is no longer in control of himself.
Hallorann is able to fend off the hedge animal by lighting it on fire and makes his way into the hotel. However, he is then attacked by Jack and loses consciousness.
Danny is in some kind of catatonic state. He is visited by Tony, and realizes that Tony is a future version of himself, Daniel Anthony Torrance. Tony tells Danny that his mother and Hallorann may be killed by Jack, unless Danny does something about it. Tony then reminds Danny that he will remember what his father forgot, and vanishes. Danny then returns to consciousness.
Finding himself in the attic on the third floor, Danny hears his father calling for him. Resisting the urge to obey his father, Danny attempts to hide from Jack.
Wendy regains consciousness, and finds Hallorann. She rouses him, and both hear the sounds of Jack on the prowl for his son.
Danny confronts the creature that had once been his father. He tells his father that the hotel is using him, and will discard him once he has served its purpose. Jack briefly makes an appearance, and tells Danny to run.
Danny then realizes that his father has not maintained the boiler, and that the hotel will go up in flames. He runs, searching for his mother and Hallorann, so that they may escape before it is too late.
Wendy, Hallorann and Danny are reunited. Halloran senses the urgency, and the three make their escape. The hotel catches on fire shortly aftewards and is completely destroyed.
Even after they escape, the hotel tries to urge Hallorann to hurt Danny. Hallorann fights the urge, and escapes with Wendy and Danny by using the snow mobile. Soon, they reach civilization, away from the hotel and the haunted grounds.
Several months later, Hallorann has found work at lodge in Maine. Danny and Wendy also stay at the lodge for the summer, but Wendy plans on relocating to Maryland, in favor of a new job and fresh start. Danny is still saddened over the death of his father, but Hallorann reassures him that he will always be there for him, and that Danny will eventually recover from his ordeal.
I have said it once, and I will say it again: I appear to be incapable of reading anything that does not make me its emotional bitch in the end.
And The Shining is no different.
Well, now I can add The Shining to that list.
And I would not be alone in that sentiment. Out of all of King’s work, it seems like The Shining is the one that has had the biggest grip on popular culture.
Even non horror and non King fans get what “redrum” means.
Jack Torrance, you have failed your hotel!
(OK, that one was admittedly bad. Maybe Jack should have tried harder to save his
city hotel. OK, I will stop now before someone sends the ghosts of the Overlook or perhaps Damien Darhk after me for making these bad jokes!)
And there is a good reason why The Shining (both the book and movie) has the grip that it has on popular culture. Actually, there are a few good reasons.
The Shining is scary. Really scary. Really fucking scary. Fucking scary as hell, as a matter of fact.
OK, Captain Obvious is on board…
Stephen King wrote The Shining. He is the King of scary. So of course his books are scary, right?
Well, many times, King’s books are scary. King does a lot of things besides scary (which he also does in The Shining, and which we will talk about later), but if you mention his name, the first word that comes up is scary. That is what he is primarily known for: writing books that will scare his Constant Constant Readers into a change of pants.
(Or is that just me? OK, just checking, no judgement, right?)
Well, add The Shining to that list. And believe me, it has earned that spot on the list.
First of all, there is the setting. We have an isolated, abandoned hotel in the dead of winter. Forget about the ghosts for a minute, and think about that instead. Being trapped in the middle of nowhere is a real fear. And The Shining plays upon that fear almost right from the opening pages, before we even have the pleasure of making the acquaintance of those lovely, hospitable creatures that call The Overlook Hotel home.
In fact, I could even rightfully argue that the hotel is a character, in and of itself, in much the same way that Danny, Wendy, Jack and Dick Hallorann are characters.
I find this utterly fascinating: only King has the ability to turn an inanimate object, like an isolated hotel, into a compelling, fleshed out character. Much love for The Master!
But, I don’t want to forget about the ghosts. No, let’s not do that!
Now, the build up to the ghosts is a nice, slow burn. There are a couple of flashes here and there, like the blood and brains Danny sees in the one room on his first tour, along with the incident with the wasps. But King spends the first half of the book getting us invested in Danny and his parents, and even the hotel. So the ghosts take a back burner, at least at first.
But then King unleashes them. And good things (or is it really scary things?) come to those who wait. And the payoff is grand.
It had been many years since I read this book. And a few details may have escaped me. But lucky me, they came back to me on my re-read.
There is the ghost of Mrs. Massey. Now, thanks to Kubrik and his movie, I have never really forgotten about her. But she deserves mention here. I may make jokes and kid around with all The Shining references, but here is my confession: I do that to hide the fact that she still scares me into a change of pants, even to this day.
(Again, we cool and no judgement, right? Whew!)
Although Mrs. Massey scared me, and the guy in the dog costume scared me (who does that? Who wears a dog costume and makes the rounds at a party, greeting people by barking? Ew much?), along with the ghosts of Grady and Lloyd, I think the honor goes to…
You got it, the clock!
I know that a wind up clock is not what most people associate with this “redrum” of a book. However, that is one seriously scary scene. And it would actually be two scenes, as Danny sees the figures in the clock do some unspeakable things to each other after it comes to life, and then Jack also sees the same clock come to life, showing him a guy murder a kid with a roque mallet. And then the clock fills with blood. Nice touch, Sai King!
Okay, we have paid the ghosts their due.
So let’s take away the ghosts now. Let’s take away the spooky hotel. Let’s take away a little boy’s mysterious, PSI powers.
We are doing away with anything and everything supernatural.
With most horror stories, if you took away all the supernatural elements, you would not have a story. You would have the equivalent of a car with no engines, no tires, probably even no stereo to listen to the music on.
But this is where King separates himself from the pack, and shows us why he has earned the moniker “The Master.”
You can take away anything and everything supernatural in The Shining.
And you are not left with an empty vehicle that won’t go anywhere or play any music.
Rather, you have a vehicle that is functional. It may have no “extras”, like the fancy tires and state of the art stereo system.
But this vehicle will run. We can drive it, and it can still take us places and can be counted on for a journey.
In other words, The Shining is not just about ghosts.
The ghosts make the story fun, and provide some great scares (again, Mrs. Massey). But they are not what makes this story so memorable and so effective on so many levels.
At its core, The Shining explores familiar territory. Or familiar to anyone who has had to “adult” for more than thirty seconds of his/her life.
The Shining is about family.
The Shining is about addiction and the devastating effects it has on the addict and the addict’s loved ones.
The Shining is about unemployment, and how devastating it can be to lose one’s job and place in the world.
In fact, the Torrance family’s stay at The Overlook Hotel could be seen as metaphor for being trapped in an abusive relationship.
In an abusive relationship, the abuser will use isolation as a tactic. This is what my ex did to me: he cut me off from everyone and everything that I loved. And then the monsters were unleashed.
Like Danny, I lived in fear. I also constantly questioned myself and blamed myself, as Danny did, when his father and the hotel would do terrible things. I believed, like Danny, that I had caused those things.
Like Danny, I believed that there was something I could do to keep the monsters at bay, and prevent the terrible things from happening. I shouldered much responsibility for what happened, and looked for ways to prevent (like Danny avoiding certain parts of the hotel.)
But, like Danny, it became too much, and escape became necessary to save my life. Danny agonized over the escape, and so did I. Escaping from an abuser is never easy, as you are running from someone you love, sometimes a person you love beyond all reason.
And the recovery is not easy, as evidenced by the end of the book. Like Danny, I spent much time crying.
But, again, like Danny, I found the light. Light is never so beautiful as when you escape that darkness.
Well, that’s it for the roller coaster otherwise known as The Shining. Join me next month for a reunion of sorts, when we review and dissect the follow up to The Shining, aka Doctor Sleep!
Tune in next month…same bat time, same bat channel!
Even though The Shining is an early King work, it is still set squarely in the King universe, and shares some notable connections with other King books. Here are the connections I found:
-The most obvious connection to another book is to Doctor Sleep, which follows the adventures of Danny Torrance in adulthood.
-The town of Sidewinder is mentioned in the novel The Talisman.
-In the book The Drawing of the Three, Eddie recalls a movie that he has seen, titled The Shining. Even if Stephen King does not exist in every reality (or even most of them), apparently some version of The Shining does exist on more than one level of The Tower, and may even exist on all levels of The Tower.
-In the novel It, Dick Halloran makes a brief appearance in a story in a flashback regards to Derry’s history. Hallorann saves the life of Wil Hanlon, who would later go on to father Mike Hanlon, one of the members of the Losers Club.
For once, I am at a loss for words.
And no, I don’t exaggerate.
I am literally speechless.
Last night, I watched what I thought was simply the season finale to Penny Dreadful, which is one of my favorite television shows. And that is saying something, since I don’t care about most television shows. I read books. I hold things to a very high standard.
In other words, it takes a lot to impress me. A lot.
And Penny Dreadful impressed me. It impressed me, and did so much more.
I fell in love.
I fell in love with the characters. I could see a bit of myself in every one one of them. Even the ones who were not “human.”
I fell in love with the dialog. This is one of the most quotable shows I have ever watched.
I fell in love with the setting. This show has gorgeous visuals, there is no other way to put it.
I fell in love with the story lines. Some of the story lines were better than others, but I loved them all.
And I may have taken this show for granted.
Not that I expected a long run, but I thought we would get more seasons. If a show is this good, we get more seasons, right?
Well, no. Last night, I watched the finale to season 3. Turns out this is also the series finale.
In other words, I said goodbye last night. And it was gut-wrenching.
I had an ugly cry.
My nose got stuffed up.
My eyes turned red and bloodshot.
My makeup ran all over my face.
In other words, it was beautiful.
Gut-wrenching still, but beautiful and cathartic.
Endings usually are.
So, without any further ado, I bring you my recap and review of the series finale of Penny Dreadful.
And, as always:
Dr. Seward finds her receptionist, Renfield, in her office listening to her sessions with Vanessa. Renfield exhibits odd behavior and attacks Dr. Seward. Dr. Seward realizes that she is dealing with a supernatural creature, and is able to fight him and capture him.
Ethan, Kaetenay and Malcolm arrive in London and immediately notice that things have gone awry in London. They are told that the air has become poisonous, killing thousands of people. They hurry back to Malcolm’s mansion, concerned about Vanessa.
Once Ethan, Kaetenay and Malcolm arrive at Malcolm’s mansion, they are almost immediately accosted by vampires. Malcolm is bitten, but saved by the arrival of Catriona, who cauterizes his wound. Dr. Seward also arrives, and tells the group that she has captured Renfield, who can help them find Vanessa.
Caliban dines with his family, and they discuss moving away from London, Caliban’s son Jack expresses a desire to return to the beach when he is well. However, Jack becomes overtaken by his consumption, and Caliban helps him to bed.
Ethan leaves the mansion to find Victor, as he feels that Malcolm needs a doctor. A mysterious boy is awaiting him at Victor’s apartment, and promises to lead to him to Victor.
Dorian returns to his mansion, and demands that the women who have gathered there on behalf of Lily leave. Most leave, but Justine stays, and challenges Dorian’s authority, stating she will not return to her old life and that she would rather be killed by Dorian. Dorian obliges her, snapping Justine’s neck.
Victor holds Lily captive in Henry’s lab in Bedlam. He tells Lily that the serum will make her better, but Lily disagrees. She then proceeds to tell Victor the story of Sarah, her daughter who died in infancy. Lily was forced to prostitute herself so that she and her daughter could survive. One night, Lily was badly beaten by one her of customers. By the time she arrives home, Sarah has died from the cold, and Lily is heartbroken. Victor has a change of heart, and lets Lily go.
The mysterious boy leads Ethan right to Dracula, and Dracula unleashes his creatures upon Ethan. Ethan fights back, but turns into a werewolf because it is the full moon. He is joined by another werewolf, who turns out to be Kaetenay. Both wolves fight off the creatures, and transform to their human selves. Ethan realizes that it is Kaetenay who cursed him and is angered. Kaetenay tells Ethan that he cursed him in order to help save the world, and that Ethan has the ability to help Vanessa, despite his curse.
Victor tells Henry that he has allowed Lily to go free. Henry chides Victor for this, telling Victor that his work in science will amount to nothing. Henry then tells Victor that his father has died, leaving his estate to Henry. Henry demands that Victor address him by his proper name: Lord Hyde.
Dr. Seward leads Malcolm and Catriona to Bedlam, where she has locked Renfield in a cell. They also meet up with Victor, Ethan and Kaetenay. Dr. Seward hypnotizes Renfield, and deduces where Dracula is holding Vanessa captive.
That night, Caliban awakens in the middle night and checks on his son. He discovers that his son has passed away from consumption in his sleep. Marjorie and Caliban make plans for his burial, and Marjorie demands that Caliban ask Victor to resurrect their son. Caliban refuses to do so, stating that he will not curse his son to eternal life. Marjorie then tells Caliban that if he does not resurrect their son that he can leave their home.
Malcolm, Kaetenay, Ethan, Catriona and Victor hunt down Dracula. They are again accosted by vampires, but fight back using various weapons, such as guns and stakes. Ethan escapes the creatures and finds Vanessa in a room lighted by candles.
Ethan tries to persuade Vanessa to escape with him, telling her that he will protect her from the dark forces that seek to possess her soul. Vanessa tells him that this is impossible and the she wants her suffering to end. Together, they recite the Lord’s Prayer, and Ethan shoots Vanessa with his gun, ending her life. Before she dies, Vanessa tells Ethan she sees God, and He is waiting for her.
After Vanessa dies, the sun comes out from behind the clouds, and Dracula flees.
Lily returns to Dorian’s mansion, where she finds the body of Justine. She tells Dorian that she cannot be with him any more, and leaves. Dorian is skeptical, and predicts that she will return to him.
Caliban buries his son at sea, against the wishes the wishes of Marjorie. He returns to living his life in the shadows.
A funeral is held for Vanessa. Malcolm says that he will not return to Africa, as he will stay in London to properly grieve Vanessa and the rest of his family. Ethan states he will also remain in London, as he considers Malcolm his only family now.
The episode ends with Caliban visiting Vanessa’s grave, reciting a Wordsworth poem, in honor of his friend.
So many thoughts…such as long blog post.
And I don’t really care about the length. After all, this is my last post in regards to this show, so I may as well make it count, right?
This post will probably wind up being a bit emo, so let’s talk about some of the lighter moments in the finale, as there were a few. After all, you can’t have a series finale be all about the feelsies, right?
I loved the action scenes in this episode. In fact, I think they were my favorite part of the episode. I can be a sucker for moments that don’t require mountains of tissue.
One of the best action scenes was the Werewolf Bowl.
That’s right. Game of Thrones got its Bastard Bowl. Therefore, Penny Dreadful gets its Werewolf Bowl!
Ethan was kicking ass on his own, but then he is joined by the “gray wolf.” Who is none other than Kaetenay! How about that?
And it turns out that Kaetenay was actually responsible for Ethan’s curse, and that he had a good reason for putting that curse on Ethan…who knew?
I also loved the gun fight that took place between the Scoobies and Dracula’s groupies. Malcolm and Victor were bad ass, but in my mind, they did not hold a candle to Miss O’-Nine-Tails, aka Catriona.
On a side note: did anyone else think of Danny Glick when they saw that kid vampire, or was that just me?
That’s right, I misjudged Miss O’-Nine-Tails. Turns out that she was not on the side of evil, but on the Scoobies’ side the entire time. And a valiant fighter.
She swung from rafters, for Pete’s sake. And cauterized Malcolm’s wound without a second thought.
In other words, she was a total fucking bad ass. The only bad thing I can say about her now is that she was only in a handful of episodes…sniff…
In fact, Buffy herself would have been proud…a turn of the century Slayer? Hey, I can dream, right?
Oh, and let’s not forget Renfield.
Renfield munching on a frog and tendering his resignation to Dr. Seward…priceless!
As always, the visuals for this show did not fail to impress me.
In particular, I was struck by the scenes of Ethan walking down the street, with the Japanese lanterns in the background. The contrast between the colors was beautiful, and made things look that much more eerie.
One thing is for sure: the visuals on this show have spoiled, and pretty much everything I watch will be held up to the standard that Penny Dreadful has set.
I would also like to talk about character arcs for a moment.
For instance, the ones I find fascinating are Dorian’s, and Caliban’s (we will talk more about Vanessa later.)
On the surface, these two may not have very much in common. But that’s on the surface.
Both are immortal. Both have lived in the shadows, so to speak.
In fact, when the show started, Dorian and Caliban lived in the shadows. And neither cared very much about the lives of others, although often, they would use other humans as a means to an end.
However, one character took a different path from the other, and became a better person for it.
That’s right, Caliban is the one who experienced growth. In fact, out of all the characters, Caliban may have been the character who experienced the most growth.
Slowly, throughout the series, Caliban found his humanity, through the memories of his family, and his relationship with Vanessa. The same cannot be said of Dorian, however.
Caliban has learned from his experiences. For example, he chooses not to resurrect his son, even though it costs him his relationship with his wife. Dorian does not learn from his experiences, however. When he grows tired of Lily, he discards, along with Justine and all the other women who had a been a part of Lily’s army.
And while both Dorian and Caliban may continue to live in the shadows, only one has seen the light. And that would be Caliban.
Ok, time to talk about the feelsies…
And there were so many of them, in what turned out to be the series finale for a spectacular show.
Finally, we got a little more information on Lily, when she told the story of what happened to her daughter. Did anyone else feel the oxygen getting sucked out of the room, or is my imagination just that vivid?
The story of Lily’s daughter was tragic. It also brought up an interesting point: our memories, both good and bad, make us who we are. And to rob someone of his/her memories, as Victor intended to do, would be a cruel act. Myself, I have plenty of bad memories, as I am a domestic abuse survivor. But if I were robbed of those memories, I would not be me. Like Lily, being a shell of myself, and not having those memories, some of which are painful, but essential to my being, would be the cruelest punishment of them all.
Then there was Caliban. Which made me cry more, the death of Vanessa, or the sight of Caliban burying his son at sea?
I don’t know, but the two are pretty close.
I thought a bit of Pet Sematary, which I read earlier this year, when watching this episode.
Caliban was kind of the anti-Louis Creed. He resisted temptation, and gave his son a proper send off, so that his son would not be damned for all eternity. And boy, was this painful to watch. I heard a splintering noise and figured that was the sound of my heart breaking wide open.
Before I conclude this post, let’s talk a bit about Vanessa and her arc.
Now, I wasn’t happy that Vanessa died. In fact, I was anything but. I hated it!
I hate this ending, but I also feel that this was the only ending. While this ending sucked, it was definitely the right ending.
Some may vehemently disagree with me on the ending, along with the fact that John Logan did not let us know that this was the last season of the show.
However, I agree with Malcolm: Vanessa never would have found happiness, had she lived. She was doomed for all eternity, and would have been fleeing from the darkness all of her life. Not even Ethan would have been able to protect from those forced that sought her soul.
So Ethan performed the ultimate act of love: he shot her and ended her suffering. However, he used his powers as Lupus Dei to bring her back to her God, so that she found peace before her death, and (hopefully) salvation in the afterlife.
And I agree with John Logan that this was really Vanessa’s show. Vanessa touched the lives of many, including Ethan, Malcolm, Caliban and even Dorian. So without Vanessa, there is no show.
Announcing the end of the series would have been a spoiler of sorts, as any intelligent person (probably) would have deduced the death of Vanessa. And where would the fun have been in that? Personally, I enjoyed this season. Knowing that it was the last season would have put a damper on my fun, although I still would have watched it.
And what better way to end the series, than to have Caliban recite a Wordsworth poem, in honor of his friend?
Vanessa touched the lives of everyone she met, but I believe that she had the greatest effect on Caliban. When she was a patient in the Banning Clinic, he was the orderly tasked with caring for her. However, it could be argued that she helped him much more than he helped her, as she brought out his humanity even then, making him the best man he could be.
And even after he became an un-dead Creature, Caliban’s relationship with Vanessa still made him a better man. It inspired him to reunite with his family, even though that ultimately proved painful, with the death of his son and the loss of his relationship with his wife. However, these losses served to bring Caliban back from the dead, so to speak, and proved that he was not in fact the monster everyone saw on the outside, but someone more human than almost everyone else on the show.
Nothing is more beautiful than a man who recognizes what true humanity is, and strives to make sure that everyone is afforded it, no matter the cost to himself.
Well, that’s it. That’s it for Penny Dreadful.
We have been so lucky to have been blessed with such a wonderful show. The acting, the visuals, the dialog, the writing…all of it was superb, and I would not change a thing, as this show has been simply perfect.
So, I am tearing up a little, but I bid the series goodbye, and am thankful to have had the privilege to watch it, and spend so many hours writing about it and discussing it.
The series may have been cancelled, but it will live on in my heart forever.
Well, I am in recovery today, folks.
No, I didn’t go out and partake in a wild night of drinking, where I did things (like get married, hehe), that I have to piece together the next morning.
And what a ride it was…
I’ve always been kind of curious to see what Quentin Tarantino’s take on a period horror drama would be (seriously, I want to see Quentin Tarantino’s take on pretty much anything, but I digress.)
And I got my wish last night.
In other words, I got my period horror drama (as always.)
But, there was comedy.
There was a gunfight.
And there were ridiculous lines that may have seemed ridiculous, but somehow, they still worked.
In other words, Quentin Tarantino is an un-credited writer for Penny Dreadful. I tell you, it’s the only thing that makes sense, as this was an entirely new turn for a show that has been filled with surprises almost from the get-go.
So, buckle yourselves in, and prepare for the recap and review of No Beast So Fierce. And try not to fall out of your seat, ok?
And, as always:
The episode begins with Renfield meeting with Dracula, begging Dracula to feed him. Renfield discloses the names of some of Vanessa’s friends, including Malcolm and Ethan. Dracula then allows Renfield to feed on a nearly dead corpse, reminding Renfield of who is really in charge.
Vanessa pays a visit to Dr. Lyle and requests his assistance. Lyle tells her that he is leaving for Egypt, and that this time, the visit may be permanent. Vanessa is heartbroken to be losing yet another friend, but Lyle gives her the name of another acquaintance who may be able to help her.
Back in America, the stand-off between Ethan and his father Jared is interrupted by the arrival of Inspector Rusk, who announces that he is arresting Ethan, so that Ethan may stand trial for his crimes.
Caliban has recovered some memories of his past life, and looks in on his sleeping son. The boy is ill and in discomfort, but recognizes his father’s voice. However, once the boy opens his eyes and sees Caliban in his form as the Creature, he begins to scream. Caliban is heartbroken, but vows to obtain medicine so that his son may be cured.
Vanessa attends a fencing match, per the instruction of Dr. Lyle. She finally meets Lyle’s friend, Catriona Hartdegen. Catriona is an accomplished female fencer, despite the accusations against her of cheating. Vanessa tells Catriona her story, and requests help in her fight against Dracula. Catriona agrees, but reminds Vanessa not to isolate herself, as there is strength in numbers.
Vanessa then has a drink with Dr. Seward. Dr. Seward tells Vanessa that she understands what it is like to be alone, as she killed her husband in self-defense and was forced to stand trial for murder. Dr. Seward encourages Vanessa to seek the company of Dr. Sweet, to decrease her risk of isolation.
At Dorian’s mansion, Lily teaches a self-defense workshop of sorts to prostitutes who are forced to endure abuse from men. Lily uses Dorian as a model to demonstrate her techniques. However, Justine cuts Dorian’s throat in the demonstration. This prompts concern from Dorian, who states that Justine has forgotten her place in their lives.
Malcolm, Ethan, Jared and Inspector Rusk sit down to a dinner in Jared’s ranch. Jared forces Ethan to say Grace, and harasses Ethan until he complies. This prompts Malcolm to come to Ethan’s defense, reminding Jared that his son is still a good man, no matter what the accusations against her are. Hecate also tells Ethan that she will unleash her magic, if he will just give her the word.
Victor then visits Lily at Dorian’s mansion. He is held at knife-point by Justine, and tries to convince Lily to allow him to inject the serum into her, telling her that it will make her memories of her troubled past vanish. Lily refuses, and Justine offers to slit Victor’s throat. Dorian says that this act of violence would be senseless, and Lily ultimately agrees. She frees Victor, but states that she may have use for Victor and his services at a later time.
Vanessa visits Dr. Sweet at the natural history museum, and confesses her troubles to him, stating that she is being hunted by a creature called “Dracula.” Dr. Sweet is not frightened, and tells Vanessa that he loves her for what she is. The two then consummate their relationship.
Violence erupts at Jared’s mansion back in America. Jared shoots Ostow, who had accompanied Inspector Rusk in his quest to bring Ethan to justice. Rusk then asks Ethan and Hecate about the snakes that were conjured in the desert. Ethan and Hecate then spring to action, as does Malcolm. Hecate reverts to her nightcrawler form and is shot by Rusk. Rusk is then shot by Ethan. Malcolm is cornered by one of Jared’s bodyguards, but is saved by the sudden appearance of Kaetenay, who has recovered from the snake bites.
Hecate dies in Ethan’s arms. Ethan teams with Malcolm and Kaetenay, and they find Jared in his chapel. Ethan shoots the gun out of his father’s hands, and his father taunts him to pull the trigger. Ethan is unable to pull the trigger, and walks away from his father. Jared then taunts Ethan further, promising him that he will still hunt him down. Malcolm then shoots Jared, killing him instantly.
So. Much. Going. On. In. This. Episode.
Where to start, then?
Well, let me begin with my favorite character of the series, aka Caliban aka The Creature.
It is true that poor Caliban only had but a few lines of dialogue in this episode…
But let me reiterate: poor Caliban!
His son recognized his father’s voice. And started talking about joining the angels (my heart was torn out of my chest.)
And then his poor soon opened his eyes. And (rightfully) screamed his head off.
Then we saw Caliban openly weep, vowing to obtain medicine to cure his son. And not seeming to care to be back in his family’s life, either. All he wants to do is something so that his son no longer has to suffer.
I never thought of him as The Creature. I have called him Caliban because…well…because I just happen to like the name, and I think it suits him.
But now it is especially hard to think of him as The Creature. He has displayed probably more humanity than almost anyone else on the show, and has been responsible for so many Feels. So calling him The Creature is a disservice, and I will hear none of it!
Next, T-Dal. Let’s talk about T-Dal.
Timothy Dalton has been officially upgraded to T-Dal. And he has earned it.
Malcolm Murray is a bad ass. Malcolm Murray can throw down some serious shade. You do not want to meet Malcolm Murray in a dark alley.
Last week, Malcolm Murray referred to Jared Talbot as “vainglorious”, and then complimented his whiskey. In the same breath. I thought that couldn’t be beat.
Oh, how wrong I was. After watching this week’s episode, I need to recant the error of my ways…
Malcolm telling Kaeteney that he was too mean to die. In the midst of a gunfight that would make this guy proud:
Malcolm 1, rest of the world, 0.
Malcolm standing up for Ethan, trying to get him out of saying Grace.
Malcolm 2, rest of the world 0.
Malcolm putting a much deserved bullet into Jared’s skull, after Ethan backed down (see a pattern here?)
Malcolm 3, rest of the world forfeits and concedes to Malcolm.
In other words, the moniker T-Dal is a sign of respect, and to not use it is just sacrilege, dammit!
Also, I need a moment here…
Yes, a moment to mourn the fallen, as there were a few in this episode.
Such as Hecate. Technically, she is a villain, who did some pretty terrible things last season. But her ill-advised hookup with Ethan was such fun to watch, in a car wreck sort of way. So, we can mourn her.
We also have Jared Talbot. Two episodes just were not enough. Is there more Ethan backstory that could be told in flashbacks, so we can get more of you?
Inspector Rusk. Or rather, Bartholomew “I am a stubborn bastard who just cannot fucking die already” Rusk. But finally, you met your end. And went out in a blaze of glory, as you should have. Kudos, buddy. Now let’s reunite the Scoobies in London already.
Ethan was another reason why I loved this episode. I have always loved Ethan’s character (even that crazy wolf half), but this episode was quite important for Ethan.
First of all, some of Ethan’s lines were comedy gold. Well, maybe comedy that is blacker than how my dad takes his coffee, but that’s still comedy.
Ethan saying Grace, but perverting it the way he did has to be the best thing I have seen on television in 2016. Maybe even ever. Or at least it makes my top 10 list. And this is not just for Penny Dreadful. We are talking about television, period.
The (literally) bloody dinner, and the gunfight that followed it, was also some television gold. Again, if Quentin Tarrantino was a secret writer for Penny Dreadful (there can be no other explanation, natch), then this is how it would unfold. Ethan and Hecate casually cutting their meat, while a dead body sits at the table, along with Hecate chomping at the bit to (again, literally) unleash all Hell on Jared and co. Doesn’t get much better than that.
This episode was also important for Ethan’s character, in that he appears to have come back to the side of the good.
Ethan was given the chance to unleash Hecate and her magic on his father. He did not do that, and chose to fight for himself. And he actually mourned Hecate, as opposed to treating her like something to be used. In other words, he behaved like a decent human being.
But more importantly, Ethan had the chance to kill his father. He has only been talking about that all season, after all.
However, Ethan was unable to pull the trigger. Instead, Malcolm stepped in to protect his surrogate son. In other words, Ethan talked a good game, but refused to walk down a dark path from which there was no return.
So, has the apocalypse been averted? On Ethan’s end at least, the answer appears to be yes, as he has returned to the side of the light. Now to just get the band back together and square off against Dracula, the ultimate Big Bad…
So, that’s it for No Beast So Fierce. Tune in next week for the review and dissection of the seventh episode, titled Ebb Tide.
Tune in next week, same bat time, same bat channel!
I am a nerd (well, duh).
I am also a woman (duh again, what was the name of this blog?)
Growing up, I loved things like horror, action movies and Batman.
In fact, I still love all of these things, although I have expanded my horizons a little bit (The Green Arrow is my show boo, thank you very much!)
And don’t get me wrong, I love being a nerd, and I always have, even if my social calendar has always been strangely empty. But being part of so many fan-doms, which have allowed me to meet so many wonderful people (Internet, where have you been all my life?), is simply rewarding…there is no other way to put it. And I wouldn’t change it for the world.
However, being a female nerd has put me in a delicate position. I love my Batsy, I love my dispensers of vigilante justice and I love being scared into a change of pants by evil, sewer dwelling clowns and whatever other “monster of the week” happens to either haunting the books I read or the movies I watch.
But even as a child, I noticed something that made being a nerd that much harder, at least for me.
That’s right, you guessed it…the lack of female nerds.
At least, this was the case when I was growing up. It is true that April O’Neil was a presence on one of my favorite shows.
There was also Dr. Crusher.
(The fact that both of these ladies are gingers is just purely coincidental. Nope, no bias here at all).
But there was no denying it: nerdiness was not geared towards the likes of me. Instead, all the cool stuff was geared towards the boys. And although we have made some pretty good strides in recent years, there is still that mentality: meeting another woman who is versed in the story line of something like The Killing Joke and who is stoked for the upcoming movie is not common, even though this is something that is changing as well, although slowly.
In fact, when I was introduced to Special Agent Dana Scully, I wept. At last, a female nerd! She was smart AND could throw down some serious shade! And do all that in three inch heels!
As I got older, I began to look for female role models in my nerdy obsessions. Slowly, I began to find them.
In other words, I picked up my Stephen King habit after an extended hiatus. And I found some great female role models…
Ok, glad you have let that sink in. So quit laughing, and let’s talk about the ladies in the works of The Master.
King is the master of modern horror. This fact is undisputed by most. He knows how to terrify us, with his monsters, both human and inhuman.
King also has given us the Every Woman. It is true that some of his female characters are mainly seen through the eyes of another character who is usually male. Examples of those would include Wendy Torrance and Leigh Cabot.
But King has also created some great female characters that are either main characters, or “side characters” that actually stand on their own, sometimes even stealing the show from the guys.
So Stephen King is not only The Master, he has made some pretty cool contributions to the women’s movement…check! I still don’t know if he has mastered interpretive dance, but Rome wasn’t built in a day, after all.
And I figure now would be a good time to pay tribute to some of these ladies via a post in this little old blog.
So, without further ado, here is a list of what I consider to be the most memorable women in King’s works. This is a list containing only ten, so I apologize if I left out your favorite…ranking awesome is not easy!
And, as always:
10. Jo Noonan (Bag of Bones)
I am trying to stick with “human” ladies for this post, so I struggled with this one for a bit.
However, Jo Noonan won out in the end. She was indeed a ghost, but she was living at one point. Which makes her human to me.
Jo Noonan was a force. In life, she was courageous and fought to the very end.
Even in death, she was unstoppable. Jo simply would not rest until her mission was accomplished: expose the truth (which was not pretty) in regards to a small town’s questionable history. Not only was Jo determined to expose the truth in regards to the small town that was her and Mike’s summer home, she was also determined to protect a child who had no tie to her or to Mike. However, that did not matter to Jo, as she was determine to break the curse that had ruined the lives of so many, including her own.
And Jo succeeded in that mission: with her help, Mike was able to stop the curse and save the life of an innocent, and was able to ensure that no further generations would suffer either.
Jo Noonan was a constant presence in this book. Even when her ghost was not around, we got to know her through her husband, Mike Noonan, as she was such a big part of his life, even after she died. Even though she technically not living, this fact was easy to forget, as Mike’s memories served to paint a vivid portrait of her, making her as essential to the story as the living cast.
In many of King’s works, children are put in perilous situations. Often, these children are faced with some adult situations that call for adult decisions. And a wrong decision can literally be the difference between life and death.
Abra Stone is one of these “King children.” And there are a couple of reasons why she is on this list. One of them is that she is female. She may be just a teenager when the events of Dr. Sleep take place, but she is forced to do quite a bit of growing up in a relatively short period of time, earning her a place on this list of distinguished women. Another reason is that she is simply an ass kicker. There is no other way to put it.
In the novel Dr. Sleep, the grown-up Danny Torrance (of redrum fame from The Shining) is a major player. Most of the adults that were in Danny’s life as a child failed him (especially his father.) So it is up to Danny to not fail Abra, a girl who possesses PSI abilities similar to his own, although hers are much stronger than his ever will be. And Danny succeeds in that mission, quite admirably.
However, Danny’s success was heavily tied to Abra and her abilities. Abra is an extremely brave young woman who takes on the leader of a clan of psychic vampires who call themselves the “True Knot.” In doing so, Abra risks her own, along with the lives of her loved ones. The clan has cheated death for centuries, and is determined to “harvest” Abra’s abilities so that they may continue to cheat death for many more years.
However, with the help of Abra, Danny is able to defeat this clan once and for all, saving the life of Abra and possibly several others. In other words, Abra was able to work with Danny so that Danny could succeed where his father had failed. Abra was able help Danny achieve something that he desperately needed: redemption.
No story is complete without a good bad guy.
Or bad gal, as the case may be.
Carrie is King’s first published work. The book definitely has this feel, and makes for an interesting read.
The title character, Carrie White, is fascinating in her own right. As a survivor of childhood bullying myself, I identify with Carrie White on many, many levels. In fact, I am pretty amazed that I survived high school and didn’t burn down my school on prom night (the fact that I could not get a date to prom to save my life has absolutely nothing to do with this.)
But the real strength of this book, at least to me, lies in the villains. I could consider Carrie’s schoolmates to be villains (and they are pretty awful) but to me, Margaret White, the mother of Carrie, is the true villain of the book.
Margaret is a religious fanatic who strives to raise her daughter to become the same way. However, Carrie attempts to defy Margaret so that she can fit in with her peers and be accepted somewhere. Usually, these efforts fail, and Carrie is left feeling even worse, which causes her mother to retreat even further into her religion, worsening the cycle.
Sex is considered dirty by Margaret White, and she does not explain “the birds and the bees” to her daughter. Therefore, when Carrie gets her first menstrual period at age 17, all hell literally breaks loose. Carrie thinks that she is dying, as she has no knowledge of what is a perfectly occurrence. She is further alienated by her peers. One of these girls feels some guilt, and attempts to help Carrie fit in by having her boyfriend take Carrie to her prom. Carrie fights her mother, who vehemently opposes any kind of normalcy, in order to try to fit in with her peers once again. However, once again, this backfires, but in a horrific way that no one could have imagined.
Throughout the book, Margaret White’s presence is felt, even up to the conclusion of the story. If it had not been for Margaret’s fanaticism, the outlook for poor Carrie may have been quite different, and the reign of destruction experienced by her classmates, teachers and ultimately her mother, may not have happened at all. So, in essence, Margaret White created the monster, and suffered the horrific consequences, along with many others.
7. Dolores Claiborne (Dolores Claiborne)
Domestic abuse is a common theme in many King works, including It, Rose Madder, ‘Salem’s Lot, Insomnia and many others. King writes about the every day issues we are all familiar, and domestic abuse is unfortunately one of those issues.
Dolores Claiborne is another King novel that deals with the issue of domestic abuse. However, there is a twist: Dolores Claiborne is one of the few stories of abuse told entirely from the perspective of the abused, a middle-aged woman named Dolores Claiborne.
Dolores endures some horrific abuse from her husband, Joe. Finally, Dolores takes a stand, and the abuse against her comes to a stop. But the spousal abuse is only the beginning, as Joe transfers his aggression to someone else: his and Dolores’ teenage daughter, Selena. Joe begins to sexually abuse Selena, and Selena’s innocence is forever lost. And Dolores realizes that her battle is not over.
At first, Dolores looks for a peaceful solution to her problem. But society reminds her that she is a woman and powerless against the hierarchy. So Dolores decides to forget the peaceful solution and resorts to killing her husband, making it look like an accident. Society and her husband have pushed her, and she pushes back the only way she can: a fatal “accident” that does indeed turn out to be “her best friend.”
However, Dolores is NOT a cold-blooded killer. She is a loving, hard-working mother who is doing the best she can for her family. The law is not on her side and society has marginalized her. But she has not given up the fight, and ultimately rises above it all.
Behind every good man, there is a good woman. Or something like that, as the saying goes. In other words, much of life is a partnership, and it really does take two to tango.
And this was the case in the novel 11/22/63. Jake Epping travels back in time to attempt to prevent the assassination of John F. Kennedy. In preventing the assassination of the president, Jake hopes to change history for the better.
Initially, Jake is alone in his question. But this is not the case for long. Jake meets and falls in love with Sadie Dunhill, a beautiful young woman who is in the midst of divorcing her abusive husband. And Jake’s quest becomes even more complicated.
Ultimately, Sadie takes a bullet and sacrifices her life so that Jake may succeed in his quest. When she learns of Jake’s mission, Sadie becomes an advocate, never letting Jake forget why he traveled back in time. She encourages Jake along the way and becomes as passionate about his mission as Jake. Her relationship with Jake changes Jake for the better, making him more vulnerable, opening him up to his feelings.
Sadie is also amazing in her own right. She has the courage to leave her husband at a time when divorce was heavily frowned upon, especially for women. She fights back against her husband in two different timelines, and wins both times, even when she did not have the help of Jake. Sadie survives her divorce, and makes a difference in the world (in both timelines.)
Again, children in the Stephen King universe are often placed in awful situations. This is a prevailing theme, and is a theme in the book Wizard and Glass.
Susan Delgado is still a child at the beginning of the story of Roland Deschain’s youth. However, she falls in love with Roland and is forced to grow up quickly. Because of the bad decisions made by the adults in Susan’s life, her life becomes endangered when she commits the sin of falling in love with Roland.
However, Susan is not just a love interest for Roland. She is much more than that, and becomes an integral part of his ka-tet. Susan risks her life to help Roland and his friends fight The Good Man and his forces, which include include most of the people in her town, who have turned against the Affiliation. And she pays the ultimate price for her bravery: she is burned alive for “treason.” But Susan is never bitter about her fate, and her last words are her declaration of love for Roland.
Throughout Wizard and Glass, Susan realizes that because she is a woman, life will not necessarily be “fair.” She deals with her greedy aunt, an evil witch and unwanted sexual advances from a man nearly old enough to be her grandfather. However, she remains true to herself until the very end, and is ultimately responsible for Roland beginning his quest to save the Dark Tower.
When one thinks of the Dark Tower series, Roland Deschain naturally comes to mind. And Roland Deschain is a huge part of this series, as he is the main protagonist.
However, Roland is not alone in this quest. He had friends once, but they were lost. But someone (or something) decided that he needed friends again.
Enter Susannah Dean. And Odetta Holmes. And Detta Walker. No, Roland was not given three women. He was given one woman (along with another man, a young boy and even a creature known as a billy-bumbler but this entry is for the ladies only.)
When Roland first meets Susannah, she is a broken woman who literally does not know her true self. One self goes by the name of Odetta Holmes, and is educated, well-spoken and gentle. However, another personality, Detta Walker, wages war inside Susannah. Detta is rude, crude and volatile, and threatens to destroy Susannah’s mind completely.
Eventually, Odetta and Detta are united, and a new being emerges: Susannah Dean. Susannah Dean has now married one of her tet mates. She has also become a gunslinger, and a brave one at that, who refuses to back down from anyone or anything. Susannah becomes the heart of the ka-tet, and makes sure that Roland retains a least a little of his humanity as he grows closer and closer to reaching his goal.
Susannah endures unspeakable pain in the name of Roland’s quest. First, she loses her husband, Eddie Dean. Then she loses Jake Chambers, her spiritual son. But Susannah is a survivor, until the very end, and reaches her own Dark Tower when she is finally reunited with her husband and son.
3) Lisey Landon (Lisey’s Story)
A common theme in King’s work is the often taboo subject of mental illness. Many of his books deal with this topic in its various facets.
One of these books is the novel Lisey’s Story. Lisey’s Story can be considered a fantasy novel that is also a metaphor for the the creative process. Lisey’s Story has much to say about mental illness as well, including its effects on the loved ones of people who suffer from mental illness.
Before she meets Scott, Lisey is ordinary. However, when she chooses to spend her life with Scott, it becomes clear that Lisey is no ordinary woman.
Scott Landon is a brilliant but troubled writer. Mental illness has had tragic consequences for Scott’s family, and Scott (rightfully) fears tragic consequences for himself and anyone else who is close to him (namely, his wife, Lisey.) However, Lisey loves Scott, and is determined to stand by him, no matter what kind of sacrifices that she may have to make.
Lisey becomes Scott’s anchor. When Scott becomes trapped in a kind of no-man’s land, Lisey is able to rescue him. Lisey realizes that Scott is not ordinary either, but still accepts Scott along with all of his peculiarities.
Even in death, Lisey is still firmly anchored to Scott. However, in order to save herself, Lisey must rely on her own strength. And she is able to do just that, which allows her to return to the land of the living so that she can hear one last story from Scott, and allow him his final peace.
2) Rose McLendon (Rose Madder)
I am a survivor of domestic abuse. For years, I lived in hell. At times, I thought that I would not live to see my 30th birthday (I was 29 when I escaped.) I felt alone and carried a huge burden on my shoulders, as no one outside my relationship knew about about the abuse. This was the case for many years, even after I escaped my first marriage. The fact that I kept this secret for so long nearly destroyed me emotionally. Even now, as I write this paragraph, the tears still well up in my eyes.
But something kept me going for all of these years. That something was the book Rose Madder.
Rose McLendon endures years of abuse and humiliation from her husband, Norman. Rose finally escapes and attempts to build a new life in another city 800 miles away. But the past catches up with her, when her husband Norman (who is also a police officer) tracks her down, killing several people who were friends of Rose and who helped her to build her new life.
Rose battles with her husband and wins that battle, even though she requires some help. She goes on with her life and gets married again and has a daughter a daughter with her second husband.
I enjoyed the fact that Rose was able to defeat her husband, but my favorite part of this book was the description of the aftermath. Even after Norman is no longer in her life, Rose still struggles. She experiences anger over her ordeal that she has repressed for many years, and this threatens her new life. Eventually, Rose is able to get her troubles under control, but struggles for some time.
Most of the focus on abusive relationships is on leaving the abuser. And this is indeed a major step. However, not much advice is given on how to cope with the aftermath. Reading about Rose’s feelings, which were similar to my own, made me love the book and this character that much more. In Rose McLendon, King has truly created the Every Woman.
And now, for my favorite female Stephen King character of all time…
Allow me the pleasure of introducing…
Beverly Marsh (It)
Yes, Beverly Marsh, the sole female member of the Losers Club, is my top female Stephen King character. There are many reasons for this, so let’s talk about them.
Beverly may not be endowed with any special powers. She may not technically be a “gunslinger.” But Beverly is extraordinary, and deserves her spot on this list.
When I was a child, I was not interested in the typical “girly” things. I did not play with Barbie dolls. Instead, many of my interests were “male.” I liked the Ninja Turtles. I preferred Thundercats to whatever was marketed to girls at the time.
Because of my interests, I often felt that there was something wrong with me. Nobody quite knew what to do with me, including my own family. I thought that I was the one who needed to change, as opposed to thinking that our society needed to change and become more accepting of someone like me.
Then, when I was 12 years old, I read It. And I met Beverly Marsh. Beverly didn’t like “girl” things either. Beverly could hang with the boys and hold her own. Beverly was tough and seemed fearless. And it didn’t hurt that Beverly was also tall and a redhead, two things that I absolutely hated about myself at the time.
Beverly may have faced an evil clown (twice!) but her extraordinary qualities extend way beyond that fact. Don’t get me wrong, facing Pennywise the Clown on a semi-regular basis is nothing to sneeze at, but Beverly had to endure so much more.
As I have stated time and time again, one of King’s strengths as a writer is the fact that he writes about ordinary life so well. And this is evident in a book like It. The homicidal clown is just one facet of this book. Compared to what the kids had to face on a daily basis, Pennywise was actually pretty mild.
And Beverly had to endure so much real-life horror. For starters, she was an outcast. She was poor, so she was bullied. And if that wasn’t bad enough, she was abused by her father, and in the summer of 1958, that abuse began to take on sexual overtones. Of course, there was no refuge for Beverly, as most adults, even her mother, turned a blind eye on the abuse.
Even after facing Pennywise the first time, the horror did not end for Beverly. She went on to marry an abusive man, and was trapped in a nightmare for several years. However, it was a strength of a childhood promise that compelled her to finally fight back, and escape from the nightmare, once and for all.
In facing Pennywise for the second time, Beverly finally finds her footing and a confidence that was missing for most of her life. She is even able to find love, as she marries a fellow Loser, Ben Hanscom. Beverly rode off into the sunset with Ben, but she earned that ride, given what she had to overcome. And a clown living in the sewers was the least of it.
So there you have it.
My top 10 ladies in the Stephen King universe. I am sure that maybe I missed a few, but this list did have to be cut down to 10.
Like all of King’s characters, these ladies are fascinating and are an integral part to the stories that they appear in. They are also proof that Stephen King is much more than a writer of horror; he is also a writer who understands the human condition, along with the female condition.
And whoever you are, man or woman, do yourself a big favor and pick up one or more of these books, if you haven’t already, so that you can meet some fascinating characters and escape into the never-boring world known as a Stephen King book.
We all have them. Every single one of us. And if you don’t, you are either lying, or you don’t have blood in your veins and are fueled by ice water instead.
For me, my favorite kind of hero is someone who is not perfect. Someone with flaws. Someone with warts. Someone who may question his/her actions, and who possibly even regrets some of those actions.
In other words, someone who is human, and not necessarily endowed with any supernatural or other special abilities.
The best kind of heroes are ones who we can relate too. After all, life is hardly ever black and white. Rather, life is gray, and an infinite number of shades at that. In other words, sometimes what’s right and what’s wrong is not clear-cut. Often, decisions are made, and second-guessed for many, many years after the fact, even when the consequences have long passed.
Of course, I had many heroes growing up. And I have a few now. Batman was one of the early ones. And then I met Aragorn. Currently, Oliver Queen is my “show boo,” as Jax Teller is dead to me and Raylan Givens has ridden off into the sunset.
All are good men. And all struggle with decisions they have made, even if they believed the decision was for the greater good. The very definition of a hero in other words.
However, none of these guys come close to my number one childhood hero. He was a man who often had a lot at thrown at him, but he always stepped up to the plate. He tried to do what he believed was right, and make the world a little bit better of a place when he could. He was a human with no special abilities, other than the ability to make me feel loved and protected at all times.
In other words, I am talking about my grandfather. I was lucky enough to have one set of living grandparents throughout most of my childhood. My grandparents lived two hours away from us, so I spent a lot of time there as a child. Most of my best childhood memories involve my grandparents in some fashion. My grandfather taught me how to fish. He supported my love of astronomy by getting me a telescope when I was thirteen. In fact, he supported every one of my obsessions, even though he did not necessarily understand all of them. One of the few people who loved me unconditionally was my grandfather, and I will never forget that.
Unfortunately, my grandfather passed away nearly 14 years ago. So all I am left with is memories, and a few faded photographs. And being able to talk to my grandfather one last time is something that I would seriously consider sacrificing at least one limb for.
But, at least I have my memories. And my photographs.
And Stephen King.
Yes, don’t forget which blog you are reading!
So, along with writing books I can’t put down, making great characters (who tend to get killed off more times than I care to count) and just generally being awesome, Stephen King is also able to bring my grandfather to life? Makes perfect sense, right?
Well, yes. It actually does make sense, and sense goes by the name of Ralph Roberts.
Ralph Roberts is a bad ass. He fights supernatural beings and hardly breaks a sweat. He also stands up to men who beat their wives, choosing to fight for what is right, rather than ignore the serious issue of domestic abuse, which seems to be the socially acceptable thing to do. Ralph is also a loving, caring man, willing to (literally) risk his life to save the lives of other.
In other words, in Ralph Roberts I have found my grandfather’s literary Twinner, if you will.
The fact that Ralph Roberts is a man nearing 70 who ought to be one step away from the old folks’ home (well, according to our society, at any rate) is merely a minor technicality.
King often writes about the disenfranchised. And the elderly are just that: they are forgotten. Or ignored. Or even abused and taken advantage of. To paraphrase a quote from of the characters in Insomnia, growing old is not a job for sissies.
Insomnia has long been a favorite King work of mine. Since I am one of the disenfranchised (nerds usually are), I enjoy reading about my own kind, and seeing them kick some major ass. And Insomnia gives me that in spades: the disenfranchised kicking some major ass.
And it is the next best thing to spending time with my grandfather. If I can’t hang out with my grandfather, at least I can visit with his literary Twinner.
So, without any further ado, here is my recap and review of Insomnia.
And, as always:
The book begins by introducing us to an elderly man named Ralph Roberts, who lives in Derry, Maine, with his wife Carolyn. Ralph has just found out that Carolyn has an inoperable brain tumor and has only months to live. Ralph is saddened by this, and takes to taking long walks around Derry in order to take his mind off of Carolyn’s health issues.
On one of these walks, Ralph encounters his neighbor, Ed Deepneau, who is involved in a minor car accident. However, Ed is not acting like himself, and becomes extremely aggressive towards the other driver. To compound things, a friend of Ralph’s, Dorrance Marstellar, also arrives at the scene and begins making cryptic statements. Ed becomes convinced that the other driver is hiding the bodies of dead babies beneath the tarp in his truck.
Despite the chaos, Ralph is able to calm his neighbor down, and the other driver tells him that he is transporting fertilizer, not dead infants. Ed and the other driver decide to work it out among themselves, and Ralph returns home. When Ralph returns home, he nearly forgets about the incident, as Carolyn has suffered a seizure and is rushed to the hospital. Once again, Ralph is reminded that Carolyn does not have much time left, and wishes that things were different.
Several months later, Carolyn passes away. Shortly after the death of his wife, Ralph begins to suffer from insomnia. However, the kind of insomnia that Ralph suffers from is a bit unusual, in that he suffers from “premature waking”, rather than being a slow sleeper, In other words, Ralph awakens a bit earlier each day. At first he dismisses this as a consequence of growing older, but soon his problem becomes so severe that he grows more and more worried.
Ralph tries several home remedies for his insomnia, but none seem to work. He makes an appointment with his doctor, Dr. Litchfield, but cancels the appointment, as he does not trust Litchfield, as Litchfield misdiagnosed Carolyn’s brain tumors as migraine headaches. Ralph also notices that Derry has become polarized over a woman named Susan Day, a well-known writer and women’s right activist. Susan Day is someone who believes that women should have the right to be able have an abortion if necessary, among other things. Many in Derry are opposed to her politics, but several people are also petitioning her to come speak in Derry.
One afternoon, after yet another sleepless night, Ralph makes a trip to the grocery store. While he is there, he is greeted by the sight of Helen Deepneau, the wife of his neighbor Ed Deepneau. Helen Deepneau has been badly beaten by Ed, and has staggered into the grocery store with her infant daughter, Natalie. Ralph’s tenant Bill McGovern is also at the store, and helps Ralph with Helen. Ralph quickly decides to call the police, even though Helen begs him not to do so. Helen tells Bill and Ralph that Ed beat her because she signed a petition requesting that Susan Day speak in Derry. Ralph becomes angry over Ed’s treatment of Helen, and decides to confront Ed.
When Ralph confronts Ed, he realizes that his friend is now mad. Ed makes biblical references, and speaks of a being he calls the Crimson King. Ralph’s confrontation with Ed, however, is interrupted by the arrival of the police, who arrest Ed on charges of domestic abuse. Ralph speaks to John Leydecker, one of the arresting officers, and learns that Ed will probably be out on bail that night, but in order to be granted bail, Ed will have to agree not to contact Helen.
That night, Ralph tries to relax but is unable to do so. He attempts to contact Helen at the hospital, but learns that she has banned herself from receiving any visitors. However, Ralph receives a call from Helen later that night, who thanks him for his intervention. Helen also tells Ralph that she and Natalie will be staying in a halfway house for victims of domestic abuse, and tells Ralph that she will be in touch.
The months go by, and Ralph continues to experience the insomnia. He continues to awaken earlier each day, and becomes frustrated. Ralph tries several home remedies, to no avail. Ralph also receives a letter from Helen. Helen tells Ralph in her letter that she is OK, but will be out of touch for a little while as she adjusts to her new life. Helen also tells Ralph that she plans on divorcing Ed, as he is not the man she though she knew.
One day, Ralph receives news from his tenant Bill McGovern and Lois Chasse (a friend who lives on the same street), that Ed has been arrested. Ralph promises to watch the afternoon news with them, but makes a detour to the neighborhood pharmacy. There, he meets a pharmacist named Joe Wyzer. who also suffers from insomnia. Ralph agrees to meet Joe for a cup of coffee to discuss the insomnia and possible solutions for it.
Ralph and Joe meet for coffee, and discuss Ralph’s problems. Joe tells Ralph not to worry too much, as he is still basically healthy. However, while speaking with Joe, Ralph notices that he can see “auras” emanating from the people around him, including Joe. This worries Ralph, but he tries to dismiss as a trick of his mind, possibly due to the insomnia. Before Ralph leaves. Joe gives him a card with a name and number for an acupuncturist and makes Ralph an appointment for the near feature. Joe also gives Ralph his own phone number and tells Ralph to call him if he feels that he needs help.
Later on, Ralph meets Bill and Lois at Lois’ house to watch the afternoon news. They confirm that Ed has been arrested, and Ralph becomes worried. Ed has been the frontman for a pro-life group that is protesting the possible future presence of activist Susan Day in Derry. He tells Lois and Bill about the incident with Ed the previous summer, and they encourage him to relay this information to Officer Leydecker. Ralph does just that, but is still worried, as he thinks Ed has gone insane.
That night, Ralph receives a threatening phone call from Ed. Ralph is frightened, but holds his own, and tells Ed that he will not be threatened by him. Ed terminates the call, as Ralph’s reaction was not expected.
The weeks continue to pass by. Ralph still suffers from insomnia, but looks forward to the appointment with the acupuncturist. He also receives a letter from Helen, telling him that she has found employment and will be in touch with him again soon.
After he receives the letter from Helen, Ralph wanders to a nearby park and chats with Bill. As he is talking to Bill, Ralph notices that he can pick up the thoughts of nearby people. In particular, he notices a little boy named Patrick, who is accompanied by his mother. Ralph is able to pick up, from the mother’s thoughts, that she and Patrick are trying to avoid Patrick’s father, who has been drinking and can be abusive when drunk. At that point, Ralph almost tells Bill about the auras he sees, but thinks the better of it, as he decides he cannot trust Bill with that information.
One morning, Ralph receives a surprise visit from Helen and baby Natalie. Helen’s friend Gretchen is also in attendance. While he is speaking to Gretchen and Helen, Ralph realizes that he still see the auras, and that Natalie can also see them. The three discuss how dangerous Ed has become, especially with his growing involvement in a pro-life group that continues to protest the presence of Susan Day in Derry. Before she leaves, Helen gives Ralph a can of mace, telling him to use it to protect himself if necessary.
A few days later, Ralph returns home from an errand to find Dorrance Marstellar waiting for him at his doorstep. Dorrance again speaks cryptically to Ralph, telling him to cancel his appointment with the acupuncturist, and also gives Ralph a book of poetry. Ralph becomes irritated, wondering why he should cancel an appointment that was so difficult to schedule in the first place. Ralph also notices that the front door is open, and thinks that Bill has been careless about locking the door again.
The next day, Ralph visits the library to further research insomnia. However, his research is interrupted when a man named Charlie Pickering attacks him with a knife. Ralph recognizes Pickering as an associate of Ed Deepneau’s and a pro-life activist. Ralph is able to counter the attack with the can of mace which somehow happens to have been in his coat pocket.
After he is attacked, Ralph speaks to Officer Leydecker. Ralph is shaken, but recounts the events to Leydecker. Leydecker drives Ralph home, and tells him that Ed Deepneau probably will not be implicated in the attack, even though he likely orchestrated it.
When Ralph returns home, he realizes that Dorrance was the one who walked into his apartment, and placed the can of mace in his coat pocket. Ralph wonders what is going on that is so important, and cancels his appointment with the acupuncturist.
That night, Ralph has strange dreams involving his wife Carolyn, who issues him cryptic warnings. When Ralph awakens, he happens to glance out the window and sees a very strange sight: two men, who look like small, bald doctors, are headed into the house of May Locher, another one of Ralph’s neighbors. Ralph also notices that the men have unusual auras, and that they also have scissors. Thinking that his neighbor is being robbed, Ralph calls the police but does not identify himself. When the authorities arrive, it becomes clear that Ms. Locher has actually passed away, and her remains are removed from the house.
The next morning, Ralph gives his formal statement to Officer Leydecker over the incident involving Charlie Pickering. Ralph also confirms that May Locher did indeed pass away, and begins to question his sanity.
Ralph decides that he will try to tell his friend Bill McGovern about his experiences, and decides to take a walk in his neighborhood before doing so. When he takes his walk, he sees the auras again, and is dazzled by the beauty of it all. However, Ralph also sees an unpleasant sight: another bald doctor. This one appears more sinister than the other two and frightens Ralph. Ralph also realizes that the creature has Bill’s missing Panama hat. Before Ralph can act, the auras and the mysterious creature vanish. After his walk, Ralph tells Bill about his experiences. Bill is dismissive and tells Ralph to see his doctor. This angers Ralph, and he argues with Bill. Ralph leaves after arguing with Bill, and walks to the park in the neighborhood where the senior citizens gather.
At the park, Ralph speaks to some of his friends. People are arguing over the upcoming appearance of Susan Day. Ralph also finds out that another friend of his is in the hospital, and may succumb to cancer. Ralph deduces that Ed Deepneau may be taking lessons on flying an airplane, and decides to head to the police station to relay this news to Officer Leydecker.
On his way to the police station, Ralph notices that the neighborhood stray dog, known as Rosalie, is behaving strangely. Immediately, Ralph connects this with his recent bizarre experiences, and decides to see if he can make the auras appear at will. Ralph is successful, and is able to see the auras, along with the third, sinister bald doctor. The creature is calling to Rosalie, but Ralph calls the dog to him instead. Ralph then confronts the creature and fights it, and it becomes angered, but runs off, threatening Ralph before it disappears.
However, before Ralph can make his way to the police station, he is distracted by the site of Lois Chasse, who is sitting on a park bench and is visibly upset. In fact, Lois is crying. Ralph speaks to Lois, in order to comfort her and find out why she is upset.
When he speaks to Lois, Ralph finds out that she has also been suffering from insomnia, and has spoken to her doctor, Dr. Litchfield about it. However, Dr. Litchfield violated his doctor-patient privilege and told Lois’ son and daughter-in-law about her problems. That morning, Lois received a visit from her son and daughter-in-law, who tried to convince her to give up her autonomy and move into a nursing home. The pair of diamond earrings that Lois’ son gave her has also gone missing, lending more credence to the theory that Lois has developed dementia.
Ralph is able to determine a few things after he speaks to Lois. The first is that he has fallen in love with Lois. The second is that Lois is also able to see the auras, just like he can. The third is that Lois’ daughter-in-law has stolen her earrings, in an effort to make Lois look like senile old woman who needs to be in a nursing home.
The conversation is interrupted by the appearance of the creature that Ralph saw earlier, along with Rosalie, the neighborhood stray dog. This time, Ralph is also able to make Lois see it, along with the auras. Ralph and Lois try to fight the creature, but it attacks Rosalie. However, it does not hurt Rosalie, at least physically. Instead, the creature snips Rosalie’s “balloon string”, or the lifeline that leads to her aura. The color of Rosalie’s aura changes to black, and Ralph is able to intuit that Rosalie will probably die soon.
Lois invites Ralph to her house for lunch, so that they can talk about what has been happening to them. Before he leaves with Lois, Ralph realizes that the creature they saw earlier also has Lois’ diamond earrings, along with Bill’s hat, and becomes frightened. However, Ralph chooses to keep this information to himself for the time being.
Ralph then tells Lois everything that has happened to him, starting with his encounter with Ed two summers ago. Lois believes every word, but is not sure what any of it means. Ralph is also not sure what any of it means, and again becomes frightened, as it seems forces that he does not comprehend are at work. Ralph and Lois then agree to meet up later that night, and Lois leaves town for a few hours for her weekly card game with her friends.
When Ralph returns home, he finds a note from Bill apologizing for his earlier actions. He also receives a call from Officer Leydecker. Leydecker tells Ralph that Charlie Pickering has somehow bonded out of jail, and that Ed Deepneau was the one who bonded him out.
That afternoon, Ralph awaits Lois. He see the auras, and realizes that he has been “stealing” energy from other’s people’s auras, which explains why people think that he looks younger. Ralph worries that he has been hurting people by doing this.
When Lois returns from her card game, she tells Ralph that she was able to use her friends’ auras to win the card game. Lois is also “stealing” from other peoples’ auras, as she also appears younger.
Ralph and Lois’ conversation is interrupted by a car crash. When Ralph looks outside, he sees that the neighborhood stray dog, Rosalie, has been fatally hit by a car driven by his pharmacist, Joe Wyzer. The creature that cut Rosalie’s life force appears to torment Lois and Ralph, and also steals Joe’s comb. Ralph realizes that he must get that comb back, along with Lois’ earrings.
Ralph also realizes that he needs to pay a visit to his friend Jimmy at Derry Home Hospital, and heads to the hospital with Lois. A woman at the front desk tries to Ralph a hard time about visiting his friend, but he is able to use his new-found telepathic powers to convince her to allow him to visit his friend.
After they enter the intensive care ward where Ralph’s friend is residing, Ralph and Lois are then able to travel to a different level of reality. They are able to see those around them, but those people cannot see them. One of the people they see happens to be Bill, whose aura is now completely black. Lois becomes distressed, but Ralph realizes that nothing can be done for Bill, who will likely die soon.
Ralph and Lois enter Ralph’s friend’s Jimmy’s hospital room, and meet the two “bald doctors” that Ralph had previously see outside May Locher’s house. The entities state that they have no name, but tell Ralph and Lois to refer to them as “Clotho” and “Lachesis”, after the Fates in Greek mythology. The two entities also tell him that the third entity that Ralph had previously encountered can be referred to as “Atropos.”
As he speaks to these entities, Ralph becomes more and more angered, due to the chaos that their interference has caused in his life. However, Cloth and Lachesis tell him that his anger is not justified. Ralph and Lois watch as the two entities sever the “balloon string”, or life force of Jimmy, who passes on to the afterlife. After Jimmy passes away, his room begins to fill up with people, and Clotho and Lachesis bid Ralph and Lois to come with them, as there is much to be discussed.
Clotho and Lachesis explain to Ralph and Lois that they are agents of the Purpose, while Atropos is an agent of the Random. Clotho and Lachesis sever the life forces of people who have been selected to die at a specific time, while Atropos is responsible for those whose time of death is not specific (such as victims of car crashes, fires, etc). The two entities also inform Ralph and Lois that Bill has now passed away. This angers Ralph, as he sees the entities’ interference as being responsible for Bill’s death. He believes that by angering Atropos, Clotho and Lachesis have caused Atropos to target Bill. Ralph then threatens to walk out on the two entities, as he feels that he has been manipulated.
However, Lois convinces Ralph to hear Clotho and Lachesis out. Ralph and Lois learn that Atropos has severed the life force of Ed Deepneau. Ed Deepneau was unmarked: in other words, Ed served neither the Random or the Purpose, and the fact that Ed has lived so long after his life force was severed means that he is important in some way. Ed Deepneau is planning to kill the 2000+ people, and only Ralph and Lois have the power to stop them. Ralph also learns that his and Lois’ auras were altered, which resulted in the insomnia and new found powers, and that his preordained destiny has been changed.
After they return to their own reality, Ralph and Lois set about the task of attempting to prevent Ed Deepneau from committing mass murder. First, they find out the location of the women’s shelter, using their new found telepathic powers, so that they may speak to Helen Deepneau and her friend Gretchen Tillbury. Ralph also realizes that the scarf worn by Ed Deepneau contains the Japanese symbol for “kamikaze” or “suicide pilot,” and becomes frightened again.
Ralph and Lois make a brief stop to eat, and then head to the women’s shelter. When they arrive, they see a large black cloud, or “death bag” surrounding the shelter, and realize that the people there are in danger. The suspicion is confirmed when they hear Officer Leydecker shouting at Charlie Pickering to surrender, as Pickering has set fire to the shelter and killed several people. Ralph and Lois use their powers to enter the shelter and lead the women who are trapped there to safety. Helen Deepneau and her daughter Natalie are among the women trapped in the shelter. The little boy, Patrick, who Ralph saw at the park a few months prior, is also among the people trapped in the shelter, along with his mother. Ralph also uses his powers to render Charlie Pickering into a human vegetable, as Lois begs Ralph not to kill Pickering. Ralph tries to convince Helen to stop the rally at the civic center that night, but she will hear none of it.
As Ralph and Lois leave the shelter, they encounter Doris Marstellar. Doris leads them to a vehicle, which happens to be driven by Joe Wyzer, who Dorrance has apparently recruited to help him. Joe drives Ralph and Lois to the civic center, where he drops them off. Dorrance tells Ralph and Lois that they are involved in something a lot bigger than themselves, and that higher forces are watching them, marking their progress.
At the civic center, a large crowd of women, along with members of the media, is beginning to gather. However, the “death bag” still surrounds the area, reminding Ralph and Lois what will happen if their mission fails. Ralph uses his powers to find the trail of Atropos while Lois distracts the people around them. After he finds the trail of Atropos, Ralph and Lois head to his lair.
Finally, Ralph and Lois find Atropos’ lair, which happens to be the trunk of a dead oak tree. They descend into the creature’s lair, and immediately notice the large collection of odds and ends that Atropos has accumulated over the years. One of them is Joe Wyzer’s comb, which Ralph immediately pockets. However, he still cannot find Lois’ earrings. As Ralph and Lois make their way through the lair of Atropos, they notice that he has accumulated a large pile of cash, which provides the explanation as to how Ed Deepneau has obtained his money. They also notice a large “death bag”, or pulsating black cloud. This cloud contains more items, but these items belong to people who are still living. One of the items is Helen Deepneau’s sneaker, which Lois ties to her wrist before moving on.
Ralph is also able to slice open the “death bag.” When he does so, he also finds Ed Deepneau’s wedding ring, and notices that when he removes it, another “copy” of the ring appears in its place. However, there is only one “real” ring, and Ralph and Lois take that as well.
On the way out of the lair, Ralph and Lois have a confrontation with Atropos, who is not pleased that they have taken Ed’s ring. Both Ralph and Lois also notice that the creature is wearing Lois’ earrings. Ralph battles the creature, and is able to take Ed’s ring, along with extracting a promise from Atropos that he will leave Ralph and Lois alone and not interfere in their quest to stop Ed Deepneau from committing mass murder. However, Atropos shows Ralph a vision of something happening to someone he cares about in the future, which causes great concern for Ralph.
After Ralph and Lois return to their own level of reality, Ralph summons Clotho and Lachesis. Ralph confronts these two entities, as he feels that they have not been truthful with them. This assumption turns out to be correct, and Ralph extracts the true nature of his and Lois’ quest from Clotho and Lachesis: they actually must save a little boy, who will grow up to do something very important. The little boy is Patrick Danville, and is actually the same little boy Ralph saw at the park and in the basement of the burning women’s shelter. However, Ralph refuses to help Clotho and Lachesis, unless they will spare the life of someone else who is also important to Ralph. After some arguing, Clotho and Lachesis finally agree to the deal, and a cut is made on Ralph’s arm.
While Ralph is making the deal with Clotho and Lachesis, Lois is visited by an entity that she describes as “the green man.” The entity returns Lois’ earrings to her, and Lois gives those to Ralph. Ralph then prepares to continue on his mission to stop Ed Deepeneau.
Ralph is able to teleport himself to the plane that Ed Deepneau is flying. However, as he is trying to stop Ed Deepneau, Ralph sees someone that he thinks to be his deceased mother. But this is not his mother and is actually the entity known as the Crimson King, and the entity forces Ralph to come to his “court,” where he warns Ralph about his “meddling.” Ralph surprises the Crimson King by stabbing him with Lois’ earrings, and is able to defeat the entity.
Ralph then drops back down to his own level of reality, and distracts Ed Deepneau. Ralph is able to divert the plane away from the civic center. Susan Day is decapitated, and several others are killed, but not as many are killed due to Ralph’s actions. The life of Patrick Danville is also saved, and the Universe breathes a sigh of relief. Lois reels Ralph into the same level of reality as Clotho and Lachesis, and his life is also saved.
Clotho and Lachesis bid Ralph and Lois goodbye. Ralph again reminds them of their promise, and the two entities reluctantly agree.
The insomnia is no longer an issue for Ralph and Lois after their adventure, and their lives return to normal. They get married, and move into Lois’ house, and their lives are more or less happy. The memories of the incident also begin to fade, and Ralph and Lois no longer remember just what it was that they did, even though they know it was important.
Helen and Natalie Deepneau also lead happy lives after the incident at the civic center. Helen receives a windfall from Ed’s life insurance policy, and buys a house in Ralph and Lois’ neighborhood. Ralph and Lois spend much time with Natalie and Helen, and Natalie becomes a grandchild of sorts to them. Ralph and Lois also adopt a dog, who they name Rosalie.
For the next several years, Ralph and Lois are relatively happy. However, the insomnia returns to Ralph, and he begins to see the auras again. Ralph also remembers the promise that he made, and understands that his days are now numbered.
One day, Ralph decides he wants to go for a walk. However, he knows that something is about to happen to Natalie Deepneau, and that he will die saving her. Ralph finally confesses what is happening to Lois, and she becomes upset and tries to stop him. However, Ralph will have none of that, and Lois gives in, and accompanies Ralph on his final journey.
Ralph and Lois then encounter Natalie in front of Ed and Helen’s old house, along with their dog Rosalie. Ralph’s abilities have returned and he also sees Atropos, who is trying to distract Rosalie to get Natalie’s attention. This works, and Rosalie runs out into the street. Natalie runs after the dog and is caught in the path of an oncoming vehicle. Ralph then throws himself between Natalie and the vehicle, taking the hit that was intended for Natalie, saving her life.
The accident proves fatal for Ralph, and he passes away, with Lois at his side. Before he makes his final journey, he sees Clotho and Lachesis and his memories of them are awakened. Clotho and Lachesis also provide some comfort to Lois, as she watches her husband pass on.
Move over, Chuck Norris…
There is another bad ass in town, and his name is Ralph Roberts.
Chuck Norris may not need to turn on the shower because he makes the shower head cry, but Ralph Roberts battled the Crimson King. And won.
So Ralph wins, as I have yet to hear of Chuck Norris kicking the ass of the Crimson King. Although I am sure that battle would be epic…swoon…
However, as epic as Ralph’s confrontation with the King of Big Bads in all of literature (or at least in the Stephen King universe) was, I think my personal favorite Ralph Roberts moment was when he confronted…wait for it…Ed Deepneau!
Yes, the confrontations with Atropos and the Crimson King were awesome. Ass kickingly awesome, as a matter of fact. But I will always remember my man Ralph Roberts for his confrontation with the milquetoast man down the street.
Although Ed Deepneau was not really a milquetoast, as we Constant Readers know. Far from it, in fact.
But let’s get right down to it: Ed may have had his life force cut “prematurely” and been under the influence of Atropos and The Crimson King. And yes, Ed could not have controlled a lot of what happened. But “a lot of” does not mean “all of.” As Clotho and Lachesis reminded us, Ralph and Lois had choices. And so did Ed.
And one of those choices that Ed made was to beat his wife, probably even while she was pregnant. Somehow, I don’t think that the Crimson King or Atropos had much to do with those choices.
Ralph also made a choice: he made the choice to confront Ed, and call him out for beating Helen an inch within her life. Everyone else had the “deer in headlights” look, but the 70 year man who was only getting a couple of hours of sleep at night became the decisive one. In fact, the 70 year man who was only getting a couple of hours of sleep at night became the knight in shining armor that day.
And I love Ralph for that. As a survivor of domestic abuse, I often felt invisible, along with ashamed and broken. I looked for my knight for a long time, but he never came. That is proof that we need more of Ralph Roberts in the world: people who are not afraid to do what is right, despite what the rest of society may think. People who care about what happens to the little people. The fall of the sparrow, in other words.
There are so many things about Ralph that are swoon-worthy. In fact, Ralph Roberts is now one of my “book boos.”
A seventy year old man makes me swoon. There, I said it. And I am not ashamed.
In fact, I am proud to call Ralph one of my “book boos.” Not only did the man save the world (or all of the worlds in all of the universes), he sacrificed his own life, so that Natalie could live, and so that Natalie’s mother would not have to deal with what would have been the extremely painful loss of her only child. And any man who has those kind of thoughts is a man worthy of being called my “book boo.”
There is the ending to Insomnia. It gets me. Every. Single. Time.
With most other writers and most books, it would have ended when Ralph and Lois saved the lives of all those people at the civic center. The easy thing to do would have been to would be to let Ralph and Lois walk into the sunset, have their “happily ever after.” And that still would have made for an all-right book.
But we are not reading something by most other writers. We are reading something written by The Master. And this ending proves why he has earned the right to be called “The Master.”
In reality, there are hardly any “happily ever afters.” Instead, tragedy can strike, and sometimes out of nowhere. Good people are taken from us much too soon, and sometimes, trade-offs have to be made.
One of King’s strengths as a writer is that he is able to juxtapose the realistic with the fantastic. He does this by creating characters, places and situations that we can all identify with. Even in a novel like Insomnia, which is actually a dark fantasy.
And this book is taken to the next level by the description of the last few years of Ralph’s life. We get to experience the joy and love that Ralph experiences, and we are lulled into a sense of security, and expect a happy ending.
But life is hardly ever fair, and tragedy is always just around the corner. Many of King’s works, such as Bag of Bones, The Shining and Duma Key, remind of us this. Insomnia is no different, driving home the point that everything, even an innocent child’s life, comes at a price. And that price must always be paid, no matter how much that payment hurts.
Another thing I love about Insomnia is the fact that King gave us another Dark Tower novel. Now, it may not have Dark Tower anywhere in the title, but that is just a minor technicality, right?
In other words, I consider Insomnia to be the ninth Dark Tower novel that King always wanted to write, even before he was finished with the Dark Tower series.
Funny how a series can be that awesome, where it inspires its ninth book, when only four of the eight books of the actual series were published at the time. But such is the scope of the series like this one. King has said that the Dark Tower series is all encompassing, and Insomnia is a perfect example of that.
I have read this book many times, but every time I read the part about Patrick Danville drawing a picture Roland and telling his mother that Roland is a king too, I shiver. Literal goose flesh breaks out on my arms. Roland turning in his blankets under the “alien constellations”. There is just something about that is mind-blowing to me. Two old people who should have been ready for the old folks home (at least according to our society) are busy kicking ass, and that ass kicking had a direct effect on Roland Deschain, another ass kicker who Chuck Norris bows down to (or should, anyway.) Actually, mind blowing does not do that feeling I get justice, so universe blowing, perhaps?
The Crimson King is the ultimate Big Bad in the Stephen King universe, and is ultimately responsible for all of the bad things that occur there (after all, even Randall Flagg has to answer to someone.) He is mentioned in several works, such as Black House and The Dark Tower series, and ultimately shows up in the last book to do battle with Roland the gunslinger.
I did enjoy the Crimson King’s appearance in the Dark Tower series, but I think that my favorite representation of the Crimson King is the representation in Insomnia.
The Crimson King is an evil being. We saw a bit of this in the Dark Tower series, but he also seemed to be a stupid being, which diminished the evil part. However, in Insomnia, the Crimson King was vicious and evil. The way he tried to trick Ralph, by pretending to be Ralph’s dead mother…shudder. And speaking of shudder: that memory of the catfish that attacked Ralph when he was child and the egg sac that thing contained…eek! Insomnia is not what I consider to be a scary story by any means (I categorize it as fantasy or maybe even dark fantasy) but that memory reminded me that I was in fact reading something written by the modern day Boogeyman. And King comes by that title honestly. Who else could horrify me in a story that is a modern day Lord of the Rings? The Master, that’s who!
Well, that’s it for Insomnia. Join me next month as I review the case of life imitating art? Or is it art imitating life? In other words, I will be reviewing and dissecting The Dead Zone!
And speaking of the apple not falling far from the tree…
Tune in next month…same bat time, same bat channel!
As always, all of King’s works are inter-connected. And much of the fun (at least for me) in reading a King book lies in finding those connections. Insomnia does not disappoint in that regard. Here are some of the connections I found:
-Mike Hanlon is a minor character in Insomnia. Mike is one of the members of The Losers Club, a group who banded together as children and later reunited as adults to defeat Pennywise the Clown, in the novel It.
-Ralph makes reference to the flood that occurred in 1986. Of course, this was when the Losers Club faced Pennywise the Clown in the novel It for the second time, defeating the monster for the final time.
-Ralph Roberts also makes an appearance in the book Bag of Bones, where he briefly speaks to Mike Noonan.
-Patrick Danville is a major player in the final Dark Tower book, where he helps Roland defeat the Crimson King.
-Dorrance Marstellar is referenced by Jamie Morton in the novel Revival.
-Susan Day is mentioned in the book Rose Madder.
-“Ka” (loosely defined to mean destiny) is mentioned several times in Insomnia. Ka is also a phrase commonly used in the Dark Tower series.
-Patrick Danville is a talented artist, much like Edgar Freemantle in the book Duma Key.
-Atropos was in possession of a sneaker owned by Gage Creed. Gage Creed was the son of Louis Creed, both characters from the novel Pet Sematary.
Just don’t tell ’em I’ve gone crazy
That I’m still strung out over you
Tell ’em anythin’ you want to
Just don’t tell ’em all the truth
Yeah, don’t tell ’em all the truth
Sometimes, telling the truth can be the hardest thing. Even when it may be the best thing to do, it can still be the hardest thing. Or even the most painful thing.
However, lies will come back and bite you in the ass, so to speak. After so many lies, the house will be blown down by the big, bad wolf, and no amount of running will keep you away from the wolf, aka the truth, and you are forced to face it.
And our hero, Jake Epping, discovered exactly that in the latest episode of 11/22/63, simply titled The Truth. Finally, the lies have begun to catch up to Jake, and have consequences. Jake is forced into letting someone in on his secrets, or he may lose what is most precious to him.
So, without any further ado, here is my recap and review of The Truth, the fifth episode of the mini series 11/22/63. And, as always:
The episode begins where the previous episode left off: Sadie pays a visit to Jake, and discovers his recordings of the Oswald family. Sadie’s trust in Jake is shattered, and she breaks it off with Jake after they argue. Sadie leaves and Jake is upset by the argument.
It gets even worse for Jake the next day at school, as Principal Simmons invokes the morality clause in Jake’s contract, after finding out about the recordings. Jake is forced to resign from his teaching position, and Ms. Mimi appears to be the only one who still believes in him.
The day that Oswald attempts to assassinate General Walker is drawing near, and Jake and Bill discuss their plans for that day. If Jake can prove that Oswald shot Walker, then it proves that he is also the one who shot Kennedy, according to Al’s theory. Bill questions why Oswald would shoot Walker and Kennedy, when the two men are political polar opposites, but Jake does not have an answer. Jake plans to follow George de Mohrenschildt, while Bill will shadow Oswald. Jake wants to kill Oswald then and there if he can prove that Oswald tried to assassinate Walker. Bill questions what the future will hold when the deed is done, and expresses some interest in returning to 2016 with Jake. Jake is taken aback by this request, and does not know what to say to Bill.
Jake returns to his house in Jody and begins packing up his few belongings. He receives a phone call from Sadie’s ex husband, Johnny Clayton, and discovers that Clayton is holding Sadie hostage. Jake abandons the plans concerning Oswald, and tells Bill that he is on his own for shadowing Oswald.
After arriving at Sadie’s house, Jake is invited to the kitchen by Clayton. Clayton attempts to force Jake to drink a glass of beach, as punishment for his involvement with Sadie. Clayton also reveals that he has hurt Sadie quite badly, slashing her face. Jake is horrified but refuses to drink the bleach. Sadie knocks down a bowl of apples, and begins to mock her ex husband, while Jake reaches for a shard of glass.
Jake is interrupted, however, by the arrival of two of his students, who are dropping off a gift basket for Sadie. He shoos them away and tries to hint that the police need to be called.
While Jake is dealing with Clayton, Bill continues to try to talk to Marina Oswald. He shares a cigarette with her, and shows her a picture of his deceased sister. They are interrupted by Oswald, who comes outside to find Marina. Oswald gives Bill a book about Karl Marx, telling Bill to read it, and then they will talk.
Back at Sadie’s house, Johnny appears to have the advantage, after the students leave. Jake appears to be on the verge of drinking the bleach, but throws the bleach on Johnny’s face at the last minute. This allows Jake and Sadie to take refuge behind the couch. Jake tricks Johnny by throwing his watch across the room, and then stabs Johnny in the face with a fire poker. Johnny seems dazed, and Sadie takes advantage of this and shoots him with his gun.
An ambulance takes Sadie to the hospital, and Jake is reminded that the medical care is 1960’s medical care, not 2016 medical care. A cop questions Jake about the shooting of Johnny Clayton, but Principal Simmons intercedes and takes Jake to the hospital, telling the cop that Jake can give his statement there. Principal Simmons also expresses his approval over the death of Johnny Clayton.
Oswald leaves the apartment, telling Marina that he is going to the library. Bill follows him, per Jake’s instructions.
At the hospital, Jake finds out that Sadie is in critical condition and is unable to leave to help Bill. The cop questions Jake again, but seems satisfied when Jake tells him that he enjoyed killing Clayton.
Bill has arrived at the site where Oswald will attempt to assassinate Walker. All is quiet for a little while, but Bill is distracted when he sees a woman who he believes to be his sister. Bill runs after the woman, but realizes his mistake when he catches up with her. Bill also realizes that he has lost any chance to prove that Oswald is actually linked to the assassination attempt on Walker.
At the hospital, Jake sees Walker being admitted for the injury he suffered at the hands of the assassin, and knows that Bill has failed in his attempt to stop Oswald. A phone conversation with Bill confirms this, and Bill is extremely upset. Jake abandons the call and speaks to the doctor in regards to Sadie. The doctor tells Jake that Sadie will live, but the scar on her face will remain there for the rest of her life.
Jake visits Sadie in her hospital room and admits that he has not been honest with her. Jake then tells Sadie that he is a time traveler from the future, and that he loves her.
Dear abomination otherwise known as Under the Dome,
If ya wanna know how it’s done, tune in and watch 11/22/63. It has everything that you didn’t: good writing, good imagery, stays faithful to its source material and oh yeah…acting talent!
A fan who is beginning to believe in book to screen adaptations again.
Ok, that may be a wee bit harsh. Maybe I should leave poor Under the Dome alone for a bit, and allow it to finish licking its wounds…maybe!
Ok, let’s shift back to 11/22/63. And after being slightly more than halfway through (which is a little depressing, but I will try not to think about it this series ending…sniff…), it is clear that 11/22/63 is doing right. And this is no small feat, especially for something based on a novel by The Master. Many King adaptations are mixed at best. However, my feelings on 11/22/63 are pretty clear-cut: nothing but love, love and more love!
Oh, and I did not miss the Easter egg this time around…
Yes, the vehicle driven by the douchebag ex husband should be one that is quite familiar to any Stephen King junkie:
Oh, and speaking of the ex husband…what an acting job!
This was one character in the book who was not very well fleshed out (in my opinion, at least). The mini series has taken some liberties with this characters, and these liberties have actually paid off on the screen. By fleshing out his character a little more, the writers have been able to do a nice job building up to his attack on Sadie and Jake, along with his death. And yes, I know that this character actually committed suicide in the book, but Sadie defending herself and shooting provided an emotional payoff, which works really well for the screen, since it invests the viewers even more in Sadie and Jake, and their relationship.
T.R. Knight, the actor who was cast as Johnny Clayton, turned out to be a smart casting choice for this character. Most abusers do not carry around a sign saying “Hey, I am a piece of shit who beats on women” (that would have saved me a lot of heartache, actually). Instead, they appear as a normal personal. Maybe the abusers are even charming. And that is exactly how Johnny Clayton appears: he is normal. He is charming (how can that Texas drawl not be charming?) He was a top salesman at his job (wonder if anyone actually drank that bleach?) But Johnny is clearly a psychopath. Anyone who puts a close pin on his junk on his wedding night (of all nights) and then rapes his bride obviously has some issues. T.R. Knight was able to portray this character and make him scary (I think he belongs in the universe of human King villains. He would be in good company with Eldred Jonas, Charles Burnside, Norman Daniels and the rest of the crew, actually), but not a caricature, which is too easy to do. So props on the writing and casting of an important “major minor character.”
And the standoff between Jake, Sadie and Johnny. Those scenes were done beautifully, and tastefully too. I had been wondering if the mini series would show the full extent of Sadie’s injuries. This is not my favorite part of the story (King can indeed horrify even when the book is not a horror story). It’s gruesome, and it’s also sad. However, I should not have wondered, as the mini series is not holding back on anything, it seems, and this part of the story is no different. Sadie’s injuries were shown, but the vibe I got was more sympathetic, as opposed to scary. And that is a good thing, in terms of the development of Sadie’s character and Jake and Sadie’s relationship.
I also loved the imagery that was used in the standoff between Jake, Sadie and Johnny. The bowl of red apples. The reddish lamp. And there was that reddish light…again. I kept hearing, “You shouldn’t be here” in my head. And the use of red served to remind us that this is a work based on a Stephen King book, and he is the master of modern horror, after all.
And I have to give out even more props: Sarah Gadon. Sadie is one of my favorite female King characters (and just one of my favorite characters in any book, period), and Sarah Gadon has done a perfect job of bringing her to life. In the book, we mainly see Sadie through the eyes of Jake, since the story is told in the first person. However, this a screen adaptation, and the interpretation is a bit different. So far, Gadon is doing a wonderful job of making Sadie…well…Sadie. That’s the best I can describe it. I always thought that there was something very sweet about Sadie, yet also a little sad, or maybe even wistful. Sadie is a woman who is still young, but maybe a bit older than her years would suggest. And she is strong, as well. I thought Sadie shooting her ex husband was actually empowering, and works well for the mini series. Sarah Gadon is able to bring the sadness, wistfulness, sweetness and the older than her years to this character, and I love her for it, I really do. I nominate her for some award, but I am not just not sure which. She does deserve recognition for it, and hopefully she gets it.
Well, that’s it for The Truth. Join me next week as we review and dissect episode 6, titled Happy Birthday, Lee Harvey Oswald. Although I think that this is one celebration that probably does not involve birthday cake in any way…
Tune in next week…same bat time, same bat channel!