Ledger Entry 0002: Dusty Boot Heels

This is one of many ledger entries written by a Constant Reader who has made her umpteenth visit to the world of The Stand, by Stephen King.

(Or a journal entry, if you prefer.  You know, back in the prehistoric days where we *gasp* used pencil and paper to write.)

In fact, you could argue that perhaps she has visited this particular world a few too many times, and is a little obsessed, as she has written a series of  entries detailing her adventures.

So, let us take a peek into this world.  Oh, and as always:

 

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Castle Rock: Season 1, Episode 6 Recap and Review

Normally, Wednesday is not a noteworthy day.

It is true that she can be distinguished from her ugly, mean, cruel sister by the name of Monday.

She is not Tuesday, which is really Monday in disguise.

However, she does not even have the title of Friday Eve, like Tuesday.

And she sure is not that sexy, elusive motherfucker by the name of Friday.

But now, Wednesday has something to set her apart from her sisters now.

It makes her unique.  It makes her stand out.

And that something is the show Castle Rock.

The anticipation begins to build within me throughout the week.

Every morning, I wake up.

As the radio alarm blares out the annoying music our local station plays and my dogs start barking and demanding that I get up, I take a moment to reflect upon what day it is.

As the week goes on, my hope builds up.

And finally, it is Wednesday.

I may have to drag myself out of bed and do my half ass attempts at “adulting,” but at least I know that I can come home, plop down on the couch, and spend approximately the next 53 minutes or so in the world that is the love child of JJ Abrams and Stephen King.

And then the cycle begins all over again once I am done.

I love it, I wouldn’t have it any other way.

So join me in my recap and review of episode 6, titled Filter.

And, as always:

 

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Castle Rock: Episode 4 Recap and Review

Sometimes, you take that relaxing drive through the country.

Everything is going as planned and you drive along, enjoying the scenery.

But then, you take that left turn.

And you are no longer enjoying the scenery, per se.

You are no longer enjoying the scenery because it is not an idyllic countryside.

You happen upon a car accident, which you still look at, because it’s a car wreck, so your eyes are drawn to it.

But the tone of the drive has changed, due to that car accident.

It is still entertaining, but more in the way of your eyes stayed glued to the scene, as opposed watching the scenery go by.

This hypothetical car accident is a perfect analogy of what has happened to the show Castle Rock.

The first three episodes had the viewer on cruise, more or less.

Even though the show is creepy and mysterious (after all, it is part of the Stephen King universe), the viewer was somewhat comfortable and thought that he/she knew what to expect.

However, the fourth episode, titled The Box, changed all of that.

The show had its hypothetical (and really bloody and even tragic) car accident.

And now, we have to watch.  We can’t look away.

And I love it.

So join me in the recap and review of The Box.

And, as always:

 

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Castle Rock: Episode 1 Recap and Review

It is always such a treat when your favorite writer publishes a new book.

Me, I pace around, almost like an expectant father in the delivery room, anxiously waiting.

And via the magic of technology, the book appears on my Tablet the next day, ready for me to savor, whenever I am ready.

Now, of course, my favorite writer is Stephen King…Captain Obvious strikes again, right?

And we are still fortunate to be receiving the gifts of The Master’s books on a fairly regular basis.

This year we received The Outsider.  And Elevation will be published this fall.

All in all, not bad.

But when I heard that Hulu would release a TV series this year, set in the Stephen King universe and produced by JJ Abrams, my interest was piqued.

So we are, for all intents and purposes, getting a new Stephen King book, set in the same universe, with some familiar characters, as well as plenty of new characters.  This may not have King’s name on the by-line, but it is set in his expansive universe and has the feel of his books, but is not a book, but an anthology TV series instead…

Well, how can we go wrong with that?

And not only is it set in the King universe, but is titled Castle Rock, King’s other notorious town, the one that probably advertises that its main attraction is the fact that it is not inhabited by a trans-dimensional demon doing a poor impersonation of a clown.

Again, how is this a bad thing?

I have watched one episode of Castle Rock so far, and I can tell you that this is not a bad thing.  Far from it, in fact.

So, come with me to Castle Rock, where we break down and analyze the first episode, titled Severance.

And, as always:

 

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Ledger Entry 001: Ground Zero

This is one of many ledger entries written by a Constant Reader who has made her umpteenth visit to the world of The Stand, by Stephen King.

(Or a journal entry, if you prefer.  You know, back in the prehistoric days where we *gasp* used pencil and paper to write.)

In fact, you could argue that perhaps she has visited this particular world a few too many times, and is a little obsessed, as she has written a series of  entries detailing her adventures.

So, let us take a peek into this world.  Oh, and as always:

After all, spoilers are horrible.  Even more horrible than a nasty case of Captain Trips

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Seeing Double: My Review of The Outsider

Ho, ho, ho!  Merry Christmas?

…in May?

Yes, in May.  It is a little known fact that December does not actually have the monopoly on Christmas!

And the reason why May got to have a little fun this is…

You guessed it…

Stephen King!

The Master is no ordinary author, after all.

Ordinary authors do not make Christmas happen in May.

But when you are The Master, you can call in favors.

Favors like giving the rest of the world Christmas in May, because you gifted us mortals with a brand new book!

Yes, we got a gift that keeps on giving this May, in the form of the latest Stephen King book, The Outsider.

No, not The Outsiders!

No one was telling those pesky kids to stay golden, although we could argue that a certain sewer dwelling clown is a Soc.

This Outsider was part police procedure, part detective story and part supernatural thriller, liberally seasoned with the dread and creepiness that only a novel written by The Master can contain.

Or maybe that was just a little nutmeg added to spice things up a bit…

So, let us sit back and sip at this Christmas in May beverage titled The Outsider, and delve into those spices!

And, as always:

 

 

 

 

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Year of The King: 2017 Stephen King Recap and Review

Well, it looks like 2017 has come and gone.

Actually, am I a little late?  Since it seems like we are actually well into 2018…

Oh, and…

HI GUYS!  YOUR NERD IS BACK!  MISS ME MUCH???

Yeah, the hiatus has been long.  Life has been getting the way…

And you don’t even want to know how much time I had to spend fighting the Todash monsters!

So yeah, 2017 was Stephen King 2.0.  And if you are gonna have a 2.0 of anything, make sure it is a continuation of the story, not just a rehash…

(We all know my feelings on sequels.)

In other words, be a Phantasm 2, not a Children of the Corn Part 2,887, 221.

King was back, and this round of King was at least as good as the 80’s hey day, and may even have been better.  And I don’t often say that about sequels and reboots!

2017 showed King in all of his forms:

We had the King of horror, in the movie It.

We had the King of fantasy, in the Dark Tower movie.

We had the King of stories about women, in the Netflix adaptation of Gerald’s Game, and the publication of the novel Sleeping Beauties, co-authored by the prince, aka Owen King.  2017, coincidentally, was the year of #metoo.  Or maybe not so coincidentally, as a famous character reminds us:  coincidence has been cancelled, sugar.

We had the King of just the weird and creepy, with the Netflix adaptation of 1922.

I could go on and on, actually…

We even have some things that don’t officially have King’s name on them, but still feel like they are part of the sequel that was 2017.

Strange, huh?

All things serve The Beam, after all..

But, let’s get back on topic.

I may not have spent copious amounts of time on this little old blog talking about the year of The King, but that does not mean that 2017 went unnoticed.

On the contrary, in fact.

Actually, I reveled in it.

There is just something about being an adult with the maturity to really enjoy the nuances of a Stephen King story.

Of course, a Netflix subscription doesn’t hurt either!

So, I am making this entry to recap and talk a little about some of the year of The King.

Obviously, I can’t get through it all in one entry, but I can at least talk about the highlights.

After all, it doesn’t cost anything to just talk about the highlights, right?

(Totally written in my Leland Gaunt voice, by the way.)

So buckle in (hopefully you are not strapping yourself into a 1958 Plymouth Fury.)

And get ready to talk about our favorite boogeyman (and some of his boogeyman friends), Stephen King!

And, as always:

 

 

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The Mist: Episode 8 Recap and Review

Well, how about that?

Many times in my life I have uttered that phrase, for both good and bad reasons.

Often, I have uttered those phrases when reading…

You guess it…

A Stephen King book!

Or something on screen based on something written by King as well.

That is the nature of a King story:  characters make decisions, both good and bad.  And there are consequences, both good and bad.

After all, King is not just a writer of horror stories.  He also writes about people.  And people are capable of being monsters just as much as the homicidal clown living in the sewers, the little boy zombie resurrected from the dead or the rabid St. Bernard.

I uttered that phrase this week, after watching episode 8 of The Mist, titled The Law of Nature.

Things happened.  Decisions were made.  And there were consequences to those decisions.

Only two episodes are left, and the season is coming to a close.  Hopefully, we get some more answers to the questions that keep arising.

So, without further ado, here is my recap and review of episode 8 of The Mist.

And, as always:

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Mr. Mercedes: Episode 1 Recap and Review

Sometimes, I think the Chinese New Year needs an update.

Sure, the animals are cute and all, but why limit yourself to animals?

There are plenty of other interesting things we can use and rotate out for each year.

I mean, horror movie stuff and horror movie icons would work, right?

Like 1979 could be the year of The Creature from the Black Lagoon, in honor of my ex husband!

So, what would 2017 be?

I know, I know…

The year of…

Stephen King!

Yeah, I know…

*insert quizzical look of surprise right about here*

2017 has been the year of the Stephen King revival, although to Constant Constant Readers like me, he has always been appreciated, even (or especially) when we wake up in the middle of the night, with the sheets covered in sweat, the dogs expressing their terror for you (of you…)

Well, maybe that last part is just me.

But one thing is for certain:  Stephen King has never really gone away.  The obsession, along with the books being published, may ebb and flow.  But King is, and will continue to be, a huge part of our culture.

He may write “scary” stories, but he is also our literary Everyman, and someone who actually makes America great.  Actually, he has been making America great for the past 40 years or so, minus the tacky red baseball cap.

But 2017 has seen a great resurgence.  And who am I to complain?  Like potato chips and bad 80’s horror movies, there is no such thing as too much Stephen King!

The Dark Tower movie made its long awaited debut.

Gwendy’s Button Box, a beautiful collaboration with Richard Chizmar, was published this spring.

Sleeping Beauties, another collaboration with Owen King (kid needs to earn his Master chops), will be published this fall.

Next month, Pennywise the Clown will terrorize those meddling kids on the big screen.

The small screen has also gotten its share of The Master.

Mr. Mercedes is another creation of King that has made its debut in 2017.

Mr. Mercedes is unique in that it may be a detective crime drama, something that one would NEVER associate with King, the creator of homicidal clowns, rabid St. Bernards and possessed 1958 Plymouth Fury vehicles.

However, despite the different format, Mercedes still has King’s finger prints all over it, from the Easter eggs (within the first 15 minutes or so of the pilot we find one of those) to the themes, aka human monsters who are far more capable of horrific acts than any homicidal clown or rabbit St. Bernard.

I watched the pilot this week, and my skin crawled.  That is a good thing, in case you can’t tell.

So, without any further ado, here is my recap and review of the pilot episode of Mr. Mercedes.

And, as always:

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The Mist: Episode 7 Recap and Review

If you are a horror junkie, one thing is certain when it comes to horror movies:

The final 1/3 of the movie (or show) is usually when things start to get interesting.

This is true for most of my favorite horror movies, like Poltergeist and Phantasm.  Scream is another great example of this, along with The Nightmare on Elm Street.  Stranger Things is a TV show, but the last 3 episodes or so also follow this pattern.

This is even true for some of the not as good ones as well.  In fact, with movies like ‘Salem’s Lot, the last third or so of the act is what saves it and makes it watchable.

The show The Mist is also following the same pattern.  It has started off a bit (okay, a lot) slow, but has picked up some steam.

In other words, shit gets real.

The characters are forced to continue to make choices, due to The Mist and their predicament of being trapped by The Mist.

Some of these choices do not always make sense, but we are starting to finally see some action.

Perhaps, The Mist will be saved by its final act, where everything comes together and becomes cohesive.

So, without further ado, here is my recap and review of episode 7, titled Over the River and Through the Woods.

And, as always:

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