Ledger Entry 003: Survivors

This is one of many ledger entries written by a Constant Reader who has made her umpteenth visit to the world of The Stand, by Stephen King.

(Or a journal entry, if you prefer.  You know, back in the prehistoric days where we *gasp* used pencil and paper to write.)

In fact, you could argue that perhaps she has visited this particular world a few too many times, and is a little obsessed, as she has written a series of  entries detailing her adventures.

So, let us take a peek into this world.  Oh, and as always:

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Castle Rock: Season 1, Episode 7 Recap and Review

Well, then.

This was quite the week.

Filled with a bit of confusion.

Lots of drama.

Kept us glued to our screens.

The entertainment was non-stop.

Of course, I am talking about this week’s episode of Castle Rock, titled The Queen.

Geez, did you think I was talking about some horror story or something?

Each week, Castle Rock keeps on setting the bar higher and higher.

And we got this episode.

Honestly, if this is the peak for the show and the rest of the episodes are just really, really good as opposed to the make you wanna slap your mama bad ass that is this week’s episode, I won’t complain.

But, I find myself getting blown away every week.  Somehow, I don’t think that is going to change.

So, buckle in and join me in the recap and review of this week’s wild ride, titled The Queen.

And, as always:

 

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Castle Rock: Episode 3 Recap and Review

In every show, there comes a critical point.

It is usually a couple of episodes in.

We all know what I am talking about…

It is the episode where the viewer decides if he/she is in it for the long haul, or if that show will be dropped like an extremely warm root vegetable.

This week, I think we reached it, with the show Castle Rock.

And guess what?

Yep, Castle Rock is a keeper!

I mean, I was hopeful, but I didn’t want to get too attached, too early…

But, my worries were unfounded.

Castle Rock is worthy of all the love that I have to give!

I mean, I know it is part of the Stephen King universe, but still…

I had to be sure.

And episode 3, titled Local Color, cemented my status.

So far, the show is meeting my expectations.  In fact, it is exceeding them, in some ways.

In other words, I asked.  And I received.  And it was awesome.

So join me in my recap and review of Local Color.

And, as always:

 

 

 

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American Gods: Season 1, Episode 4 Recap and Review

Origin stories are always fun.

They allow us to find out more about our favorite super heroes.

They allow to find out why said super hero donned the cape.

Or donned the claws.

Even the bad guys have origin stories.

After all, sometimes all it takes is one bad day

So, yeah.  We all have origin stories.

Even characters who at first seem to be one dimensional and boring.  And actually kind of bitchy, too.

But hey, I am a sucker for a good origin story, what can I say?

If it’s written well enough, I will watch it (or read it.)

And that is exactly what this week’s episode of American Gods gave to us: an origin story for a character, who, until recently, had been kind of one dimensional.  And maybe a little bitchy, too.

In other words, we were given previously un-chartered territory, in the form of a Laura Moon-centric episode.

After the episode, Laura is no longer one dimensional.

She joins the ranks of Shadow, Wednesday, Czernebog and the entire pantheon of characters, in that she is now a fully realized character, as opposed to Shadow’s wife who died under shady circumstances and then came back to life as a zombie that attracts flies because well…she is a decaying corpse, after all.

But still kinda bitchy.

A lot bitchy, actually.

But it all makes sense now.  We were given a deeper understanding of the mystery that is Laura Moon.

So, join me on my recap and review of episode 4 of American Gods, titled Git Gone.

And, as always:

 

 

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The Eclipse, Part 1: My Review of Gerald’s Game

When one thinks of horror, often one thinks of horror movies.

You have your classic horror movies, such as Friday the 13th, Halloween, Poltergeist, Nightmare on Elm Street, etc.

Or, for a little more modern fare, you can always watch films such as Horns, or Get Out.  Those are good for a fright as well.

These movies are fantastical in some ways.  We all know that someone cannot possibly be shot 23,889,209 times and still get up to chase sexually precocious teenagers and kill them in inventive ways (although that is a good way to burn that free 100 or so minutes you may have that day.  More if you watch the cut scenes on the “extras” menu.)

But often, real life can contain plenty of horror…

And no, I am not talking about the latest American Horror Story, aka the Drumpf presidency, although the survivors of the Bowling Green Massacre may not agree with me on that alternative fact!

But seriously, just turn on the news any given night, and tell me that man’s inhumanity to man is not the most horrific thing out there?

And there is one guy who understands this very well, and who has written some compelling literature on the subject, as a matter of fact…

You guessed it, we are talking about Stephen King!

*insert shocked look right about here*

King has been called The Master of Modern Horror (but you can call him The Master for short), and for good reason.

I mean, a killer clown that hunts kids?

Check!

A vampire that effectively turns a town into a ghost town that any sane person would want to avoid at all costs?

Check!

A rabid St. Bernard that makes you want to avoid car trouble at all costs?

Check!

An evil entity that haunts a town, and forces you to agree with the statement “Dead is better?”

Check and mate!

While most of the above horrors are not actually “real horrors,” one of King’s greatest strengths as a writer is his ability to include elements of realism in his writing.

The Shining is a prime example of this.  Most of us have at least seen the Kubrick adaptation, and quite a few of us have probably read the book as well.

So we associate The Shining the famous phrase “Redrum” (spell it backwards, for the uninitiated), along with a haunted hotel and a scary lady who is a permanent residence of a room with a famous number

There is also the matter of the guy in the dog costume…

Well, back to my point.

Which is that King can insert reality into his works.  The Shining is a great example of this, because it deals with alcoholism, unemployment, child abuse and the list goes on.

In other words, we can relate the above list, since we have all experienced at least one of those things in our lifetime.

And that is what makes the story so terrifying:  since we can relate to those topics, it is not that far out of left field that there may be a haunted hotel somewhere out there, where we avoid room 217 (or 237), along with the hedge animals and fire extinguishers, because if it can happen to the seemingly normal Torrance family, it sure can happen to us.

King writes about people.  These people may be placed into extraordinary situations, but they are still people, who could, at least theoretically, be any one of us.

And these people do not always fight supernatural monsters,  Often, humans are the monsters, and what a human can do to a fellow human is far worse than what a haunted hotel or even a rabid St. Bernard can do to us.

One of King’s books that deals with man’s inhumanity to man (or, more appropriately, woman) is Gerald’s Game.

Gerald’s Game contains hardly any elements of the supernatural, but it is still a frightening read.  The monsters in this book are human, so the scenario is one that is plausible for anyone.

So strap in (but don’t handcuff yourself), and get ready for the ride that is Gerald’s Game.

As always:

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Welcome to the Inscape: My Review of NOS4A2

Lately, confusion seems to be rampant in our world.

As in, we are confused as to what the difference is between between the beast that we call a fact, and the lesser known distant cousin of the fact, otherwise known as an “alternative fact.”

Since I myself am a survivor of the Bowling Green Massacre, let me educate you on the difference between facts and alternative facts.

kellyanne-1

The following information is brought to you by BARF (Bureau of Alternative Real Facts.)

Fact:  Killer Klowns from Outer Space is a classic movie, and should be required viewing for all school age children.

killer klowns 3 - Copy

Alternative fact:  Jupiter Ascending is classified as a film.  And one that people are allowed to watch, to boot.

Fact:  The Colts are the coolest team in the NFL and Andrew Luck and co. are never given the credit that they deserve.

NFL: Denver Broncos at Indianapolis Colts

Alternative fact:  The Patriots have won their fifth Super Bowl under Tom Brady and a now a dynasty.  As a Colts fan all I have to say is #notmySuperBowl, dammit!

And now, for the factiest fact that you ever facting heard, motherfacters!

Joe Hill is a bad ass.  A motherfacting bad ass, in fact.

Joe Hill 2

And if you don’t agree with me, well then fact off, you facter!

In other words, I just finished reading NOS4A2, written by The Master 2.0.

And I assure, I survived my trip to Christmasland, although, between you and me, the inhabitants of that place are kind of hostile.  In fact, they will suck the life right out of you…

So, gear up your Rolls Royce Wraith, strap in and get ready for the recap and review of NOS4A2.

And, as always:

Homer spoiler

 


Synopsis

The story begins by introducing the reader to a nurse named Ellen Thornton.   Ellen works in a prison infirmary, where most of the patients are comatose and unresponsive to any form of human contact.

One of these patients is a man named Charlie Manx.  Manx is extremely elderly, and was also convicted of terrible crimes:  he was convicted of kidnapping and murdering young children.

One night, as Ellen is making her rounds, something unexpected happens:  Manx appears to awake from him comatose state, and speaks to Ellen.  He specifically refers to Ellen’s son by his full name, and makes references to some place he calls “Christmasland” and someone named the “Gas Mask Man.”

Ellen calls for the doctors, as she is badly frightened.  However, Manx exhibits no sign of consciousness once the doctors arrive, and Ellen is not believed, despite the fact that Manx grabbed her hard enough to leave bruises, and the fact that Manx referred to her son by his full name.

The story then switches to the perspective of a young girl named Victoria McQueen, also known as Vic.  Vic’s father Chris also calls Vic The Brat.

At first, Vic seems to be an ordinary young girl.  However, we find out that Vic is anything but ordinary.  Vic possesses the ability to teleport herself between faraway places.  Vic does this by riding her bike, and envisioning a bridge she calls The Shorter Way Bridge, which seems to magically appear when Vic wants to find a lost object.  The bridge takes Vic to the place where the object was lost, and then takes her back to her original location.  However, Vic’s talent also comes at a cost:  she experiences headaches and becomes extremely ill when she uses this ability.

We are then introduced to a troubled man named Bing Partridge.  One day, as Bing is leafing through some old magazines, he comes across an ad promising employment in a place called “Christmasland.”  The ad is not specific in regards to the job details, but Bing is enchanted, as he loves celebrating Christmas, which brings back happy memories for him.  Bing sends away his application for employment in Christmasland, desperately hoping that he gets a response soon.  We also learn that Bing killed both of his parents as a child, and spent time in a mental institution before he was released.  Bing is employed as a janitor, and has access to certain kinds of gases that can turn a person into a zombie, along with his own gas mask.

Almost immediately, Bing begins to have visions of past Christmases with his parents, and begins to dream of Christmasland.  However, days go by, and he does not get a response to his application.

Bing also begins to see a mysterious vehicle circling his work place.  The vehicle is an old Rolls Royce Wraith, and is black.  However, the driver of the vehicle continues to remain a mystery.

One day, Bing finally meets the driver of vehicle, who introduces himself as Charles Talent Manx.  Manx convinces Bing to go for a ride in the vehicle, so he can describe the opportunity that awaits Bing in Christmasland, if Bing chooses to accept.  Once he is in the vehicle, Bing begins to feel sleepy.  Manx tells him that is okay, as Bing will be entering another reality of sorts.

Manx tells Bing that he saves children from a life of pain and abuse by taking them to an alternate reality he calls “Christmasland.”  In Christmasland, the children never have to grow up, and it is always Christmas, every day, all year.  Manx says that the children are his, but that Bing can do what he wishes to any parents or any other parties that may need to be subdued, as most will not want Manx to take their children away.  Bing eagerly accepts the employment opportunity, and he and Manx get to work.

Over the years, several children vanish under mysterious circumstances.  In many of these disappearances, a mysterious Rolls Royce Wraith is spotted.  However, none of the disappearances are ever connected.

Vic is now a teenager.  She has used her bike many times to create the Shorter Way Bridge, so that she can locate lost objects.  Vic is also a budding artist who has received recognition for her work.

One day, Vic uses her talent to locate a missing photograph.  In doing so, she badly startles the school janitor, who relapses back into alcoholism.  Vic feels extremely guilty and begins to question her use of this ability.  The Shorter Way Bridge makes another appearance, and Vic rides her bike through it.

The Shorter Way Bridge deposits Vic in a library somewhere in Iowa.  There, she meets a young woman named Maggie, who seems to have been expecting Vic to make an appearance.  Maggie dresses in a colorful manner.  Maggie is also afflicted with a bad stammer, which makes her speech difficult to understand.

Vic is bewildered, but Maggie attempts to reassure her.  Maggie tells Vic that while her abilities may be a bit unusual, she is not alone in being gifted with these abilities.  According to Maggie, many highly creative people (Vic is an accomplished artist and Maggie is gifted in the use of language and also an accomplished Scrabble player) possess the ability to alter reality.  Maggie compares this to someone who uses a knife to make cuts in various objects, and refers to these altered realities as “inscapes.”

We also learn that Maggie has the ability to create her own “inscapes” and alter reality.  Sometimes, Maggie’s Scrabble tiles will spell out sentences on her own.  This is how Maggie knew to expect Vic:  her Scrabble tiles told her of “The Brat” (but not Vic’s name, as no proper nouns are allowed in Scrabble.)

Maggie also states that her Scrabble tiles have indicated that Vic can find someone or something known as “The Wraith.”  Vic demands to know who or who “The Wraith” is, but Maggie tries to change the subject, telling Vic that The Wraith is bad news and dangerous to Vic.

At Vic’s insistence, Maggie breaks down and gives her what information she has on The Wraith.  According to Maggie, The Wraith is another person who possesses abilities similar to hers and Vic’s.  However, The Wraith uses his abilities for evil, as he kidnaps children to steal their souls so that he may achieve immortality, trapping the children in an “inscape” of his own creation.  Maggie then sends Vic back home, warning her once again to stay away from “The Wraith” as he is dangerous.

When Vic returns home, she becomes extremely ill as a result of her latest journey.  Her parents become extremely worried, and confiscate her bicycle, as they believe she has an unhealthy fixation.  Vic eventually recovers, and resumes her normal, every day life.

In the meantime, more children disappear.  Once again, a Rolls Royce Wraith is spotted when some of these disappearances take place, but the cases are never connected.

Vic grows into a troubled teenager,  When she is fourteen years old, her parents divorce, and her father abandons Vic and her mother.  Vic acts out, turning to alcohol and drugs.  Her grades in school are mediocre, although her art teacher notes that Vic has a talent for art, although Vic does apply herself.

One day, after an argument with both of her parents, Vic sneaks back into her house and falls asleep.  When she awakens, she searches for some of her belongings that were confiscated by her mother, and finds her old bicycle.

Vic begins to ride her bicycle, and remember happier times during her childhood.  However, it is not long before the bicycle leads her to trouble, which happens to be the lair of Charles Manx, or The Wraith.

Almost right away, Vic realizes that something is not right.  She encounters what she thinks is a young child, but the creature only resembles a child in name only, as it has sharp teeth and appears to be breathing some sort of vapor or smoke when it speaks.

Vic also encounters Charles Manx, who attempts to entice her.  When Vic refuses, her Shorter Way Bridge vanishes, leaving her stranded.  Manx also sets fire to the house, intending to trap Vic in the house so that she will perish from the fire.

However, Vic escapes the house.  She is assisted by man named Lou Carmody, who happens to be in the area, riding his motorcycle.  Lou takes Vic to a nearby gas station, so that she can attempt to get help.  Vic realizes that she is actually in Colorado, instead of her home of Massachusetts, and that she has been missing for two days.  Vic indicates that she has been kidnapped, as she knows that no one will believe her story about the Shorter Way Bridge.

As Vic is telling her story, Charles Manx and his vehicle make an appearance at the gas station.  The men at the gas station attempt to apprehend Manx, and a fight ensues.  However, Manx is apprehended in the end, and arrested for his crimes.  The official story is that Vic was kidnapped, and there is no mention of any of the stranger elements to her story.

Some years later, Vic moves back to Colorado, under the pretense of attending art school.  She pursues a relationship with Lou Carmody, and the two have a child together named Bruce Wayne Carmody, who they call Wayne.  Vic loves Lou and Wayne, but is afraid to admit, as she feels that she is not good enough for either of them.  Vic also receives troubling phone calls from children who state that they are residents of Christmasland.  These phone calls frighten her, but she does not tell anyone about them.

Bing Partridge is never apprehended by the authorities for his role in Manx’s crimes. and anxiously awaits the return of Manx, as he believes that he will receive his eternal reward in Christmasland.

Vic notices that when she engages in some kind of creative active, such as painting, that phone calls from Christmasland stop.  She keeps herself busy by painting motorcycles and also by writing and illustrating children’s books.  However, the mysterious calls start again, and Vic’s behavior becomes increasingly erratic.  Lou moves out of their house, taking their son with him, but he is worried about Vic.  Vic then burns down her house in an attempt to silence the calls from Christmasland.

In the meantime, Manx’s vehicle has been purchased at an auction by a man and his daughter.  One day, the vehicle comes to life, killing its new owner, as Bing has found it, so that he may reunite with Manx.

Charles Manx is thought to be deceased, but his body goes missing from the mortuary.

Vic is institutionalized for her erratic behavior, and comes to believe that her experiences with the Shorter Way Bridge and mysterious telephone calls are simply vivid hallucinations caused by her abuse of alcohol and other drugs.  When she is released from the mental hospital, she temporarily moves back to Massachusetts to spend some time with her mother Linda, who is dying of cancer.  Vic also makes plans to spend the summer with her son Wayne, as she feels that she has failed him as a mother.

Tragically, Linda passes away just as Vic is able to secure a cottage for the summer.  However, Vic still makes plans to spend time with her son Wayne, and Lou sends him to his mother for the summer.

In the meantime, we find out that Bing has managed to steal the body of Charles Manx, who is actually still alive, although barely.  Bing sets up camp in the house across the street from Vic’s childhood home, killing the home’s owners, and placing Charles Manx in the bedroom.  Bing waits for Vic, as he intends to murder Vic, and hand Wayne over to Manx.

Vic returns to her childhood home sometime in July, as Lou has arrived in town to spend Fourth of July with his son.   Vic is greeted by a face from her past:  Maggie, the woman from Iowa whom she met as a child.

While Vic recognizes Maggie, she is not happy to see her, as she still believes Maggie to be a delusion from her past.  Maggie begs Vic to help her stop Charles Manx, who she insists is alive and on the hunt for Vic and Wayne.  Maggie hands Vic a file containing some paperwork on Manx, but Vic chases Maggie away from her house, and threatens to call the police.

Later, Wayne finds the folder on Manx and peeks at it, as he is curious.  Bing spots Wayne from the house he is commandeering, but is unable to do anything, as Lou arrives, and Bing does not want to be seen.  Bing realizes that Vic is in the neighborhood, and makes preparations to capture Vic and Wayne.

That evening, Vic speaks to Lou, and finds out that Wayne has mentioned Manx to his father.  Vic tells Lou about her childhood experiences with the Shorter Way Bridge, and the real story of how she encountered Charles Manx.  Vic recognizes that she may be delusion, and indicates this to Lou.  Vic also tells Lou that she thinks Maggie was a patient at the mental hospital, who is sharing in Vic’s delusions.  Vic makes plans to move back to Colorado that fall, so that she can be closer to Wayne.

Wayne believes that Charles Manx is nearby, and becomes frightened, even though he thinks that he is imagining things.

Vic and Wayne work on a motorcycle that was left at the summer cottage, fixing it up and giving it a new paint job.  Vic decides to take the bike for a spin, and tells Wayne that she will return shortly.

Vic rides the bike, and is able to conjure the Shorter Way Bridge, just as she had been able to do as a child.  However, Vic continues to believe that she is delusional.

Wayne waits at the house for his mother.  He hears a knock on the door, and encounters Bing and Manx, who tell him they need to use the phone, as they have run Wayne’s dog Hooper over with their car.

Bing and Manx then proceed to kidnap Wayne.  Wayne shouts for his mother, who is just now returning from her trip and does not realize what has happened.

However, Vic soon does realize what has happened, and runs to the car in an attempt to rescue Wayne.  She fights Manx, who attacks her with a hammer.  Bing shoots at Vic, but misses Vic and hits Manx in the ear instead.  The men then escape, with Wayne trapped in the car.

Lou is at the airport, awaiting his flight.  Lou receives a panicked call from Wayne.  Wayne tells his father that he has been kidnapped, and then hangs up the phone.  Lou then collapses, due to a sudden heart attack.

Wayne tries to escape, but Bing douses him with gas so that he cannot think and becomes very sleepy.  Manx tells him that he is going to Christmasland, and that he will never see his parents again.

Vic meets with the authorities at her mother’s house.  The FBI has been brought in, as the authorities believe that Wayne’s kidnapper may cross state lines.  Lou also meets with Vic and the authorities.  Vic’s mental illness is brought up by a FBI agent, Tabitha Hutter, who does not agree with Vic in regards to Manx returning and seeking vengeance.  Vic also describes her earlier experience with the Shorter Way Bridge. Lou tells Vic that he believes her, and Vic tells Lou that she will do whatever she can to rescue their son.

Manx drives his vehicle through his inscape, giving Wayne a glimpse into Christmasland.  Wayne falls into a trance, and becomes excited about living in Christmasland.  However, the ghost of Wayne’s grandmother soon appears in the vehicle.  She appears to be speaking in reverse, and gives Wayne a cryptic message before she vanishes:  he must speak in reverse.

Manx then stops at Bing’s house so that he can rest and recover from his wounds.  Wayne then notices that the vehicle has peculiar properties:  objects seem to vanish and then reappear.  Wayne also finds some Christmas ornaments.  He becomes fixated on one that resembles a moon, but has a face.

Wayne is then questioned by Manx, who promises him a phone call to his mother.  Manx tricks Wayne into giving him some information about Maggie, along with Vic’s new motorcycle, and does not allow Wayne a call to his mother.

At her home, Vic is growing more and more worried about her son.  Lou is attempting to fix her motorcycle for her, so that she can conjure the Shorter Way Bridge and rescue Wayne.  Vic receives a phone call.  The caller is Maggie.  Maggie tells Vic that her son is still alive, and that she will help however she can.

After Vic hangs up the phone, she is confronted by Agent Hutter, who has heard the entire conversation.  Hutter attempts to arrest Vic, but Vic escapes from the house, and uses her motorcycle to drive away.  Eventually, she is able to conjure the Shorter Way Bridge, and is able to arrive at the house where Wayne was being kept.

In the meantime, Manx leaves with Wayne in his vehicle, promising that he will take Wayne to Christmasland.   Manx does not allow Bing to come with them, as he says that Bing has failed in his duties. Wayne’s personality is beginning to change, as he is horrified to remember that he pulled the wings off of a butterfly.  Wayne is also fixated on his Christmas ornament, constantly touching it.

Vic realizes that Wayne and Manx have left, and becomes upset.  A man allows her to use his phone.  Vic does not realize that this man is actually Bing, until he attacks her.

Wayne continues to travel with Manx.  He sees visions of Christmasland and is anxious to arrive.  However, he receives a visit from the ghost of his dead grandmother, who again tries to warn him that he must think in reverse.  However, Wayne dismisses the old woman’s ghost, as his personality has begun to change.  Wayne has also begun to loose some of his teeth, and appears to be growing small fangs in their place.

Vic fights Bing.  She manages to escape, but sets the house on fire.  Before she escapes, she receives a call from Manx.  Vic pleads with Manx to release Wayne but Manx refuses.  Manx allows Vic to speak to Wayne.  Vic senses that Wayne’s personality is changing due to his exposure to Manx, and tells Wayne that he must fight Manx, and that she will do whatever it takes to rescue him.

After she speaks to Wayne, Vic then speaks to Lou and Agent Hutter over the telephone.  She tells Lou that she has a plan to stop Manx and rescue Wayne, but that she will need a large amount of explosive material to accomplish this.  After Vic hangs the phone, Lou suffers from a heart attack and is rushed to the hospital.

Vic uses the Shorter Wayne Bridge to locate Maggie.  She arrives at Maggie’s library in Iowa, which was destroyed by a flood a few years back.  However, Maggie is there, and Vic recounts the events of the past few days.

Maggie tells Vic that Manx does possess the same abilities that they possess, but that he uses his abilities for evil.  She tells Vic that Manx’s car must be destroyed in order to destroy Manx.  Maggie also tells Vic that the use of their abilities comes at a cost: Maggie’s stammer has worsened, Vic’s brain has been damaged and Manx has lost all of his empathy, and now revels in the suffering of his others.  The children Manx has kidnapped have also been stripped of their humanity, as they exist for pleasure only, and do not comprehend the suffering of others.

While Vic falls asleep asleep due to exhaustion, Maggie consults her Scrabble tiles for information in regards to Manx.  As she does this, a young boy enters the ruins of her library with firecrackers.  At first, Maggie thinks that it is a local child playing a prank, but realizes that the boy is Wayne, who is acting under the influence of Manx.  Wayne utters some incomprehensible words (his human side knows that what he is doing is wrong) and lures Maggie out to Manx and his car.

Manx immediately attacks Maggie with his vehicle.  Maggie puts up a fight and refuses to give any information about Vic, who is still asleep inside.  Maggie is killed by the impact, and Manx exits the scene.

Lou has been hospitalized due to his heart attack.  However, he escapes in search of his son.  Agent Hutter and her partner are aware of the escape, and plan to use Lou to track down Vic, who they still believe to be responsible for her son’s kidnapping.

Vic arrives at her father’s house.  Lou and her father are waiting for her, with the explosives that she has requested.  However, the FBI agents have tracked down Vic, who refuses to surrender.  Agent Hutter realizes that there may be something to Vic’s story, but her colleagues do not, and open fire on Vic and her family.  Vic’s father is shot, but Vic escapes with Lou on her motorcycle.

Once again, Vic conjures the Shorter Way Bridge.  She leaves Lou in handcuffs, as she feels that this a job for her only.  Vic then makes her way into Christmasland, via her motorcycle and the Shorter Way Bridge, to confront Manx and rescue her son.

Manx sends his children after Vic, and they attack.  Vic fights back and is stabbed by one of the children.  The explosives go off, causing mass destruction.  Wayne realizes that his mother has come to rescue him, and escapes from Manx, hopping on the motorcycle with his mother.

Vic escapes Christmasland with Wayne.  Manx follows her, but his vehicle (and there Manx himself) is destroyed by a flock of bats that emerge from the Shorter Way Bridge.

Finally, Vic emerges with Wayne back into their world.  Her job done, Vic perishes from her wounds and the effects of creating the bridge and traveling to Christmasland.

Several months later, Wayne is living with his father.  Lou has lost weight after angioplasty procedure, and is in a relationship with Tabitha Hutter.  However, Wayne knows that something wrong with him, as he is aroused by anything violent and even thinks that he can feel an extra set of teeth in his mouth.

One day, Lou and Tabitha take Wayne for a ride.  They arrive at the house Manx had used to keep his children captive.  Lou realizes that Wayne’s soul is trapped in one of Manx’s Christmas ornaments.  Lou, Tabitha and Wayne begin smashing the ornaments.  Several children that Manx had kidnapped emerge, restored to their human selves.

Eventually, the ornament containing Wayne’s soul is destroyed.  Wayne sobs with relief, happy that his humanity has returned.


My Thoughts

Okay, let’s talk to Captain Obvious for a moment.  So, just bear with me.

Joe Hill is Stephen King’s son, in case your head has been buried under a rock for…oh…the past 10 years or so.

Stephen King mit Katze "Clovis", tierischer Held des Films "Schlafwandler". Der Meister des Horrors wird am Sonntag (21.09.1997) 50 Jahre. Mit 50 hat er mehr als 30 Romane veröffentlicht, ein Sachbuch, fünf Geschichtensammlungen und neun Drehbücher. dpa (zu dpa-Korr vom 17.09.1997) nur s/w

(And hey, no judgement, being buried under a rock can be pretty comfy sometimes!)

And while I like to evaluate Joe Hill on his own merits, let’s be realistic.

Let’s get it out of our system, and talk about how he is the son of Stephen King.

Well, writing-wise that is.

We can leave the family drama for those better equipped to handle it, and not put TMZ out of a job.

Other than the fact that NOS4A2 reads a bit like an older King novel, in that it has build and will scare you into a change of pants, it is the novel that most screams:  I am the son of the master of modern horror, and if you dare to forget it, well, let’s not even go there!

NOS4A2, in other words, has tons of Stephen King Easter eggs.  In fact, this book may have even more King Easter eggs than some King books.

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First of all, the obvious connection.

I am speaking of the one to Doctor Sleep, the follow up novel to The Shining (both written by The Master himself, but you knew that.)

Rose the Hat

I can tell you that I definitely sleep better knowing that Charles Manx and The True Knot have some silent truce between themselves, that they both can go on (literally) sucking the life out of children and if one gets found out, we know that the other did not rat on them.  Definitely useful information to have.

And, oohhh, direct reference to Derry, along with Pennywise’s Traveling Circus!  Again, whenever I have trouble sleeping at night, I can rest in comfort knowing that Manx and Mr. Bob Gray were likely on a first name basis at some point!

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Vic yelling “Hi-yo Silver!” as she jumps on her bike was added bonus.  Not that I am complaining, although a few tears did spring to my eyes as I recalled some fond childhood memories of murderous clowns…

Then there is the similarity between The Sleigh House (geez, these jokes kill me sometimes) and Black House, another house in a King novel of the same name.

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The way the children start coming out of the house at the end of both books is so similar, not to mention the fact that Charles Manx is pretty similar to Charles Burnside, another villain who gets his rocks off on kidnapping and hurting kids.

I can also take comfort in the fact that Maggie’s “creatives” (more on that later) may be able to travel to the world of our friendly neighborhood gunslinger.

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Is Jake Chambers one of Maggie’s creatives?  An interesting question, but one for another day.

And don’t let me forget the nod to The Stand (and the Dark Tower series) when Bing utters those famous words:  My life for you.

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Oh, and apparently Bill Hodges and company had to hunt down a certain missing vehicle that just happened to be a Rolls Roy Wraith…funny how that works out!

Well, now that it is out of our system (feel better?), let’s talk about Joe Hill and NOS4A2 on their own merits.

So sorry, Uncle Stevie, you have been relegated to another blog entry!

One thing about NOS4A2…it is one scary book!

Well duh, it is written by Prince of Modern Horror, who is the son of the King of Modern Horror.  So we shouldn’t be surprised by scary, right?

Yes and no.  Am I entirely surprised that it’s scary?

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No, I am not.

What is shocking is the fact that NOS4A2 is essentially a vampire story, but modernized.

After all, who isn’t familiar with Dracula?

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Or Kurt Barlow from ‘Salem’s Lot?

Well, now we can add Charles Manx to that list of fictional vampires.

'Salem's Lot 2

Now, Manx is not like Barlow or Dracula, at least on the surface.

He’s old, but not centuries old.

His victims are usually kids.

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He drives a bad ass vehicle.

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Somehow, I don’t think a rosary or garlic would phase him very much.

(Did anyone else think of this guy when Manx was introduced, by the way?  Or is it just me?)

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But, back to Manx.

He may not drink blood, like Barlow and Dracula.

But he is still a vampire, nonetheless.

His preferred food is not blood, but the souls of children.  Since he is all modern-like.

As a bonus, like Barlow and Dracula, he has a human familiar in Bing, who may be even more demented than either Straker or Renfield, if that’s possible.  At the very least, he holds his own.

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And Manx does not need to be able to fly or even move quickly, as he has a vehicle that allows him to travel to back and forth between realities.

Who said that newer necessarily means inferior?

Manx can hold his own!

Speaking of holding one’s own, let’s talk about Vic for a moment.

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Now, there is is someone who can hold her own and then some.

One thing I have noticed about Joe Hill is that he writes female characters extremely well.

Harper (The Fireman) was a great example of this.

Even Georgia and Merrin (Heart Shaped Box and Horns, respectively) were well written characters, despite the fact that that Georgia is the girlfriend of the main character in Heart Shaped Box, and Merrin is the dead girlfriend of Ig in Horns.  Even though we mainly see them from the eyes of a male, both are fascinating and sympathetic.

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But, Mr. Hill decided that having a woman as the interesting girlfriend of a main character just wasn’t good enough.  And then Vic was born.

To put it simply, Vic kicks ass.  There is no way around that statement.

While Vic may not always be easy to like, it is understandable as to why she may be unlikable at times, due to her upbringing (watching your dad wash his hands because they were bloodied due to beating your mom may cause a girl to have some issues.)

Vic’s character has a great arc.

She starts off as a spunky girl, morphs into a rebellious teenager, turns into a still troubled adult and then transforms into a mother who will stop at nothing to save her child from a vicious predator.  And I loved every minute of it.

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One of my favorite parts of the book is when Vic handcuffs Lou, leaving him behind so she can venture forth into Christmasland to save Wayne.

Vic was no damsel in distress.  She knew that she had to be one the one to save (and ultimately sacrifice herself) in order to save her son.

Now, NOS4A2 may be a scary book.

But, like the books of dear old dad, it is so much more than that.

I love what this book has to say on art, artists and the creative process in genera.

I may be a bit biased, as someone who spends so much time creating her own “inscapes” but bear with me.

In fact, I love the idea of an “inscape” itself.

Because that is exactly what happens when someone creates something:  it is actually an escape from the “real” world into an entirely new one, whether that is a painting, a book, a song, etc.

And let’s not kid ourselves.  Those made up worlds become “real,” especially if the creator uses enough love and care in the creation of these worlds.

Middle Earth, Mid-World, Hogwarts.  How are those not “real,” along with the Harry Potters, Roland Deschains, Aragorns, and so forth who live in them?

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And when something happens to the people who populate these worlds, is the effect not felt in ours?  When Harry Potter realizes that Voldemort has been resurrected, for example, did the reader not fear for him, and join him in his grief for a lost friend and classmate?

So it stands to reason that there are “creatives” out there, whose gift is especially powerful (like Joe Hill, his father, JK Rowling, Tolkien and countless others) who can use their knives to cut reality (in Maggie’s words) and create new realities.

And the knife is just the tool, like Maggie so eloquently stated.

Sometimes, the knife is not harmful, and results in children’s books, paintings, etc.

But sometimes, some sick individual (like Charles Manx, who is actually all too plausible) will create a new reality.

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But this new reality is terrible, and only brings hurt to others.

And this is not uncommon, as so many predators who are similar to Charles Manx exist in our world.  They believe that what they are doing is actually a good thing.

It is then up to someone (a Vic McQueen, if you will) to try to put a stop to it.

Sometimes, that is successful.

Sometimes, it is not.  And that knife continues to cut, leaving blood behind.


Well, I am still a bit confused on what is a fact, and what is an alternative fact.

But I do not need an agency such as BARF to tell me that Joe is a fantastic writer, and that he will (hopefully) continue to churn them out, for many years to come.

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So that’s it for NOS4A2.  Join me later this month as we delve back into the world of dear old Dad, as we read and dissect an oldie but goodie, aka Christine!

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My Review of The Dark Half

By nature, most human beings possess dual natures.

It makes sense if you think about it, actually.

We have our public selves.  That’s the self that we present to the world.  That self is polite.  That self observes “social mores.”  That self knows not to cut in line, for example.  Or it knows that we use eating utensils to eat, and not our fingers.  Our Sunday best self, in other words.

And then there is the private self.  That self has no problem eating with its fingers.  Or maybe cursing at someone to get out of its way already.  Some may call this the “id”, per Sigmund Freud.  Or, if we want to be kinder, the casual Friday self.

Often, being creative requires one to get in touch with that darker side.  Some of the best art is born from darkness, actually.  Art can be a good outlet for that darkness, allowing the artist to express those dark desires.  At the very least, people may admire the end result.  Or perhaps the artist can even make a viable living by expressing that dark side.

Usually, that dark side is kept under wraps.  Artist does his/her thing, perhaps gets praised for it in some way, lets off steam, and it’s done, right?

Well, most of the time…

However, (wait for it) if you are a character in a…you guessed it…Stephen King book, its not that simple.  No, nothing in a Stephen King book is ever that simple, is it?

(In case you forgot which blog you were reading.)

Simpsons SK

One of my favorite novels by The Master is The Dark Half.  On the surface, it is a horror novel.  After all, someone’s pseudonym comes to life and does horrible things.  And don’t get me started on sparrows…

But, as with most of King’s work, The Dark Half is much more that what it seems to be on the surface.  This is a novel that has much to say about the creative process, and the effect that process can have on the writer and the writer’s loved ones.

Plus, it takes place in one of my favorite King towns, aka Castle Rock.  And it has Alan Pangborn as a character…Pangborn has long been one of my favorite King book boos!

In other words, what’s not to love about The Dark Half?  It has a fascinating villain, along with some creepy imagery.  It’s perfect, in other words.

So, without further ado, here is my recap and review of The Dark Half.

And, as always:

Homer spoiler


Synopsis

The book begins in 1960, and we are introduced to a young boy named Thad Beaumont.  Thad is an aspiring writer, and already receiving recognition for his writing.  Thad has also begun to suffer from serious migraines, but his doctor is unable to find a cause.  Along with the migraines, Tad hears the sound of birds.

One day, Thad collapses at the bus stop.  He is rushed to the hospital, and his doctors believe that he may have a brain tumor.  However, the doctors do not find a brain tumor when they operate on Thad.  Instead, they find eyes, teeth and other body parts in Thad’s brain.  The doctors believe that they have found an unformed twin that was digested by Thad in the womb.  The doctors elect not to tell Thad’s parents the full truth in regards to their discovery, and Thad’s parents are led to believe that the doctors have found a brain tumor.  The surgery is successful, and Thad is soon released and goes back to living a normal life.

We are again introduced to Thad, twenty five years later.  Thad is married to a woman named Liz, and is the father of fraternal twins named Wendy and William.  Thad is also a writer, but has only found success using the pseudonym of “George Stark.”  Under George Stark, Thad has written crime novels that have achieved commercial success.  The novels written under Thad’s own name have not been nearly as successful, commercially or critically.

Eventually, a man named Frederick Clawson discovers that Thad Beaumont and George Stark are the same man.  Clawson attempts to blackmail Thad, but Thad discloses the fact that he is also George Stark in a People Magazine interview, and even holds a mock “funeral” for George Stark. Thad then decides that he will attempt to write a “serious” novel under his own name, and is even glad that George Stark is “dead”, as Stark appears to be a violent, insane man.

Shorty after the “death” of George Stark, strange things begin to happen.  Homer Ganache, Tad Beamont’s caretaker, is beaten to death with his prosthetic arm.  Frederick Clawson is also murdered.  Thad’s fingerprints are somehow found at the scene of both crimes.

In the meantime, Thad writes a mysterious sentence in the novel he is working on.  The sentence is “The sparrows are flying.”  This sentence is also written in blood on the walls of Frederick Clawson’s apartment.  Tad also begins to hear the sound of birds again.

The fingerprints are traced back to Thad, and Thad is questioned by Sheriff Alan Pangborn, who is certain that Thad is guilty of both murders.  However, Pangborn becomes less convinced once he speaks to Thad, and everyone is mystified by the murders.

Thad visits his doctor and undergoes a CAT scan, as he has been hearing the bird sounds again.  At his office at the university, he appears to go into a trance, where he writes some seemingly random words on a piece of paper.  This incident frightens Thad, and he burns the piece of paper.

In New York City, a woman named Miriam is attacked by a blonde man who calls himself George Stark.  The man forces Miriam to place a call to Thad, and Miriam tells Thad that she is being attacked.  Miriam turns out to be the ex-wife of Thad’s agent, Rick.

Thad is frantic, and finally reaches Sheriff Pangborn.  He has Pangborn check on Miriam in New York, and tells Pangborn that Miriam’s attacker is calling himself George Stark.  Thad also gives Pangborn the names of everyone associated with the People magazine article on himself and George Stark.  Thad gives Pangborn a description of Stark, and tells him that he will fill him on the rest of the details in person.

In the meantime, in New York, the man calling himself George Stark murders three more people associated with the People magazine article in gruesome fashion, along with two police officers.  One of the murdered people is Rick, the ex-husband to Miriam.  While the murders occur, Thad dreams of them in his home in Maine.

The next morning, Thad tells Sheriff Pangborn everything, including the headaches he experienced as a child, and of how George Stark came to be.  Thad is convinced that George Stark has come to life, and is seeking revenge for his “death.”  Pangborn is skeptical, but says that he will speak to Thad’s doctors, including the doctor who operated on Thad as a child, to see if he can get any more leads.

The authorities wire-tap Thad’s phone, in an attempt to track down Stark.  Shortly after the phone is tapped, Stark calls back, and says that he has killed more people.  Later, it is discovered that Thad’s voice print and Stark’s voice print are nearly identical.

Pangborn also places a call to the doctor who operated on Thad as a child, and leaves a message for the man to call him back.

Thad also speculates that he knows exactly what George Stark wants:  for Thad to write another novel under Stark’s name.  Thad contemplates doing just that, if it will put an end to Stark’s violent rampage.

One day, Thad makes a trip to the local grocery store and receives a phone call from George Stark while he is shopping.  This call confirms Thad’s suspicions:  Stark does indeed want Thad to write another novel under the Stark name.  Stark threatens to hurt Thad’s family if Thad does not comply.

Over the next few days, Thad and his family are on edge, as they wait for Stark to make another appearance.  One afternoon, Thad and Liz’s infant daughter, Wendy, takes a tumble from the stairs and receives a bruise.  Later that evening, Wendy’s twin brother, William, also receives a bruise in the same place on his body, even though he was not physically injured.  This gives Thad some insight into George Stark and his relationship with Stark, even though he is still not sure what to do about Stark.

Thad attempts to communicate with Stark in his study one afternoon.  When he does so, he finds out that Stark needs him to write another book because Stark is dying and will only live if Thad writes another book.  Thad also sees a large group of sparrows outside of his house, and is forced to stab himself in the hand with a pencil, courtesy of George Stark.

In the meantime, in New York City, George Stark experiences what Thad is experiencing, and also stabs himself in the hand with a pencil.  We also learn that Stark’s body is deteriorating, presumably because Thad has not written any George Stark novels.  Stark leaves New York City, and makes his way to Maine and Thad.

One day, Thad goes to his office at the university where he is employed during the school year, under the guise of doing some work.  However, Thad is really attempting to get in touch with Stark again.  Stark contacts him on the phone of one of Thad’s colleagues, and again demands that Thad begin work on a new novel.  Thad also finds out that Stark is calling from Thad’s house, and also sees a large group of sparrows again.

Thad’s colleague Rawlie explains the significance of sparrows in folklore:  sparrows are psychopomps, or harbringers between the living and the dead.  The job of the sparrows is to guide lost souls back into the land of the living.

After speaking to Stark, Thad agrees to meet him at his and Liz’s summer home in Castle Rock.  Stark tells Thad that his wife and children are unharmed, but he has killed the two police officers who were supposed to protect Liz and the twins.

On the way to his summer home, Thad calls his colleague, Rawlie, and requests his help.  He meets Rawlie, and takes Rawlie’s car, so that he can drive it to his summer home.  While he is talking to Rawlie, Thad sees another large group of sparrows.

Sheriff Pangborn is finally able to speak to the doctor who operated on young Thad.  The doctor tells Pangborn that he did not actually remove a tumor from Thad’s brain.  Rather, he removed body parts of an unformed twin which had been consumed by Thad while he was still in the womb.  The doctor also tells Pangborn that a large group of sparrows was seen outside of the hospital during the operation.

Pangborn also receives a report of a stolen vehicle.  The stolen vehicle is an Oldsmobile Toranado, which happens to be the vehicle that Thad described George Stark as driving.  After receiving the report of the officers killed at Thad’s home, Pangborn deduces that Thad may be headed to his summer home, and follows him there.

Stark arrives at the summer home with Liz and the children.  He ties Liz up after discovering a pair of sewing scissors that she had hidden on her skirt.  Pangborn also arrives at the summer home, but Stark also captures him and ties him up.

Soon, Thad also arrives at the summer home, and sees that Stark is holding Pangborn and his family hostage.  Thad also notices the large group of sparrows, which Stark does not appear to see.

Stark demands that he and Thad begin writing a new novel, and Thad complies.  Stark holds Thad’s children as hostages, using them as a collateral of sorts.  Liz and Pangborn are forced into another part of the house.

For a time, Stark and Thad work on the new novel.  Previously, Stark had literally been deteriorating, but his wounds begin to heal.  Suddenly, the sparrow descend upon the house.

The sparrows invade the house and head for Stark.  Stark attacks Thad and tries to run from the sparrows but is unsuccessful.  The large group of sparrows descend upon Stark, and literally carry him away from Thad and his family.

Some time later, Thad meets with Sheriff Pangborn at his summer house, which has nearly been destroyed by the incident with Stark and the sparrows.  Pangborn is still having trouble believing what happened, but knows that he has witnessed something unbelievable.  With Pangborn’s blessing, Thad sets fire to the house.

For a time, Thad watches the flames, and then leaves with his family.  Pangborn wonders what will become of Thad’s marriage, as Liz has witnessed what Thad is capable of creating.


My Thoughts

The Dark Half.

In other words, never a more appropriate title.  Especially the second word in the title.

Stephen King has been known, obviously, for his dark subject matter (no pun intended.)

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Novels like Pet Sematary, Thinner, The Long Walk, The Dead Zone, Roadwork and quite are few others are books are known to be especially bleak.  The Dark Half is another one that it bleak.  And I think that The Dark Half may be one of his bleakest, possibly almost as bleak as Pet Sematary.

One of the things I noticed about The Dark Half is the character development.  King is known for creating likable characters.  I mean, who doesn’t love a Stu Redman, Eddie Dean, Beverly Marsh or even ole long tall and ugly himself?

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However, I cannot say the same thing about the characters in The Dark Half.  In fact, I would have to say that my favorite character in The Dark Half is the minor character, aka Sheriff Alan Pangborn.

This isn’t to say that I actively disliked Thad Beaumont, who is the protagonist and so-called “good guy.”  I just found little to like about him, and thought that he was more of a prop for the bad guy, George Stark.

I would characterize The Dark Half as a book that is more plot driven than character driven.  There is nothing wrong with this, either.  I actually find the premise of this book fascinating, and yet another underrated Stephen King book.

One of the things I find fascinating about The Dark Half is actually George Stark himself.  And there are a few reasons why I find him so interesting.

George Stark

For one, he is just evil.  Pure evil.

With some of King’s bad guys (Jack Torrance comes to mind), sympathy can be summoned.  Sure, the person is bad, but they are human underneath it all, and may actually have reasons for being bad, even if we don’t necessarily understand or agree with those reasons.

Not so with George Stark.  There is nothing good about George Stark.  Nothing good at all.  The man (and I use that word loosely, more on that later) is just evil incarnate.

He’s ruthless.  He’s vindictive.  And creative.  He may not be able to write a story by himself, but he sure comes up with inventive, horrible ways to kill people.

In fact, I did think a bit of this guy when I read about Stark:

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It’s true that this guy may be a little more humane than Stark, but still, the comparison stands.

And there is just some about a guy who is evil simply for the sake of being evil…in other words, I love it!

So…

Mickey’s a mouse, Donald’s a duck, Pluto’s a dog…

So what the hell is Goofy?

Or, in this case, what the hell is George Stark?

The Master does tease a bit about Stark, but trying to determine his true origin is almost as difficult as trying to determine Goofy’s true species.

We know that Thad had an un-formed twin that he absorbed as an infant.  And that parts of that un-formed twin were found in Thad’s brain, of all places.

Somehow, this un-formed twin became an issue right when Thad hit puberty, and developed his writing talent. The doctors removed it.  And there was nothing unusual then, other than a large flock of sparrows that invaded the hospital where Thad was staying.

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Then, years later, Thad’s wife miscarries.  She was pregnant with…twins.  Not coincidentally, George Stark comes into being.  And Thad starts becoming somewhat successful as writer, using the George Stark pseudonym.

Then, Stark “dies” again, although he refuses to stay dead, and makes life miserable for a lot of people, including the man who is either his creator, or maybe just his brother, aka Thad.  And then the sparrows come back, although Stark cannot see them.  However, Thad is aware of their presence.

My theory is that Thad has the ability to create twins.  After all, he fathered twins twice.  He himself was a twin.

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So did he create Stark?  I think that he did, actually.  I think Thad was perhaps blessed (or maybe cursed) with that ability to create and harbor other personalities, much like Susannah Dean of the Dark Tower series.  And Thad’s ability to create and harbor these other personalities seems to be directly linked to his creative ability.  In fact, maybe Thad’s ability to create other personalities is an extreme manifestation of his writing talent, similar to how Edgar Freemantle (Duma Key) is able to alter reality with his paintings.

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Another reason why I love The Dark Half is because this is a book that has a lot to say about the subject of creativity.

King has written several book that touch on the subject of creativity.  Duma Key, Misery, Finders Keepers, Bag of Bones and even The Dark Tower are all books that touch on the subject.

Additionally, many of King’s characters happen to be writers, or artists of some kind at, at the very least.  Mike Noonan, Bill Denbrough, Ben Mears and Jake Epping are all King characters that dabble in writing of some form.  Even poor Jack Torrance (The Shining) was an aspiring writer.  Writing is something that King is familiar with (for obvious reasons), so it often gets incorporated into his stories.

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However, King is not merely content to incorporate writers as characters into his stories.  Since he is The Master, he needs to take an extra step or four.

In other words, King often writes about writing, not just the writer.  In fact, the art of writing is a major plot point to several of his stories, including Bag of Bones, Misery and even The Dark Tower.

The effect of fiction on both the writer and the reader is another major theme in many of King’s works.  Again, Misery, The Dark Tower, Finders Keepers and Bag of Bones, along with several other stories, also address this theme.

And it could be argued that The Dark Half addresses all of these themes in one fell swoop.

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We have the main character, Thad Beaumont, who is a writer.  Thad struggles to obtain the kind of success he wants, since the “literary” books that he writes do not sell well, and he is forced to rely on the “pulp” books about Alexis Machine to pay the bills.  This is a struggle, and causes Thad to question where he fits in as a writer.

Obviously, The Dark Half deals with the effect of fiction on the reader.  When he wrote as George Stark, Thad found a rabid fan base.  When Thad writes as himself and not George Stark, his fans (although they could really be considered Stark’s fans) are disappointed, and refer to his work as “terrible.”  Often, fans of a particular offer become entitled, and grow angry when the author does not “deliver.”

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The effect of fiction on the writer is also addressed in The Dark Half.  Thad claims to want to write a “serious” novel, but it seems his heart is never in it.  He blames the distraction of George Stark on not being able to write his “serious” novel,   However, Thad gets enjoyment when he starts writing the novel that Stark demands of him.  Again, this causes Thad to question just where he fits in as a writer, and just what success means.  Does success include writing something that he himself is satisfied with?  Does it include pleasing his fans?  Does include “critical” success?

As most Constant Readers know, Stephen King, for a time, wrote under the pseudonym Richard Bachman.  In King’s mind, writing under the Bachman name would allow him to step outside his “genre,” or write works that were not “just horror.”  King had become typecast as a horror writer, and feared that he would be unable to explore any other type of writing, as people had come to expect him to write horror stories, and nothing else.

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Of course, anyone who pays attention to King should know that he is a great writer, period.  He does write scary stories, but there is so much more to King than “horror.”  The Dark Tower series is an epic fantasy series, much like Game of Thrones or Lord of the Rings.  11/22/63 is a story about time travel and King’s feelings in regards to the Vietnam War.  The collections Hearts in Atlantis and Different Seasons both contain stories that cannot be classified as horror stories.  In fact, it can be argued that King’s strength is writing about ordinary people faced with extraordinary situations.  This is evident even in his books that are horror stories, in characters such as Danny Torrance, the members of The Losers Club, Jack Sawyer (The Talisman and Black House) and so forth.  King’s writing is so effective because people can relate to it, and the situations become that much more believable,

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But early on in King’s career, he likely felt compelled to write horror fiction, at least under his own name.  People had come to expect that, after all, and wouldn’t read something outside the horror genre, something that dealt with “real life situations.”  Even today, there are people who are still prejudiced in regards to King:  they either still think he “only writes scary stories” or have no interest in the non-horror works written by King.  I have known more than a few people who have complained about that Dr. Sleep is not a direct sequel to The Shining, despite the fact that The Shining was written when King was much younger and in the beginning stages of his problems with drugs and alcohol.  Their reactions are similar to a fan’s reaction to Thad’s work not written under the George Stark name:  they are unable to read it, because it is not the formula they had grown used to.

In order to write other types of fiction, King developed the pseudonym of Richard Bachman early on in his career.  Under the Bachman pseudonym, he was finally free to write other types of fiction, i.e. not horror fiction.  And with the exception of Thinner, most of the Bachman books do not contain supernatural themes.  Roadwork, The Long Walk, Rage and The Running Man are all disturbing on some level, but they are disturbing because they deal with “real life horrors,”  such as the exploitation of our youth, corporate greed and our need to be entertained via television.  In other words, Bachman’s work may be a little more mainstream, even though the Bachman books could still be considered to be in the horror category, although not the supernatural or fantastical horror category.

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For several years, Bachman, like George Stark did for Thad, provided King an outlet to explore other types of writing.  However, all good things must come to end.  Like Thad, King was forced to kill off his “twin” when it was discovered that Richard Bachman and Stephen King were in fact the same person.  And, like Thad, King went about the “murder” in humorous fashion, even saying that Bachman passed away from “cancer of the pseudonym.”

(Side note:  Bachman never died.  He just works on the Sons of Anarchy level of the Tower, helping Jax and his friends dispose of dead bodies, demanding to listen to music when he works.)

Cleaner 3

But, like George Stark, Richard Bachman will not stay dead.  Eventually, Bachman emerged in other King works, like the Mr. Mercedes trilogy, Misery and Cujo, which are all books that contain themes of real life horror, as opposed to supernatural horror.  Dicky Bachman even managed to publish posthumous works, such as The Regulators and Blaze.

In other words, an artist’s “dark side” can never truly be killed.  Richard Bachman is still alive and well, manifesting himself through the works of Stephen King.  And George Stark may have been carried off to parts unknown by an unimaginably large group of sparrows, but do we really believe that was the end of him?

sparrows

Darkness lives in all of us.  And like it or not, it is a vital part of the creative process.  And any attempts to bury that darkness will backfire on us.  Eventually, the darkness will be unleashed.  And the world is not usually able to accept or handle that darkness.


Well, that’s it for The Dark Half!  Join me next month, when I review and dissect Black House.

Tune in next month…same bat time, same bat channel!

batman and robin


Connections

Like of all of King’s work, The Dark Half is set squarely in the King universe and is connected to several other King books.  Here are some of the connections I found:

-Part of The Dark Half is set in the town of Castle Rock.  Castle Rock is the setting for several King books and short stories, including The Dead Zone, The Body (Different Seasons), Needful Things and Cujo.

Castle Rock 1

-Thad Beaumont is mentioned by Mike Noonan in the book Bag of Bones.  It is revealed that Thad commits suicide several years after the events in The Dark Half.

Bag of Bones 11

-Alan Pangborn is a major character in the book Needful Things.  Pangborn also alludes to Thad’s suicide and the fact that his wife divorces him shortly after the events in The Dark Half.

Needful things 2

-The town of Ludlow is mentioned.  Ludlow is the setting for the novel Pet Sematary.

Pet Sematary 7

-The town of Harlow is also mentioned.  Part of the novel Revival takes place in Harlow.

Revival 7

 

Penny Dreadful: Season 3 Finale Recap and Review

For once, I am at a loss for words.

And no, I don’t exaggerate.

I am literally speechless.

Last night, I watched what I thought was simply the season finale to Penny Dreadful, which is one of my favorite television shows.  And that is saying something, since I don’t care about most television shows.  I read books.  I hold things to a very high standard.

In other words, it takes a lot to impress me.  A lot.

And Penny Dreadful impressed me.  It impressed me, and did so much more.

I fell in love.

I fell in love with the characters.  I could see a bit of myself in every one one of them.  Even the ones who were not “human.”

penny dreadful 3 17

I fell in love with the dialog.  This is one of the most quotable shows I have ever watched.

I fell in love with the setting.  This show has gorgeous visuals, there is no other way to put it.

I fell in love with the story lines.  Some of the story lines were better than others, but I loved them all.

And I may have taken this show for granted.

Not that I expected a long run, but I thought we would get more seasons.  If a show is this good, we get more seasons, right?

Well, no.  Last night, I watched the finale to season 3.  Turns out this is also the series finale.

In other words, I said goodbye last night.  And it was gut-wrenching.

I had an ugly cry.

My nose got stuffed up.

My eyes turned red and bloodshot.

My makeup ran all over my face.

In other words, it was beautiful.

Gut-wrenching still, but beautiful and cathartic.

ugly cry

Endings usually are.

So, without any further ado, I bring you my recap and review of the series finale of Penny Dreadful.

And, as always:

Homer spoiler


Synopsis

Dr. Seward finds her receptionist, Renfield, in her office listening to her sessions with Vanessa.  Renfield exhibits odd behavior and attacks Dr. Seward.  Dr. Seward realizes that she is dealing with a supernatural creature, and is able to fight him and capture him.

Ethan, Kaetenay and Malcolm arrive in London and immediately notice that things have gone awry in London.  They are told that the air has become poisonous, killing thousands of people.  They hurry back to Malcolm’s mansion, concerned about Vanessa.

Once Ethan, Kaetenay and Malcolm arrive at Malcolm’s mansion, they are almost immediately accosted by vampires.  Malcolm is bitten, but saved by the arrival of Catriona, who cauterizes his wound.  Dr. Seward also arrives, and tells the group that she has captured Renfield, who can help them find Vanessa.

Caliban dines with his family, and they discuss moving away from London,  Caliban’s son Jack expresses a desire to return to the beach when he is well.  However, Jack becomes overtaken by his consumption, and Caliban helps him to bed.

Ethan leaves the mansion to find Victor, as he feels that Malcolm needs a doctor.  A mysterious boy is awaiting him at Victor’s apartment, and promises to lead to him  to Victor.

Dorian returns to his mansion, and demands that the women who have gathered there on behalf of Lily leave.  Most leave, but Justine stays, and challenges Dorian’s authority, stating she will not return to her old life and that she would rather be killed by Dorian.  Dorian obliges her, snapping Justine’s neck.

Victor holds Lily captive in Henry’s lab in Bedlam.  He tells Lily that the serum will make her better, but Lily disagrees.  She then proceeds to tell Victor the story of Sarah, her daughter who died in infancy.  Lily was forced to prostitute herself so that she and her daughter could survive.  One night, Lily was badly beaten by one her of customers.  By the time she arrives home, Sarah has died from the cold, and Lily is heartbroken.  Victor has a change of heart, and lets Lily go.

The mysterious boy leads Ethan right to Dracula, and Dracula unleashes his creatures upon Ethan.  Ethan fights back, but turns into a werewolf because it is the full moon.  He is joined by another werewolf, who turns out to be Kaetenay.  Both wolves fight off the creatures, and transform to their human selves.  Ethan realizes that it is Kaetenay who cursed him and is angered.  Kaetenay tells Ethan that he cursed him in order to help save the world, and that Ethan has the ability to help Vanessa, despite his curse.

Victor tells Henry that he has allowed Lily to go free.  Henry chides Victor for this, telling Victor that his work in science will amount to nothing.  Henry then tells Victor that his father has died, leaving his estate to Henry.  Henry demands that Victor address him by his proper name:  Lord Hyde.

Dr. Seward leads Malcolm and Catriona to Bedlam, where she has locked Renfield in a cell.  They also meet up with Victor, Ethan and Kaetenay.  Dr. Seward hypnotizes Renfield, and deduces where Dracula is holding Vanessa captive.

That night, Caliban awakens in the middle night and checks on his son.  He discovers that his son has passed away from consumption in his sleep.  Marjorie and Caliban make plans for his burial, and Marjorie demands that Caliban ask Victor to resurrect their son.  Caliban refuses to do so, stating that he will not curse his son to eternal life.  Marjorie then tells Caliban that if he does not resurrect their son that he can leave their home.

Malcolm, Kaetenay, Ethan, Catriona and Victor hunt down Dracula.  They are again accosted by vampires, but fight back using various weapons, such as guns and stakes.  Ethan escapes the creatures and finds Vanessa in a room lighted by candles.

Ethan tries to persuade Vanessa to escape with him, telling her that he will protect her from the dark forces that seek to possess her soul.  Vanessa tells him that this is impossible and the she wants her suffering to end.  Together, they recite the Lord’s Prayer, and Ethan shoots Vanessa with his gun, ending her life.  Before she dies, Vanessa tells Ethan she sees God, and He is waiting for her.

After Vanessa dies, the sun comes out from behind the clouds, and Dracula flees.

Lily returns to Dorian’s mansion, where she finds the body of Justine.  She tells Dorian that she cannot be with him any more, and leaves.  Dorian is skeptical, and predicts that she will return to him.

Caliban buries his son at sea, against the wishes the wishes of Marjorie.  He returns to living his life in the shadows.

A funeral is held for Vanessa.  Malcolm says that he will not return to Africa, as he will stay in London to properly grieve Vanessa and the rest of his family.  Ethan states he will also remain in London, as he considers Malcolm his only family now.

The episode ends with Caliban visiting Vanessa’s grave, reciting a Wordsworth poem, in honor of his friend.


My Thoughts

So many thoughts…such as long blog post.

And I don’t really care about the length.  After all, this is my last post in regards to this show, so I may as well make it count, right?

This post will probably wind up being a bit emo, so let’s talk about some of the lighter moments in the finale, as there were a few.  After all, you can’t have a series finale be all about the feelsies, right?

I loved the action scenes in this episode.  In fact, I think they were my favorite part of the episode.  I can be a sucker for moments that don’t require mountains of tissue.

One of the best action scenes was the Werewolf Bowl.

That’s right.  Game of Thrones got its Bastard Bowl.  Therefore, Penny Dreadful gets its Werewolf Bowl!

bastard bowl 1

Ethan was kicking ass on his own, but then he is joined by the “gray wolf.”  Who is none other than Kaetenay!  How about that?

And it turns out that Kaetenay was actually responsible for Ethan’s curse, and that he had a good reason for putting that curse on Ethan…who knew?

Penny Dreadful 3 24

I also loved the gun fight that took place between the Scoobies and Dracula’s groupies.  Malcolm and Victor were bad ass, but in my mind, they did not hold a candle to Miss O’-Nine-Tails, aka Catriona.

On a side note:  did anyone else think of Danny Glick when they saw that kid vampire, or was that just me?

salem's lot 3

That’s right, I misjudged Miss O’-Nine-Tails.  Turns out that she was not on the side of evil, but on the Scoobies’ side the entire time.  And a valiant fighter.

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She swung from rafters, for Pete’s sake.  And cauterized Malcolm’s wound without a second thought.

In other words, she was a total fucking bad ass.  The only bad thing I can say about her now is that she was only in a handful of episodes…sniff…

In fact, Buffy herself would have been proud…a turn of the century Slayer?  Hey, I can dream, right?

Oh, and let’s not forget Renfield.

Renfield munching on a frog and tendering his resignation to Dr. Seward…priceless!

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As always, the visuals for this show did not fail to impress me.

In particular, I was struck by the scenes of Ethan walking down the street, with the Japanese lanterns in the background.  The contrast between the colors was beautiful, and made things look that much more eerie.

One thing is for sure:  the visuals on this show have spoiled, and pretty much everything I watch will be held up to the standard that Penny Dreadful has set.

I would also like to talk about character arcs for a moment.

For instance, the ones I find fascinating are Dorian’s, and Caliban’s (we will talk more about Vanessa later.)

Dorian Gray 1

On the surface, these two may not have very much in common.  But that’s on the surface.

Both are immortal.  Both have lived in the shadows, so to speak.

In fact, when the show started, Dorian and Caliban lived in the shadows.  And neither cared very much about the lives of others, although often, they would use other humans as a means to an end.

However, one character took a different path from the other, and became a better person for it.

Rory Kinnear as The Creature in Penny Dreadful (season 3, episode 7). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_307_1030

That’s right, Caliban is the one who experienced growth.  In fact, out of all the characters, Caliban may have been the character who experienced the most growth.

Slowly, throughout the series, Caliban found his humanity, through the memories of his family, and his relationship with Vanessa.  The same cannot be said of Dorian, however.

Caliban has learned from his experiences.  For example, he chooses not to resurrect his son, even though it costs him his relationship with his wife.  Dorian does not learn from his experiences, however.  When  he grows tired of Lily, he discards, along with Justine and all the other women who had a been a part of Lily’s army.

And while both Dorian and Caliban may continue to live in the shadows, only one has seen the light.  And that would be Caliban.

Penny Dreadful 3 41

Ok, time to talk about the feelsies…

And there were so many of them, in what turned out to be the series finale for a spectacular show.

Finally, we got a little more information on Lily, when she told the story of what happened to her daughter.  Did anyone else feel the oxygen getting sucked out of the room, or is my imagination just that vivid?

The story of Lily’s daughter was tragic.  It also brought up an interesting point:  our memories, both good and bad, make us who we are.  And to rob someone of his/her memories, as Victor intended to do, would be a cruel act.  Myself, I have plenty of bad memories, as I am a domestic abuse survivor.  But if I were robbed of those memories, I would not be me.  Like Lily, being a shell of myself, and not having those memories, some of which are painful, but essential to my being, would be the cruelest punishment of them all.

Penny Dreadful 38

Then there was Caliban.  Which made me cry more, the death of Vanessa, or the sight of Caliban burying his son at sea?

I don’t know, but the two are pretty close.

I thought a bit of Pet Sematary, which I read earlier this year, when watching this episode.

pet sematary 11

Caliban was kind of the anti-Louis Creed.  He resisted temptation, and gave his son a proper send off, so that his son would not be damned for all eternity.  And boy, was this painful to watch.  I heard a splintering noise and figured that was the sound of my heart breaking wide open.

Before I conclude this post, let’s talk a bit about Vanessa and her arc.

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Now, I wasn’t happy that Vanessa died.  In fact, I was anything but.  I hated it!

I hate this ending, but I also feel that this was the only ending.  While this ending sucked, it was definitely the right ending.

Some may vehemently disagree with me on the ending, along with the fact that John Logan did not let us know that this was the last season of the show.

However, I agree with Malcolm:  Vanessa never would have found happiness, had she lived.  She was doomed for all eternity, and would have been fleeing from the darkness all of her life.  Not even Ethan would have been able to protect from those forced that sought her soul.

Timothy Dalton as Sir Malcolm in Penny Dreadful (season 3, episode 1). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_301_5002

So Ethan performed the ultimate act of love:  he shot her and ended her suffering.  However, he used his powers as Lupus Dei to bring her back to her God, so that she found peace before her death, and (hopefully) salvation in the afterlife.

Josh Hartnett as Ethan and Eva Green as Vanessa Ives in Penny Dreadful (season 3, episode 9). - Photo: Patrick Redmond/SHOWTIME - Photo ID: PennyDreadful_309_1688

And I agree with John Logan that this was really Vanessa’s show.  Vanessa touched the lives of many, including Ethan, Malcolm, Caliban and even Dorian.  So without Vanessa, there is no show.

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Announcing the end of the series would have been a spoiler of sorts, as any intelligent person (probably) would have deduced the death of Vanessa.  And where would the fun have been in that?  Personally, I enjoyed this season.  Knowing that it was the last season would have put a damper on my fun, although I still would have watched it.

The Rainbow comes and goes,
And lovely is the Rose,
The Moon doth with delight
Look round her when the heavens are bare,
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath past away a glory from the earth.

And what better way to end the series, than to have Caliban recite a Wordsworth poem, in honor of his friend?

Vanessa touched the lives of everyone she met, but I believe that she had the greatest effect on Caliban.  When she was a patient in the Banning Clinic, he was the orderly tasked with caring for her.  However, it could be argued that she helped him much more than he helped her, as she brought out his humanity even then, making him the best man he could be.

Rory Kinnear as The Creature in Penny Dreadful (season 3, episode 9). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_309_3197

And even after he became an un-dead Creature, Caliban’s relationship with Vanessa still made him a better man.  It inspired him to reunite with his family, even though that ultimately proved painful, with the death of his son and the loss of his relationship with his wife.  However, these losses served to bring Caliban back from the dead, so to speak, and proved that he was not in fact the monster everyone saw on the outside, but someone more human than almost everyone else on the show.

Nothing is more beautiful than a man who recognizes what true humanity is, and strives to make sure that everyone is afforded it, no matter the cost to himself.

Rory Kinnear as The Creature in Penny Dreadful (season 3, episode 9). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_309_3066


Well, that’s it. That’s it for Penny Dreadful.

We have been so lucky to have been blessed with such a wonderful show.  The acting, the visuals, the dialog, the writing…all of it was superb, and I would not change a thing, as this show has been simply perfect.

So, I am tearing up a little, but I bid the series goodbye, and am thankful to have had the privilege to watch it, and spend so many hours writing about it and discussing it.

The series may have been cancelled, but it will live on in my heart forever.

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The Final Concert: My Review of End of Watch

So, the month of June is upon us.

And we all know what that means…

Yes, it’s my birthday month.  Yes, I really will be 38 years old (ugh.)  And yes, I accept donations of any kind.  I prefer cash, but checks are ok too…haha!

But, that’s not actually why this month is special (even if my birthday is pretty special…duh.)

No, the month of June is special because of Stephen King.

Stephen King

(Don’t forget, it is this blog, after all.  The Master trumps everything, even the birthday month of yours truly.)

And it’s not because of the book The Dark Half, which could be construed to be a book written about Thad Beaumont, the ultimate Gemini…but I digress.

dark half 5

June is special, or has been special the past couple of years, because The Master has been releasing his Mercedes trilogy books the first week of June.

The fact that he releases these books right before my birthday (back to that again, yes) is a nice courtesy, don’t you think?

And June of 2016 is extra special, because we have the release of End of Watch, the third and final (maybe) book of this series.

So finally, we find out what will happen to good old Bill Hodges, along with his friends Jerome and Holly.

Finally, Hodges gets to square off one more time against his nemesis, Brady.  And quite possibly put this obsession to bed, one way or another.

So, without further ado, here is my recap and review of End of Watch.

As always:

Homer spoiler


Synopsis

The book begins with a flashback to the Mercedes Massacre, which had occurred in 2009.  The flashback is told from the perspective of Rob and Jason, two paramedics who are called to the scene after a then unknown killer uses a stolen Mercedes as a weapon to kill and injure several people at a job fair.  One of the victims is Martine Stover, who is unconscious when Rob and Jason arrive at the scene.  Rob and Jason manage to save Martine from death, but it appears that Martine’s injuries have made her a quadriplegic.  Rob and Jason are saddened by the deaths and injuries, and hope that the perpetrator faces justice.

The book then flashes forward to January 2016.  Bill Hodges is awaiting an appointment with his doctor, when he receives a call from his soon to be retired former partner, Pete Huntley.  Huntley tells Hodges about his final case, which looks to be a murder-suicide.  One of the victims is Martine Stover, who was rendered a quadriplegic after the Mercedes Massacare.  Huntley tells Hodges that Martine appears to have been murdered by her mother, and that her mother then committed suicide.

Hodges picks up Holly Gibney, the woman who is his partner in the private investigation firm that he started after his retirement.  He then meets with Huntley and his partner, Izzy, at the crime scene.  It is confirmed that Martine’s mother used oxycontin and vodka to kill her daughter and herself.  Hodges thinks there is nothing special about the case, but Huntley believes otherwise.

Huntley tells of another murder-suicide that occurred the previous year.  Keith Frias and Krista Countryman were also victims of the Mercedes Massacre.  The two had met in a therapy group, and had planned to get married.  However, they committed suicide by overdosing on pills one day, and died in each other’s arms.  Holly notices a mysterious letter Z in the bathtub where Martine died.  Hodges and Holly are reminded of Brady Hartsfield, the man responsible for the Mercedes Massacre.  Hartsfield was stopped by Holly and Hodges, but not before he was able to manipulate several people into committing suicide.  One of these victims was Olivia Trelawney, Holly’s cousin and the owner of the Mercedes used in the murders.  Hartsfield was able to steal the vehicle and use it to murder several people, and was also able to manipulate Olivia into committing suicide.

On the drive back to the office, Holly voices her suspicions to Hodges.  She tells him that she investigated the upstairs room to the house, and discovered a computer.  The computer contained no indication that either Martine or her mother had ever researched suicide.  Holly also finds a Zappit, which is an electronic device used for playing games.  She and Hodges both feel that this is odd, as neither woman was an expert on gadgets.  Holly says that she will be tracking down Nancy Alderson, the housekeeper employed by Martine Stover and her mother, in the hopes that the housekeeper can shed some light on the mystery.

Hodges is able to speak to Nancy Alderson, the housekeeper for Martine and her mother.  Nancy is extremely surprised by the deaths of Martine and her mother, telling Hodges that Martine had accepted her condition, and that she also got along well with her mother.  Nancy also sheds light on the mystery of the Zappit, telling Hodges that the gadget was a gift for filling out a questionnaire.  It is also revealed that a mysterious man in a parka had been seen around the house, and that he would look into the windows of the house.

Holly and Hodges have lunch that day.  Hodges points out that the Zappit is actually an outdated piece of technology, and that Martine may have fallen victim to a scam.  Hodges also checks out the house across the street from Martine Stover, and discovers the casings to a pair of binoculars, indicating that someone may have been watching Martine and her mother.  Hodges also finds a letter Z carved into the wall of the garage.  Someone driving down the street in a Chevrolet Malibu is also spying on Hodges, but Hodges is distracted by a terrible pain in his knee and his stomach, and is reminded of his doctor’s appointment that he has rescheduled for the next day.

That night, Hodges speaks to Holly and schedules a meeting with her and Huntley, before his doctor’s appointment.  Hodges’ health also appears to worsen, as he vomits blood later that night.  Hodges becomes extremely worried about his future.

Meanwhile, something strange occurs at the hospital where Brady Hartsfield is a patient.  Brady is thought to be comatose, but speaks to Nurse Valdez, badly startling her.

Earlier that day, a nurse named Ruth Scapelli had paid a visit to Brady Hartsfield.  Nurse Scapelli had expressed her disdain for Brady by twisting his nipples, as she believed that Brady had given her an obscene gesture earlier.  Nurse Scapelli is paid a visit that night by Dr. Barbineau, Brady’s doctor.  Barbineau tells Nurse Scapelli that he knows of her earlier actions, and that she will face consequences for them.  After Dr. Barbineau leaves, Nurse Scapelli receives a visit from what appears to be Brady Hartsfield.  Brady appears to flicker in and out of existence, but starts to convince Nurse Scapelli that she is worthless, and that no one will help her now that she caught breaking the rules.

Later that night, Hodges is unable to sleep, so he gets up and turns on his computer.  He discovers he has a message on program called Debbie’s Blue Umbrella, which is the program that he had used to talk to Brady Hartsfield.  The message is from someone named Z-Boy, and simply states;  He’s not done with you yet.

Hodges and Holly meet with Huntley and Izzy the next morning.  The meeting does not go well, as Izzy is upset that Holly took the Zappit from the scene, possibly compromising evidence.  Huntley and Izzy also feel that the investigation should be closed as a murder suicide.  This upsets Holly, but Hodges comforts her, telling her that they are done with the case yet, as he hurries to his doctor appointment.

At his doctor appointment, Hodges receives some terrible news:  he has been diagnosed with late stage pancreatic cancer, and learns that he may only live for another year.  His doctor urges him to see a specialist right away, but Hodges declines, saying that he needs to think things through first.

The body of Ruth Scapelli is discovered later that day.  Nurse Scapelli’s daughter had contacted the police earlier, after receiving a strange email from her mother.  The cause appears to be suicide, but there is a letter Z written in blood on the floor.

We also learn that Brady Hartsfield has been given experimental drugs by Dr. Babineau, in the hopes that Brady will regain consciousness at some point.  Dr. Babineau does not have much hope for his patient, and eventually stops giving him the medication, as it appears that Brady is still in a vegetative state.

However, Brady has regained some form of consciousness, and is aware of the actions of the doctors and nurses in his hospital room.  Brady has also gained some form of telekinesis, as he is able to move objects without touching them.

One day, Brady discovers another PSI ability:  he has the ability to switch consciences with other people.  In other words, he can momentarily take over the minds of other people, in certain instances.  Brady realizes that he needs to practice using his new abilities, and alerts the doctors and nurses that his head hurts, along with asking for his mother.

After Hodges discovers the message on his computer, he returns to work and hides his cancer diagnosis from Holly.  Hodges and Holly discuss Brady Hartsfield.  Hodges believes that Brady is not actually unconscious, and may have somehow convinced a nurse to commit suicide.  Hodges decides that he will pay another visit to Brady, and Holly urges him to be careful, as she believes that Brady may now be gifted with PSI abilities.

While Hodges riding the bus to the hospital where Brady is a patient, he is preoccupied with thoughts of his health, and does not notice the Chevrolet Malibu, or the old man in a parka who appears to be watching him.

Holly suspects that Hodges is not telling the truth about his health, and sneaks a peek at his computer files while he is gone.  She finds out that he has terminal cancer, and becomes very upset.

Hodges also receives a call from his former partner Huntley, who informs him that the Zappit may have a virus on it, as it is not functional, and there is no way that Martine Stover or her mother could have used it.  Huntley also tells Hodges to stop badgering him and his partner Izzy, as his input is no longer wanted.

While Hodges is on his way to the hospital, his neighbor, 16 year old Barbara Robinson (sister of Jerome) has made her way into a dangerous part of town.  Barbara is African American, but feels she has very little understanding of her culture, due to her family’s relative wealth and success.  Barbara is also in possession of a Zappit device.  The apparition of a young man appears in a store window, and convinces Barbara to commit suicide.  Barbara steps in front of a bus, ready to do just that.

Back at the hospital, Dr. Babineau, who is actually under the control of Brady, informs Brady that Hodges has figured out what he is doing.  Brady becomes furious, but is still trying to convince Barbara Robinson to commit suicide, as she is associated with Hodges.

Barbara’s attempt at suicide is interrupted by the arrival of a young man who takes her Zappit.  Barbara becomes furious and tries to get the gadget back from him.  Barbara grabs her device back, and runs right into the path of an oncoming vehicle.

Brady orders Dr. Babineau to keep Hodges out of his room, as he is flushed and does not actually appear comatose.  Dr. Babineau agrees to do what he can.

In the meantime, Tanya Robinson, Barbara’s mother, receives a call from the police, letting her know that something has happened to her daughter.

When Hodges arrives at the hospital, he is refused visitation of Brady, by Dr. Babineau.  Hodges brides an intern to take a message to Nurse Norma Wilmer, who has helped him the past.

Jerome Robinson, who is in Arizona volunteering for Habitat for Humanity, receives a call from Holly, who tearfully informs him of Hodges’ cancer diagnosis.  Jerome also receives a call from his mother, who tells him that something has happened to his sister Barbara.

Hodges meets with Nurse Wilmer, and agrees to meet her for a drink.  Hodges then receives a call from Tanya Robinson, and rushes back to the hospital.

At the hospital, Hodges finds that Barbara has a broken leg, but is not otherwise severely injured.  She also tells Bill that the young man pushed her out of the way of the oncoming vehicle, preventing a much worse injury, maybe even saving her life.  Hodges makes contact with the police station where the young man is being held, so that he may question him about the incident.

Hodges receives a call from Holly, who is upset and confesses to her snooping regarding his health.  Holly picks up Hodges, and together they head to the police station to talk to the young man who may have saved Barbara Robinson’s life.

Holly and Hodges learn the name of the young man who was responsible for saving Barbara’s life:  Dereece Neville.  Dereece is also a star athlete and a good student, and will likely go to college on a scholarship.  The police have told him that he is free to leave, but he has elected to stay at the police station until he finds out that Barbara is all right.

When Hodges speaks to Dereece, he confirms that Barbara was carrying a Zappit device.  Dereece though that Barbara was under the influence of some substance, but tells Hodges that Barbara appeared to return to her normal self once the Zappit device was taken away from her.

Later on, Hodges meets Nurse Wilmer for a drink.  The nurse agrees to see if she can find Brady’s so-called visitor list for Hodges, and tells Hodges that she thinks that Dr. Babineau may be experimenting on Brady.  She also confesses that she and some of the other nurses believe that Brady can move objects with his mind.

Holly visits Barbara at the hospital.  Barbara confesses to Holly that she has been feeling depressed, as she has experienced harassment at school and other places due to the fact that she is African American.  She also tells Holly that a strange man gave her the Zappit for filling out a questionnaire.  Barbara tells Holly that she has heard of the voice of a young, who convinced her to commit suicide.  Barbara also tells Holly that one of her friends may also have a Zappit, which could be dangerous.

At the hospital, Brady switches consciousness with one of the orderlies, named Brooks.  It appears that Brady is using Brooks’ body to hand out Zappits and spy on Hodges.

We also learn how Brady used the Zappit device to control the body and mind of others.  Once Brady discovered his ability to take over the minds of certain other people, he also discovered a game on the Zappit that had an hypnotic effect on certain people.  Brady was able to use this device to take over the body of Brooks and Dr. Babineau, along with other people.

Brady takes over the body of Brooks, and shows up on the doorstep of Dr. Babineau.  He attacks the doctor’s wife, and takes over Babineau’s body, which is younger and stronger than Brooks’ body.

Hodges visits Dinah Scott, one of Barbara’s friends, who also owns a Zappit device.  Hodges learns that Dinah obtained the device as a consolation prize for a missed concert.  The concert was cancelled due to Brady Hartsfield attempting to set off a bomb.  Brady was stopped by Holly, Jerome and Hodges.  Hodges takes the device from Dinah, so that he can possibly use it to track down more clues.  Hodges brings up the fishing game (the game that is being used by Brady to hypnotize people) and confirms that it does indeed have a hypnotic effect.

We also learn that Brady has bribed a woman named Freddi, one of his former coworkers, to accept questionable packages at a condo that has been set up for this purpose.  Freddi begins to suspect that Dr. Babineau is actually her former coworker.  Brady has Freddi execute a computer program that he needs for his future plans.  When he determines that the computer program works, Brady attacks Freddi so that she will remain quiet.

That night, Hodges receives a call from Holly.  Sunrise Solutions, the company that was giving away the Zappit, was not actually a sponsor of the cancelled concert.  Holly also advises to see Barbara, as Barbara is still suffering the effects of Brady’s invasion of her mind.  Hodges also receives a call from Huntley, telling him that Nurse Scapelli, Brady’s nurse who committed suicide the day before, also owned a Zappit.  Huntley also tells Hodges that Martine Stover’s mother had purchased a computer for her daughter, which is not the act of someone planning to commit a murder-suicide.

In the meantime, Brady has completely abandoned his own body and taken oven Dr. Babineau’s mind.  He heads back to Dr. Babineau’s house and speaks to Brooks, telling Brooks that he murdered Babineau’s wife.  Brooks is upset, but Brady tells him that he was hypnotized and unable to help himself.

Freddi regains consciousness.  It turns out that she is not dead, as her pack of cigarettes protected her from Brady’s bullet.  Freddi is hesitant to call 911, she is involved in some illegal activities.  She wants to leave town, but is afraid that Brady will track her down.

Early the next morning, Hodges receives a call from Huntley informing him that Brady has died.  The cause appears to be a suicide, via an overdose of prescription medication.  However, both Hodges and Holly are skeptical that this is the last of Brady Hartsfield.

Hodges places a call to the bankruptcy trustee who had represented Sunrise Solutions.  The attorney tells Bill that he received a call from someone calling himself Myron Zakim, who had bought several Zappit units when the companies assets were liquidated.  Hodges also speaks to Nurse Wilmer, who is skeptical that Brady committed suicide, and tells Hodges that besides himself, the only other person to ever visit Brady was an unrelated woman.

Holly returns to the office with Jerome, and she and Hodges bring Jerome up to speed on what has been going on.  Holly conducts some research, and finds out that there has been some concern over the fishing game on the Zappit, which seems to have a hypnotic effect on some people.

Hodges then receives a call from Huntley, informing him of the murder of Dr. Babineau’s wife.  Huntley also tells Hodges that Brooks has confessed to the murder, and appears to be under the influence of someone or something.  Huntley confirms that the pills found in Brady’s mouth were not ones that he was prescribed, and that there are questions as to how he was able to obtain them.

While inspecting the Zappit, Jerome falls under a trance, and tells Holly and Hodges that he is viewing his own funeral, which is beautiful.

We learn that Brady is using his newfound abilities, along with the program created by Freddi, in order to induce mass suicide.  He tries to invade the mind of a young woman named Ellen, but she is unsuccessful in her suicide attempt, which frustrates Brady.

Holly is able to bring Jerome out of his trance state.  Hodges deduces that Brady is behind it somehow, and that he distributed the devices to the young girls who attended the concert as a form of revenge.  Holly also discovers that there is a new program on the devices that has just become active, and it appears to be a program that encourages people to commit suicide.  Hodges then attempts to trace the source of the program, so that it can be destroyed.

Brady reminisces about how he came to control Dr. Babineau, by blackmailing him (after he had taken over Brooks’ consciousness) in regards to the experimental drugs that were being given to Brady.  Brady uses Dr. Babineau’s body, along with his money, to carry out his plan to induce mass suicide.

Freddi attempts to crash Brady’s mass suicide program but is unsuccessful.  Brady figures out that she is still alive, and becomes furious.

Hodges, Holly and Jerome connect Freddi to Brady, as they spoke to her when they were previously investigating the Mercedes Massacre.  They track Freddi to her apartment, where she is packing her bags, in an attempt to leave town. Jerome discovers the device that is sending the signals to the Zappit devices that Brady purchased, and destroys the device.  Freddi also tells Hodges and his friends that Brady is not dead, and they learn the story of how Freddi came to be involved with Brady and his plan.

In the meantime, a young gay man commits suicide in front of his father, while he is under the influence of Brady Hartsfield.

Holly begs Hodges to shut down the suicide website that has now infected several Zappit devices.  Hodges places some phone calls to the police department, and finds out that Huntley has officially retired from his duties as a police officer.  Hodges is only able to speak to Izzy, who reluctantly agrees to help.  Hodges deduces that Dr. Babineau/Brady may have headed to Dr. Babineau’s vacation home, and makes plans to head there too.

An overweight young woman commits suicide by overdosing on pills, while she is under the influence of Brady.

Hodges and Holly head to Babineau’s cabin, leaving Jerome behind, as they do not want him to be involved in what could potentially be a messy situation.  Hodges and Holly learn of three more suicides that Brady likely had a hand in.

Holly and Hodges arrive on the property and are almost immediately accosted by Brady.  Brady forces Hodges to play the fishing game on the Zappit, telling him that if he scores a certain number of points, he will allow Holly to live.  As Hodges plays the game, he feels Brady invading his mind.

Hodges fights Brady, hitting his face with a ceramic pen holder.  Brady then fires his gun, and shoots Hodges in the shoulder.  Holly regains consciousness, and begins shooting at Brady with her gun.  However, she is unable to get a clear shot, and Brady gets away from her.

However, Brady is not able to run far, as Jerome comes to the resuce in a Sno-Cat.  He tells Holly and Hodges that Barbara told him to come help them, as she thought Brady would kill them.  Jerome runs over Brady with the vehicle, but that does not kill him.  Brady begs for mercy, and Jerome shoots him.  Hodges receives a text message from his daughter wishing him a happy birthday, and passes out.

A few days later, Hodges, Holly, Huntley, Barbara and Jerome celebrate Hodges birthday at the hospital.  Huntley tells of several more suicides and suicide attempts that have occurred due to Brady’s program, but thinks that the situation will be under control soon.  Hodges has begun his cancer treatments, although the prognosis is not good.  However, his friends still have hope for him.

Eight months later, Hodges loses his battle with cancer.  A funeral is held.  Hodges’ company was left to Holly, who hires Huntley so that the detective work can continue.  Jerome and Holly decide to attend a movie, and leave an empty seat between them, so that they may remember their friend.


My Thoughts

Oh, so much to say, and so few words to say it in, unless I want the word count to be sky high in this post…the struggle is real, yo!

In the past, I have thought of the books in the Mercedes trilogy as Bachman books.

As we all know, Bachman faked his death from cancer of the pseudonym, and really works as a guy who drives a funny looking motorcycle and helps out Jax and his friends on the Sons of Anarchy level of the Tower.  Oh, and he likes to take macabre souvenirs…

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And I still think of these books as Bachman books, make no mistake about it.

However, End of Watch had much more of a Stephen King flavor, if you will.

For one thing, there was the supernatural element.

Typically, most of Bachman’s work does not contain anything supernatural. Books like Rage, Roadwork, The Long Walk and so forth are about human fuckery, as opposed to haunted hotels, sewer dwelling clowns, evil shop owners and the long list of other supernatural pests that haunt the King universe.  Human fuckery does play a part in most if not all of King’s work, but there is usually a supernatural backdrop.  Not so in the Bachman universe, as most of his stories can be considered “real world” stories.

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End of Watch still had a “Bachman flavor.”  In other words, we had the real world:  a murderer at large, who posed a threat to a lot of people.

However, enter the supernatural.  The murderer (Brady) now possesses supernatural powers, which make him even harder to stop.  And no, this is not King taking the easy way out, and writing what he knows.  The fact that Brady acquired PSI abilities made the story that much more interesting, and provided that much more suspense, as Hodges and everyone else needed to figure out what was going on in order to put a stop to Brady.

In other words, we have King doing what he does best:  writing a damn good story that we don’t want to put down, until we finish it.

For the record, I should stop being surprised by Sai King.  He may write about the supernatural or the fantastic, but he constantly weaves “real world” issues into his stories, even if they are horror stories.  In The Drawing of the Three, we get a discussion on mental illness, along with racism.  In Insomnia, we discuss aging and how our society treats it (not kindly, for the most part.)  In Misery, we glimpse how fiction can have a huge impact on the reader, and the writer as well.  A novel like The Gunslinger could be considered a good metaphor for addiction.  I could go on.  And on…

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End of Watch is no different.  I was pleasantly surprised at the glimpse I got into Barbara Robinson’s life.  Barbara may have looked like she had everything under control, and had everything a person (or a teenage girl, at any rate.)  But appearances are deceiving, and Barbara is no different.  I understand the pain of not having a peer group quite well, as I don’t find too many other nerds I can relate to (although the internet is wonderful.)  Now, this is not the same a Barbara’s pain, as she is the only African American in her school.  But my heart broke for her when she described how she was treated when she went out on a date with a white boy, and I understood the feeling of disconnect quite well.  Often, we don’t really know what a person may be going through at any one moment, and that someone can appear outwardly happy, but that person is really experiencing a great deal of pain inside.  And this is probably the case more often than not.

King’s description of Barbara Robinson and her inner battles was probably not “necessary” to the story, but it sure did add a great deal of depth to the story.  And that is why King is The Master.

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And we have the character of Holly, who has turned out to be one of King’s most fascinating characters, in this little old blogger’s humble opinion.

With Holly, King has created a strong female character.  And one who we can relate too, as Holly is not perfect.  I would guess that Holly is somewhere on the autism spectrum, given her quirks.  Holly has also suffered her share mental health issues, as she candidly talks about her suicide attempts.

I love how Holly, over the three books, has broken free from her prison.  In Mr. Mercedes, she is almost a minor character, at least at first.  However, she becomes a major player in the chase for Brady, and saves the day at the end, by hitting him on the end.  This allows Holly to stand up to her non-supportive family, and start living life on her terms.

In Finders Keepers, Holly continues to be an integral part of Hodge’s team and life.  She uses her smarts and computer skills to help track down the bad guys, and also keeps Hodges at least somewhat grounded, as she looks after him, in almost the same way that spouse would.

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And in End of Watch, Holly continues to shine.  She talks to Barbara after her suicide attempt, and is the only able to get Barbara to open up (this really was one of the most beautiful moments in the book.)  She fights Brady again.  And she will be responsible for the continuation of Hodges’ legacy, as she the business has been left in her (more than) capable hands after his death.

Will Holly continue to be a presence in the Stephen King universe?  Hopefully, us Constant Readers will be so lucky as to catch another glimpse of her.  But only time will tell.

Then, there is the ending, along with the build-up to said ending.

So let’s talk about that.

Now, when I first heard the title of the final novel in the Mercedes trilogy (which I had to look up the meaning of…gotta love Google!), I cautioned myself not to take anything too literally.

“End of watch” is police-speak for the death of an officer, but this is Stephen King.  He is always full of surprises, right?  The title could mean anything, so don’t read too much into it, right?

Well, sometimes we need to take things literally.  The title to the final book in this trilogy is meant to be taken literally: it is the end of watch for our beloved Bill Hodges.

I was somewhat reminded of this season of Arrow, in fact.  At the beginning of the season, Damian Darhk tells Lance that he will kill his daughter if Lance does not comply.

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And the show teased a funeral of a major character, from the first episode of the season.

But I told myself not to take things too literally.  After all, anything could happen, right?

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Well, it turned out that Darhk’s threat could in fact be taken at face value.  Laurel Lance, aka the Black Canary, was killed, and Damian Darhk was in fact responsible for her death.  In other words, he carried through on his threat.

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And Stephen King also carried through on his threat, with the death of Hodges.  Seriously, the man likes to kill off main characters.  Maybe the tears of his readers provide seasoning for his food?  Well, I guess that’s one way of making sure that chicken turns out right…kill off a major character, and use the tears from your readers as seasoning.  Works every time!

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The second I found out that Hodges had pancreatic cancer (and you know you had to read up until that point to find out what was the matter with him, because, like Holly, you didn’t buy the whole ulcer theory), it felt like I found out that a friend or family member had terminal cancer.

Because that is what Stephen King characters do:  they become friends, or maybe even family.  And finding out that your friend or family member has terminal cancer is hard.  In fact, my heart felt heavy the day I finished reading that part of the book.  And I thought to myself that maybe the title can be taken literally, even though I still held on to a thin thread of hope that somehow Hodges would conquer his cancer.

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Finding out that Hodges had cancer also made the story that much more tense and suspenseful.  I knew that Hodges was ill, but I still wanted him to have the satisfaction of defeating Brady.  Ka is a wheel, as some other King character stated.  It started out with Brady, and it ended with Brady.  And if anyone deserved some closure, it would be Hodges.

I also feared that Hodges would die in his attempt to take down Brady.  And that ending would not have worked for, as that would have meant that Brady would have still won, even if Brady himself died.

But my man did not let me down.  Even while in the grip of terminal cancer, Hodges (and his friends) still managed to kick some major ass.  So Hodges won, and Brady lost.

The last chapter in the book made my eyes just a little bit leaky (seriously, what is wrong with my plumbing these days?)

I had hope that Hodges could beat cancer as well, but deep down, I knew that hope was futile.  But still, there was that tiny glimmer.

So I was saddened at the end, although not too surprised.  Hodges passed on to the clearing at the end of the path.

Holly and Jerome did something beautiful to remember their friend, by placing a popcorn box in an empty seat at the movie theater.

In other words, they saved him a seat.  And that’s what you always do for your friends, as they will always be there, right by your side.  In life and death.

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So this concludes The Mercedes trilogy.  To paraphrase a certain famous King character, ka is a wheel that comes back to where it started.  And that was the case for William Kermit Hodges.  He came back to where he started.  And he ended it in grand fashion.  A true gunslinger, right to the end.

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RIP, Hodges.  You will live in my memory forever.

That’s the great thing about Stephen King characters.  Somewhere out there, there is a Constant Reader discovering his characters for the first time.  And since they are always being discovered, they can never die.

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Join me next week as I review and dissect the underrated gem otherwise known as The Dark Half.

Tune in next week…same bat time, same bat channel!

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Connections

Just for fun, here are some of the connections to King’s other work that I found in End of Watch:

-Brady’s hospital room is room 217.  Room 217 is a room that has significance in the novel The Shining.

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-Brady awakens from his coma with PSI abilities.  This is similar to what happens to Johnny Smith in the book The Dead Zone.

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-There is a character named Brooks in the novella Rita Hayworth and the Shawshank Redemption, which is a part of the collection Different Seasons.

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-Brady’s abilities are similar to the abilities of several other characters, including Carrie White, from the novel Carrie.

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-A pink Zappit device is mentioned.  In the short story UR (part of the collection The Bazaar of Bad Dreams), there is a pink Kindle device that is able to access stories and books from alternate realities, along with newspaper articles from the future.

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-The song Don’t Fear the Reaper, by Blue Oyster Cult, is mentioned.  This song is also mentioned in the book The Stand.

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Penny Dreadful: Season 3, Episode 4 Recap and Review

Sometimes, all you need is a big, ugly cry.

You know, the kind where your face ends up covered in snot, your nose and eyes are swollen and you share the same coloring as a ripe tomato.

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And sometimes, you need this, but you don’t know you need this.  So, it’s up to someone, or something, to let you know that you need this, so that ugly cry doesn’t stay trapped within your soul forever, turning you into some kind of horrible monster (or is that just me?)

So, enter one of my favorite television shows…

No, not Buffy the Vampire Slayer, although thanks to the Scoobies, I learned the meaning of “ugly cry” at a relatively young age.

No, I am talking about the “other” show about vampires.

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Yes, that’s right...Penny Dreadful!

I know, makes sense, right?

You need some catharsis, so just watch a period horror show series and you’re good, right?

Josh Hartnett as Ethan Chandler, Timothy Dalton as Sir Malcolm and Eva Green as Vanessa Ives in Penny Dreadful (season 1, episode 1). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_101_3501

Well, actually, the answer is yes.

Penny Dreadful may be that “literary show period show with monsters”, but once again, it has proved to us that it is much, much more than that.

I mean, if you’ve been faithfully watching the show from the beginning (or binge watching, I won’t judge), you have probably realized this already:  that Penny Dreadful is much more than meets the eye.  It has shown us that it, in fact, is much more than meets the eye time and time again.  And that is the reason why I love the show so much.

But just when I think I can’t get blown away again, it happens.  I watch, as is my custom on Monday nights right now, and I get my socks knocked off.  And all for the price of just under one hour of my time!

So, let’s get to it, and review and dissect this week’s episode, titled A Blade of Grass.

As always:

Homer spoiler


Synopsis

The episode begins with Vanessa trapped in a fugue state.  Vanessa has traveled back in time to her days as a patient in a mental institution, the Banning Clinic.  Dr. Seward tells Vanessa that she is trapped in this state until she comes to some kind of resolution, but that she will not abandon her.

Vanessa is trapped in a padded cell at the Banning Clinic.  Her only reaction is with the orderly who would later become The Creature.  At first, the orderly plays by the rules, and tells Vanessa that she is not being tortured, and that what is being done to her is being done in the name of science.  However, the orderly gradually comes to believe that this is, in fact, not true, and begins to show compassion towards Vanessa.

One day, the orderly brings Vanessa a blanket, after she is forced to undergo hydrotherapy and is shivering and wet.  The orderly comes back later and takes the blanket from Vanessa, as it is against regulations.  Vanessa reacts by clawing him in the face.  The orderly subdues Vanessa, and Vanessa is then confined to a straight jacket.

Because Vanessa is confined to a straight jacket, the orderly is forced to feed her himself.  He brings a wooden spoon from his house, as the wooden spoon will not hurt her mouth.  Vanessa complains that she is being tortured because she must become “normal”, as the current social structure will not accept a woman like Vanessa, who deviates from the norm.

The orderly begins to open up to Vanessa.  He will not reveal his name, but talks about his wife and son.  Vanessa tells him that she thinks that she has been touched by Lucifer.  The orderly leaves the room, but turns to Vanessa, and tells her he believes her story about Lucifer, as he was there.  His eyes then shine black.

Vanessa begs Dr. Seward to pull her back to the present, but the doctor tells her that is impossible at the moment, as Vanessa must work through these memories.

During her time in the institution, Vanessa is robbed of her ability to speak, as she is gagged.  One day, the orderly removes the gag, and brushes her hair and puts some makeup on her, to restore her sense of dignity. Before removing the makeup and mussing up her hair again, he holds a mirror before Vanessa’s face, and reminds her that this is who she is.  The orderly reads Vanessa poetry, and fantasizes about a day when they can walk out of the institution together.  The orderly then leaves the room, telling Vanessa that it is Christmas day, as he shuts the door.

Over time, Vanessa becomes closer to orderly.  One day, she removes her gown and attempts to seduce him.  The orderly responds to her kiss, but pulls back, and puts the gown back on Vanessa.  He begs her to get better, as he has seen what happens to Dr. Banning’s lobotomy patients.

The orderly then begs Vanessa to talk to him about her problems, and pulls up a chair.  Vanessa brings up Lucifer, and the orderly’s eyes turn black, and he introduces himself as the devil.  The devil tells Vanessa that her God has abandoned her, and that if she gives herself over to him, they can rule the earth together.

A laugh then echoes through the room.  Lucifer cowers in the corner, as the devil’s brother, also wearing the orderly’s face, appears to Vanessa.  We find out that this second entity is Dracula, and unlike Lucifer, he wants Vanessa’s flesh and blood.  Vanessa nearly gives herself over to Dracula, but snaps out of it, once she hears his name.  Vanessa then cites the Verbis Diablo and levitates, coming back to reality with the orderly next to her bed.

Taking the advice of the orderly, Vanessa pretends to be “normal,” in the hopes that she will be released from the clinic. However, she refuses to deny her faith, and the doctor refuses to release.  Instead, he shaves her head and schedules her for a lobotomy instead.

The night before Vanessa’s surgery, the orderly pays her a visit and tells her that he has tendered his resignation, as he believes that his employer is engaging in inhumane practices.  However, he promises Vanessa that he will not leave before she receives the anesthesia, as he wants that last face she sees to be the face of someone who loves her.  Vanessa kisses him, and both weep.

Vanessa then comes to in Dr. Seward’s office.  The doctor is startled and apologizes for the cigarette burn she gave to Vanessa in an attempt to rouse her.  Vanessa states that she remembers everything, and reminds the doctor that she has told her in the past that people name things that frighten them.  Vanessa says that she is no longer frightened, and that the creature who had frightened her previously is named Dracula.


My Thoughts

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And on so many levels, too.

First of all:

All.  The.  Feels.

Now, Penny Dreadful is kind of a feelsie show, but this episode really outdid itself.  Really outdid itself, in fact.  Let me count the ways…

Now, Vanessa and Caliban (whenever are we going to find out his government name?) have had a handful of scenes together.  In particular, there was the poetry scene last year (somewhere along the line The Creature developed a taste for poetry, who knew?)

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And there was the scene in the last episode of the second season, where the two shared a dance…

Eva Green as Vanessa Ives and Rory Kinnear as The Creature in Penny Dreadful (season 2, episode 5). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_205_1509

But now, we have this episode.

I don’t normally care about awards (Emmy, cough, cough) but really, this episode not winning SOME kind of award is simply criminal!

I mean, this episode was (mostly) done by two actors (although Patti Lupone did a fabulous job, as always.)  It mostly took place in one room.  And the special effects were minimal (although the shadows that appeared when Lucifer and Dracula took over were pretty cool.)

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And this episode was mind blowing.  In fact, it may be one of the best episodes that the series has ever put out.  Which is saying something.

We also had one actor (Rory Kinnear) play three different roles in one episode.  All in his orderly get up.  This brings the number of roles played by Mr. Kinnear up to four (The Creature, the orderly, Lucifer and Dracula.)  Is there anything this man can’t do?

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Let’s talk about Mr. Kinnear for a minute, too.

Many of the accolades for this episode are probably going to my girl Eva Green (and this is not necessarily a bad thing), but Mr. Kinnear simply blew me away after I watched this episode.

I have always had great love for Caliban.  He is one of my favorite characters on the show.  But, to be honest, I never thought (or cared) much about his pre-Creature life.  I knew that he had one, but it never really crossed my mind.

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Until now.  And I had made some assumptions last week.  And we know what happens when you assume…ASS!

This character arc was NOT what I expected.  For some reason, I had thought that maybe Caliban’s job as an orderly had hardened him.  At the beginning of the episode, my assumption was correct.  He was pretty rough with poor Vanessa there for a bit, with the force feeding and having to subdue her when she scratched his face.

But, as this show likes to do, it all got turned upside down.  And in a good way.  The orderly began to read Vanessa poetry.  And he brought a wooden spoon from home, so Vanessa’s mouth wouldn’t be hurt.

And the brushing of Vanessa’s hair and application of make-up, to remind her of who she was…beautiful.  Although when he removed her make-up and clumsily mussed her hair back up again…I think that was actually the most heart-wrenching part, as it symbolized Vanessa having to shed her humanity yet again.

I also loved his story about building a ship with his son, and the realization that people (as in Vanessa) are often forced to live where it’s cold and lonely.  But having even just one person who believes in you can make the cold and loneliness vanish, at least for a little while.

Rory Kinnear as The Creature in Penny Dreadful (season 3, episode 7). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_307_1030

This episode may be considered to be “Vanessa-centric”, and that thought would not necessarily be wrong.  However, I consider this episode to actually be more about Caliban than anything.  Clearly, the time he spent with Vanessa changed him, and he came away a better person because of that.  And his character became much more interesting because of that.

Of course, I need to throw some accolades at Eva Green.

As if you couldn’t figure that out…

I don’t know how she does it.  Very few people can make crawling on a ground, being nose to nose with what may be (literally) evil incarnate, look classy, but Eva Green has that ability, and should get an award for it, if such a thing exists.

And even when she is clawing a poor orderly’s face, she still manages to evoke sympathy.  I mean, who does that?

My girl, that’s who!

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Before we are done here, I want to talk about the ending a bit.

It would have been easy (and logical) for the episode to end after Vanessa threw down some shade via the Verbis Diablo.  But this is Penny Dreadful.  So nix easy, and (sometimes) you can nix the logical with that, too.

It was pretty clear to me that, along with being Caliban-centric, this episode was about Vanessa not forgetting her humanity, even though she has not one but two forms of (literal) evil incarnate fighting over her.  The scene at the beginning with Dr. Seward telling Vanessa that she would not abandon her for anything (another gem in this episode, aka Patti Lupone proving she is worth her paycheck) was some pretty good foreshadowing of this fact.

Christian Carmargo as Dr. Sweet and Eva Green as Vanessa Ives in Penny Dreadful (season 3, episode 2). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_302_5122

Vanessa has clearly spent much of her time alone in her struggles, with no one to turn to.

Then, enter the orderly.  Although I still believe that this episode is actually Caliban-centric, as his time with Vanessa effected a massive change in him, it is pretty clear that Vanessa benefited from this friendship as well.

I think that perhaps Vanessa needed a reminder that relying on others is not necessarily a bad thing, so her mind forced her to remember someone who was kind to her.  Someone who loved her.  Someone who was willing to sacrifice for her.

In short, someone who reminded her that she is worthy of love and support, no matter what other-wordly forces that would try to lame claim to her.  A worthy human, in other words.

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So that’s it for Blades of Grass.  Join me next week for the review and dissection of episode 5, titled The World is Our Hell.

Tune in next week…same bat time, same bat channel!

batman and robin